The Inconsistent World of TV Script Formats

[@allenwroteon]

Fun fact: multi-cam setups were used to make early talkies more dynamic because the mics had to be stationary and the actors had to stay in basically the same spot all scene to be heard. If you found this video helpful, there's actually an entire playlist of content just like it: kzbin.info/aero/PLsaBdhB_NLNr3mhOvfH2UDbhnwC0hwjav

[@robertb2196]

Could you do a video on adaptations or rewrite or retelling of an established IP and permissions needed surrounding that? How much new material will constitute it as being new intellectual property? Etc. And also in regards to using the names of real people and places in a script, if this is accepted practice? Thanks! Love the channel.

[@allenwroteon]

@@robertb2196 I've added this to my list of video ideas! But in general, you need to control the rights to sell any screenplay based on established IP (unless it's been moved to public domain). That usually means an option agreement with whoever owns the IP (the one exception can be parody, like SPACEBALLS or SCARY MOVIE, which usually has more wiggle room). If you don't control the rights, it's almost never a good idea to write the spec script because no production company will purchase the screenplay without knowing they'll have the rights necessary to produce it (though there are some famous spec scripts based on IP that got writers attention and led to other writing work). When it comes to stories based on real people, facts are generally not copyrightable; only their presentation is. So if you write a story based on the facts around a true event, you are usually in the clear. But if you write it based on a particular source (think "Winning Time"), then you still need rights to that. But every situation is unique, so be sure to consult a Lawyer for your particular case if you have any concerns.

[@rohinb97]

Your videos are criminally underrated. I like reading scripts for the shows I like to get a sense of how they write them, and this is an ultimate guide that helps me make sense of those PDFs. You’re doing an amazing service making these videos for aspiring writers. Thanks a lot!

[@carelikecrazy]

Another excellent video, Allen. You should be real proud of what you're producing. They're always so well put together. Easily the best I've seen.

[@WatipasoMakukula]

This is very helpful and underated. Thank you very much.

[@mindmoths]

Just finished the whole format series and it is the best and most informative I've come across on the platform. Thank you so much for your work. I'll be tuned in for your next stuff.

[@allenwroteon]

So glad it's been helpful. Thanks for the support!

[@mn-ru4li]

Your work is brilliant, to the point and practical - showing lots of examples. I just realised you don't have anything for flash forwards or flash backs.

[@allenwroteon]

Thanks so much! I actually cover flashbacks in the Heading Notes Video (kzbin.info/www/bejne/d6jdpWuOjtaZnJo) if you're looking for that info.

[@xella3525]

Could you discuss writing short films? I'd love to hear your thoughts on the medium.

[@allenwroteon]

I've added this to my list of video ideas. They mostly differ in structure, so it'll be a natural fit to discuss them when I start tackling film and TV story structures soon after this formatting series is wrapped up.

[@xella3525]

Amazing@@allenwroteon I find writing impactful short films such a difficulty, can't wait to hear about your perspective!

[@TiagoCavalcanti-ji6hu]

Awesome.

[@locho41]

I love your videos, really helpful!

[@allenwroteon]

Glad they're helpful. Thanks for watching!

[@janosrock]

god, i hate laugh tracks so much....