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In part two the remarkable roll call of Soho survivors continues, all happy to confirm Deakin's personality as a funny sharp wit with a magical eye.
Both Lucian Freud AND Francis Bacon had originally agreed to appear in it, and it seems a shame lost forever that they in the end both, separately and for different reason, demurred in the end.
Yet in print Bacon was happy to both praise Deakin, and then to Dan Farson express his lack of any real knowledge of him at all. Over the phone Freud described Deakin as both "Cinderella and the Ugly Sisters", which seems especially astute.
If both these painters had been persuaded to be interviewed, its safe to say this television documentary would be much better known.
Yet it still stands as a fine document of the tone and style of the hard-drinking characters that Deakin was at the centre of.
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