The Lighting Setup That Makes Me the Most Money | Inside Fashion & Beauty Photography: Lindsay Adler

[@yadiraismael9230]

In the world of photographers there is so much secrecy and competition that Lindsey's work is a true inspiration. A true professional should not be afraid to share his knowledge if he is confident in his ability. I am an absolute fan

[@rbstudiosphotography]

I really could not agree with this statement more!

[@gregorylagrange]

Think that's called a feeling of job security.

[@normandy2501]

​@@gregorylagrange there is no such thing

[@bobbullethalf]

I do agree with the standoffish nature of photographers. They seem to think that there is some esoteric knowledge that they are keeping us from. When there is so much information out here in books, videos and just plain peachy up and coming photographers.

[@hausofjai3644]

Or HER knowledge‼️

[@theblanklogo]

Love that single light shot. Those lovely, subtle shadows on the cheekbones are 'muah'!

[@fraensemeier-fotografie]

No bla-bla, straight to the point, very good explanation with showing the effect in real-time - GREAT! Thanks a lot Lindsay Adler and Adorama.

[@glenmcdowell]

I used this setup today for a clothing shoot today subbing the scrim for a 59x79 collapsable diffuser and only the one bare bulb. Worked SO well! ...and so much easier than the way I was doing it before. Thank you Lindsay.

[@ApertureViews]

I'm curious, could she have illuminated the scene solely with constant video lights instead of strobes? Couldn't she have replaced the two rim lights with video lights equipped with softboxes? why scrims? They're massive wouldn't a large 3-foot softbox or bigger have the same effect.

[@douglasdollars]

Every video with Lindsay on lighting is so good. Thank you for having so many, it's definitely inspired maaaany useful purchases.

[@ojanmaul]

Woah, talk about a money-making lighting setup! Lindsay Adler truly knows how to master the art of fashion and beauty photography. Can't wait to see what other tricks she has up her sleeve! 💫

[@minma02262]

That model is so professional. She maintained the pose while the speaker was talking. 😂

[@vonpotatostein]

Thank you Lindsay and Adorama for all that you people share with us!!! You can't even begin to realize how much I appreciate all you people do!

[@Riverrockphotos]

Yes Adorama dose and amazing job with the people who they use to teach stuff. Even us old dogs learn a thing or two.

[@ajgonzalez5109]

I have learned so much from Lindsay's videos, I'll be eternally grateful for all the knowledge shared!!!!

[@321248452]

Hi from Toronto 😊 As someone who normally shoots in natural light I have been very nervous about shooting with flash in studio lighting. I'm just here to say thanks for this video. I'm self taught and these tips really help, the shoot went amazing today because I used this set up. It was a great introduction to lighting for me I can't wait to see what else I learn from you.

[@josephchan4198]

I did collaboration a few times on swim wear and clothing. It good to have a backup camera or extra battery at a rental studio if you forgot to recharge battery for personal work if doing action shots also.

[@bala1000mina]

Awesome tutorial! Awesome tips! Thank you Lindsay and all the great guys at Adorama!

[@josephchan4198]

Hope to see Lindsay on this channel when she not busy. Great work by her and other instructors.

[@alexanderpons9246]

Oh wow, great light by light video Lindsay Adler, can't decide which set is better! And thanks to ADORAMA for having great tutorial videos like these on their channel.

[@НатальяРозина-д9б]

Thank you, love the way Lindsay teaches ❤

[@you2hoho]

Thank you for this, oh goddess of light

[@josephchan4198]

I always learn something from her classes. Awesome instructor.

[@lucrecialethierphotography]

Lindsey's work is a great!!!

[@revan.3994]

Maybe you allow a slightly off-topic question: >> What's the more ideal combination for someone who is doing nearly 50:50 in Travel/Landscape and Portrait photography? 1) RF 24-105 f/4 & RF 70-200 f/2.8 or 2) RF 24-70 f/2.8 & RF 70-200 f/2.8 ...looking forward to the upcoming R5 MkII to switch from my 5D MkIII with the EF 24-105 f/4 Kitlens and my old Sigma EX 100-300 f/4... as I am not sure if I should spend the extra 1000€+ for the 24-70 f/2.8 🤔. I also have to say that in the last years I switched from 80% Travel/Landscape and 20% Portrait to the before-mentioned 50:50. Thanks in advance for your tipps! 👋

[@yocomania6178]

Muchas Gracias Lindsay mucha valiosa información.!!

[@dsvvvision5951]

Is there a substitute for Scrim Jim since it's expensive? Can we use nylon fabric or something else?

[@ErinLAnderson]

Fantastic info. Thank you. Saving your class link for when I am ready to use strobes.

[@sissonor]

You are a great teacher 😃

[@EmilyRad]

Will a smaller scrim work for full Body? 8x8 is so large for my studio space but i love this set up

[@Jwitherow1964]

Using the 8 x 8 scram did you light it with a shoot through umbrella? Thanks your amazing

[@dsvvvision5951]

2:34 its bare bulb no umbrella

[@joseph-the-seventh]

Would have been nice to see how the Scrim Jim is being held... two C stands with manfrotto super clamps?

[@troyingram716]

Somebody went and posted Carvagio portriats. I got through the white & burnt sienna part and it really helped luminosity in my painting.

[@jamilgotcher5456]

I've never used a scrim before, can't wait to try this! My favorite between the looks you photographed was the one where the background was slightly darker because I liked the contrast between the background being slightly darker and the outfit was lighter. I loved the color of that background.

[@joseph-the-seventh]

Amazing setup tutorial! Any suggestions for a cheaper alternative to the Scrim Jim? I think Neewer made one at one point but it seems to be have discontinued :(

[@JonaShilongoNambano]

I am interested and follow the instructions

[@birdsinfocus496]

This is soooo good and useful

[@coulorfully]

grateful for you!

[@abadjoseph]

Thanks for the content! How would you light this, for a similar look, but only with two lights?

[@Meth0z]

Dang.. love that lighting setup!! Sadly... my studio is tiiiiny.. i have a 7ft umbrella i love.. and i can barely use it sideways for my shoots..

[@ajgonzalez5109]

you have a 7ft umbrella???

[@Lucy-dk5cz]

@@ajgonzalez5109 they are common

[@diegomaestre]

Love this

[@sarapearganda]

Fantástico como siempre¡¡

[@davidfaj1]

THANK YOU LINDSAY, YOU HAVE ENLIGHTENED MY DOUBTS ABOUT USING SCRIMS. I MADE A CUSTOMIZED SQUARED 5FT SCRIM THAT NEEDS A 3 STOP PLUS FLASH LIGHTING BECAUSE OF THREE LAYERS OF SILK TEXTILES, IS THIS PRACTICAL?

[@ApertureViews]

Can you swap out those 2D twos with A2 and small umbrellas and achieve the same look out maximum power

[@Miria_lima]

I really appreciate all of your videos!!! You are an true inspiration! I just bought two of your books and I am so happy. I have one question. What program do you use when you are tethering to check your photos?

[@trdougherty]

I'd like an answer to that question as well, especially because I so often read that tethering a Cannon (in my case 1Dx Mark II and 5D Mark IV) to Lightroom Classic can be troublesome.

[@jb-wj3wn]

What effect would Moving the strobe closer or farther from the scrim . Say 2’ vs 6’ .

[@DanaBphotog]

Lindsay you do such amazing work. I park a lot from you 😊

[@m77ast]

Im trying to understand those background lights. I cannot see them properly. looks like they are going into black umbrellas bouncing back. dont understand it.

[@gideonthebrave3602]

I love this lady 😊

[@beverlybasden2648]

Thank you so much!

[@hectorpacheco5154]

What a saint of a woman

[@gregshawphotography8828]

Lindsay, I love this lighting setups. I don't have an 8XX scrim. That's on my list. What class do you offer to really talk about marketing yourself to make more money as a commercial photographer?

[@ninergoldrush2680]

dumb question , but would the shoes rip the backdrop ? Or is it made out of another material

[@MichaelCook1981]

If you’re on a hard surface, it shouldn’t tear the paper. If you have carpet, the heal could puncture the paper.

[@andyv6127]

Great, thank you. What aperture do you typically use on the 24-105?

[@MichaelCook1981]

F/11, but camera settings don’t really matter. You can achieve the same exposure with different cameras settings.

[@veselinvasilev9362]

Thank you!

[@johnclay7644]

useful content.

[@bassmonk2920]

Does the client have a courtesy monitor or looks at the tethered laptop?

[@jaypeesee3333]

THANK U very much!!!

[@rebirthgil23]

Grandes clases

[@lu.bo.do.]

hello, what is the orange cable , and what app you are using on the macbook to show image immediately after taking the picture ? thank you so much

[@MichaelCook1981]

Tether Tools tether cable and Capture One for software.

[@marcomark8]

What can we do in case we don’t have the money for that 8 x 8’ scrim or the room?

[@Lucy-dk5cz]

You can learn basic principals of lighting. Scrim isn’t magic

[@lindsayadlerphoto]

You can improvise and make something with a sheet or there are similar ways to achieve large flat light as well.

[@MadamT_]

❤

[@sijilo]

😊

[@truthsayers8725]

while i am more than competent to shoot something like this, getting work has been the bane of my existence. i mostly do PJ/Sports for a very small web based news site and a local semi-pro hockey team, ive offered the local historical museum FREE HEADSHOTS to bring their presence up to current year (probably last done pre-pandemic, if even then) and they'll 'get back to me'. been waiting 3 weeks now. another bid for a Double Tree internal use headshot was quoted at $300 for a half-day shoot (they had 6-7 people needing new images) and apparently that was too expensive for them. i dont get it. im about to give up....

[@BUCKSHOTSTV]

This might not be the answer you want, but what I used to do when I was actively looking for portrait work, was charge by the hour. I would say up to 10 people, $150, 4 images each, basic color correction. If they wanted some actual retouching then I’d charge $50 each image. That $150 price range almost always got me booked, and then that booking always led to more work as they would ask for portraits for their family members, events, etc. I did my best to take a great image sooc, then spend very little time in Lightroom. In that hour, I would let the client know they needed to be ready by the time I arrived and set up. Most times, I was done in less than 30 mins. Yes yes, I know we care about our work and want to be artistic, but I found most headshot portrait clients need it done quick because they have to do it. So $150 didn’t break the bank, and they were usually ecstatic with their images and it kept me busy. Btw, my base price was always $150 an hour. So if it was just for a bank president, I still charged $150 an hour if it was just for 1 person.

[@truthsayers8725]

@@BUCKSHOTSTV thanks! i eventually did get to shoot the museum. they allotted me 15 minutes for each staffer although, most of them were interested in the 'one and done' approach. i got through them pretty quickly, i was tethered and they got to see the images before hand and of the few (i think there were 10 folk) that allowed for more than just one or two to ensure open eyes, i had them pick the one they liked best and i made a note of that. im still trying to get some paid work in the headshot/portrait genre but its rough going! im glad im still getting a paycheck for playing with robots and electricity and such!

[@nickglenn7702]

Hi sorry for contacting you in this way but I don't know any other way 😢 been trying to get the softbox lighting and my card has been cloned so it's on stop at the moment but I really want that can I get back to you when it's all sorted out and you can send me the link again please

[@careylee5951]

Lol, that scrim Jim is $1000

[@King.breaker]

That’s photo life

[@hyprz]

Such an angry looking model lol