Wonderful video. Amazing to listen to some classical sax on the channel ... I'll be checking out more of Tim's work. Fantastic.
@gangofgreenhorns2672 Жыл бұрын
Backun has a good youtube, mostly about clarinet stuff, but Eddie Daniels is often on their old videos giving great advice.
@overthetarget9401 Жыл бұрын
Good stuff. Love Tim's playing.
@chisaomusician7752 Жыл бұрын
I like it, this will be my next mouthpiece
@jimmymiller6068 Жыл бұрын
Interesting to hear a classical player talk about mouthpieces in the way a jazz player would.
@txsphere Жыл бұрын
Tim's performance of the John Adam's Alto sax concerto at the proms is available here on KZbin.
@davidclaro152 Жыл бұрын
Amazing video, clinic, and playing.
@battlestupid11 ай бұрын
Timothy McAllister!!!!!
@SaxInstructor Жыл бұрын
Noce video, thank you! Is it 3d printed or handmade? Ebonite or plastic?
@cilantro5221 Жыл бұрын
it is cnc machined, it is an ebonite/hard rubber mouthpiece, the finish on it is a 3d stitch finish, its only affect is on appearance.
@XavierJordanMusic Жыл бұрын
🔥🔥🔥🔥
@ongtengkee9225 Жыл бұрын
he was born in 1972?LARRY TEAL died when he was only 12?
@Celica202 Жыл бұрын
So... Bach + vibrato... Really?
@ianhart5816 Жыл бұрын
If Yo-Yo Ma does it, so can TMac.
@TheSaxForge Жыл бұрын
You seem like someone who needs to hear this: If Bach were alive today, he would be a jazz musician.
@ZiSlepovitch Жыл бұрын
A singular reason why not?
@celadonk Жыл бұрын
The way I see it, there’s no reason for a saxophone player to abide by standards of a time period in which the instrument didn’t exist. Vibrato has been standard pretty much throughout the lifetime of the classical saxophone. Timothy McAllister isn’t claiming to give a historically-accurate Bach performance… he’s just playing it according to his own tastes and the standards of the instrument, which I think is totally cool
@ZiSlepovitch Жыл бұрын
@@celadonk All correct, my point is, there WAS vibrato in the baroque era and specifically Bach's music, although, for the most part, it was seen as an ornament rather than the mainstream way to play (on the strings or winds). This is a long discussion, and indeed, a valid question, as to how the instruments that did not exist then, but had direct predecessors (flute, oboe, bassoon) should be approached in performing music of a certain era and certain regional / composer style.