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The amazing story of the first all indigenous band Redbone and their ultra catchy 70s smash Come and Get Your Love. The band was compelled by a burning desire to put the spirituality and history of their ancestry in the forefront of their music... the band featured in this episode risked commercial acceptance...disregarded music industry conventionalism, and scored the first major pop hit by a group entirely made up of Indigenous Americans. The inspiring story is coming up NEXT on Professor of Rock.
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“Come and Get Your Love,” the addictive ‘feel good' invigorator from 1974, made REDBONE the first band compromised of Indigenous Americans to bust the Top 5 on the Billboard Hot 100:
REDBONE was an interesting mix of Mexican American, and Indigenous American heritage- which was proudly represented in their unique music, AND prominently displayed in their live concert performances, where band members wore colorful Native attire- such as moccasins, buckskin, and beaded headbands on stage:
The band was formed ’68 by the the Vasquez brothers, Pat & Lolly, who changed their surname to “Vegas” at the prompting of legendary artist manager Bumps Blackwell.
Pat & Lolly were in expert hands with Blackwell. He was the man recognized for navigating the careers of Little Richard & Sam Cooke, and discovering the untapped greatness of a future virtuoso named Quincy Jones. It all started in the suburbs of Fresno, California, where the Vasquez brothers ‘cut their teeth’ as a teenage singing duo- performing R&B & pop covers at clubs in the area.
Pat, the younger of the Vasquez boys, won Coca Cola’s 1st national singing competition in '58 at age 17. Part of the grand prize by winning the contest was receiving a recording contract, but he put that on hold to remain side-by-side with his big brother.
The following year in ‘59, Pat & Lolly took their act to Los Angeles, and became a fixture on the famed Sunset Strip, and officially changed their last name to” Vegas”.
The duo performed consistently at local clubs on Hollywood Boulevard, and Sunset Boulevard while writing and playing on records by luminaries like Tina Tuner, James Brown, Sonny & Cher, Little Richard, and Elvis: Perhaps, the most eventful shows on the Sunset Strip that the brothers performed back in those early days, was when they were the opening act for the provocative stand-up comedian Lenny Bruce.
Pat & Lolly opened for Bruce for two weeks, and during several of those engagements, Bruce was arrested in the middle of his routine for using excessive profanity on stage, and taken to jail in handcuffs. The brothers were both great singers, and proficient at several instruments. Pat was a superb bassist, and Lolly dazzled his peers with his prowess as a guitarist.
It seemed logical that they should further their talents & wide-ranging musical interests, and create a totally new act with a fresh, distinctive sound. Pat revealed that it was an exciting, emerging artist, by the name of Jimi Hendrix, who was part Cherokee, that inspired the brothers to do something that had never been done before…. Assemble an all Native American rock band.