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Frank Ticheli, Conductor
The University of Texas Wind Ensemble
Diana Newman, Soprano
Recorded October 27, 2013
1440p Resolution Recommended
The work’s title is inspired by the Sydney Opera House itself, with its halo-shaped acoustical ornaments hanging directly above the performance stage.
Angels in the Architecture begins with a single voice singing a 19th-century Shaker song:
I am an angel of Light
I have soared from above
I am cloth’d with Mother’s love. I have come, I have come,
To protect my chosen band
And lead them to the promised land.
This “angel” - represented by the singer
In opposition, turbulent, fast-paced music appears as a symbol of darkness, death, and spiritual doubt. Twice during the musical drama, these shadows sneak in almost unnoticeably, slowly obscur- ing, and eventually obliterating the light altogether. The darkness prevails for long stretches of time, but the light always returns, inextinguishable, more powerful than before. The alternation of these opposing forces creates, in effect, a kind of five-part rondo form (light-darkness-light-darkness-light).
I do not own anything in this video, all rights go to GIA WindWorks. I do not make any money off this these videos .