Thank you Chris for keeping this channel going and for passing all this on
@jamesrobinson5294 жыл бұрын
Barry's method is definitely a rut breaker. This is so inspiring!
@PedroSilvaMusic3 жыл бұрын
After 30 years of playing, your channel has launched me into a novice again. Amazing content. Thank you for doing these lessons.
@44y4l43 жыл бұрын
love what u said about Bach and Chopin, it's 100% correct. The classical piano mafia sucks.
@avantagonist4 жыл бұрын
Yo this channel is a gold mine thank you so much
@user-mj5le9zw6i4 жыл бұрын
Thanks a lot! In my opinion, Barry is most interesting and striking jazz musician in America! Hi from Saint-Petersburg! =)
@chasemcclendon96599 ай бұрын
If I can sound like you learning this, then it’s what I have to do. I love this sound, what an amazing system Barry created
@kubilay18394 жыл бұрын
Awesome commentary awesome pharasing . I am glad that subscribed this channel. Looking forward to see more videos. Peace.
@decincotres4 жыл бұрын
Keep up the excellent work! This is some outstanding jazz education.
@TheDave2924 жыл бұрын
Thanks, Chris. This is a great supplement to our recent lesson. I was not focusing enough on the inversions of the arpeggios and now understanding that the V of the original key acts as a “tritone trigger” for new material...THAT is a quantum leap!
@TypingHazard4 жыл бұрын
Always good to see a new video, and on a snow day no less.
@BuckJoFiden Жыл бұрын
Awesome This lesson is full of great concepts. I’ll be spending a lot of time on this. Thanks so much 🍻🇦🇺
@pitullo704 жыл бұрын
Pure Gold
@efrenhei49023 жыл бұрын
Thank you, greetings from Argentina
@sega62s2 жыл бұрын
I got trouble focusing on your theory when I hear the sound and see your gear, gee…..you got the best stuff that money can buy 🥰🍻🍻🍻
4 жыл бұрын
Always so good, thanks :)
@Joobie4 жыл бұрын
Great vid.
@mauropala77584 жыл бұрын
Amazing lesson!
@judahroused11683 жыл бұрын
Real talk
@Ntimitree4 жыл бұрын
Things I kept...in case of a major 2-5-1 you can improvise using two major scales a semitone apart. Thanks!
@tadasuyamato9303 жыл бұрын
Your video is worth as joe pass jazz line video ! One things when you play Tritons things without chord truck is much effect less.
@mlabash4 жыл бұрын
Thank you so much for your videos. They are so helpful for those of use who are trying to deepen our understanding of Barry's teachings. I have a question about Barry's "genealogy" of chords: if I'm not mistaken his theory accounts for 20 different chords. Arrived at, or course, by raising and lowering combinations of 1 or 2 notes of the diminished. I tried raising and lowering 3 notes of the diminished and found 8 more chords! 4 dominants and 4 minor 6th's! Can this be right? Or does the changing of 3 notes somehow alter the "chemistry" of the diminished? I would love to know your thoughts. Thanks very much!
@saxofonistacr3 жыл бұрын
thanks for all the info you are giving and makeing i t accesible, other videos of Harry himself talking about some of this concepts are hard to undestand, maybe because are fragments. Just a comment that might help your awesome contribution to be a fraction better, In most of your videos your guitar is too loud compared to your voice. Thanks for all this videos
@danielbarry55474 жыл бұрын
Just got a Tele myself, been using daddario chromes on a strat for a while. Having trouble choosing chromes or nyxl's for the tele. What kind of strings you use?
@FrantzesElzaurdia4 жыл бұрын
I'm also curious
@alexd.alessandro54194 жыл бұрын
Sorry, I meant to ask, from the Cmaj scale for the added notes, for example F instead of F# or from the D7, the 5 chord which of course is diatonic?
@dotankafkafi71164 жыл бұрын
Trying to understand how C-E-G-C arpeggio is used on Ebm-D7-Db [~9:56]: E and G of the arpeggio are dissonant to Eb and Gb in the Ebm chord. This doesn't sound well.
@LarrySiden3 жыл бұрын
When you pay an arp on the 7th of a dominant, it will sound suspended. That's fine if that's what you're going for, but it won't sound Dom without the lead tone F#
@evelyncharlottejoe42383 жыл бұрын
the point though, for the sake of lines, is to hear what it sounds like to resolve that in different ways. II-7 is a IV6 with a 6 in the bass. because barry thinks of a 2/5 as just 5 when talking about lines, playing that arpegio and resolving it to 5 is the same as playing the IV (or the II)
@alexd.alessandro54194 жыл бұрын
I have a question about adding scale notes, do we think from C maj or E Dom 7? Many thanks!
@YellowJello576 ай бұрын
Voice level is very low in this ep compared to the guitar
@donngoodside68854 жыл бұрын
Chris ___ Your episode updates, 'end up' in my, "SPAM" folder. How can I correct?Donn ____
@jazura23 жыл бұрын
He's teaches music! You need someone to show you how to mark it as 'not spam'
@noisyneil4 жыл бұрын
I really love your playing and it's amazing that you make this information available. Just wondered: what does BH mean by "important" regarding those three arps? *1, 3, 5, 7* 2, 4, 6, 1 3, 5, 7, 9 4, 6, 1, 3 *5, 7, 9, 11* 6, 1, 3, 5 *7, 2, 4, 6* I notice that all three contain the 7th. Is that considered important in that it colours each arpeggio with the dominant flavour? I'm wondering why the arpeggio starting from the 3rd isn't part of that list, as then you'd have four arps, each containing the 7th, that increase in colour (i.e. number of extensions).
@brothercaleb4 жыл бұрын
noisyneil - always “flat” 7th as this is on dominant chord. 🍻
@noisyneil4 жыл бұрын
Well yes, obviously. I was talking about scale degrees.