மதுரை மணி ஐயர் ஜி என் பி சகாப்தத்திற்குப் பிறகு வந்தவர்களில் TNS மிகச்சிறந்த கலைஞர். தனக்கென ஒரு பெரிய ரசிகர் பட்டாளத்தையே வைத்திருந்தவர். சாரீரம் இறைவன் அவருக்குத்தந்த மிகப்பெரிய வரப்ரசாதம்.
@121iamyou Жыл бұрын
An imitable style taking to the pinnacle in every canvas 🙏
@ponnsiva5 жыл бұрын
Guru Karaikudi Mani sir on mridangam! :)
@venkatakrishnansuryanaraya40762 жыл бұрын
After MS AMMA he is the one who has sung the song to great excellency
@manjunathml7887 Жыл бұрын
One has to listen to KVN’s rendition
@SribalaRamakrishnan Жыл бұрын
His rendition is a lacklustre version according to me.
@shankari15bala8 жыл бұрын
very nice as usual
@narendrahn98845 жыл бұрын
Violin m.s. gopalakrishnan???
@ganesanbala72834 жыл бұрын
There is no need to go like a super fast train when doing Kalpana swaras. The melody of this beautiful piece by Dikshitar that he heard on his deathbed is completely lost.
@gayathriseshadri28343 жыл бұрын
Swara exposition has been undertaken in Khanda nadai which is a laya feat in itself. A befitting climax to this masterpiece, especially since Dikshithar's compositions are known for their tremendous intricacy in laya. Nothing is lost for those who wish to experience as professed by Sadhguru himself "svara rAga sudhA rasayuta bhakti svargApavargamurA O manasA"
@SribalaRamakrishnan7 ай бұрын
Who are you to determine what is needed and where when it comes to music? If you dont like it, we respect that. Your comment is proof enough to understand your understanding of music. Such comments expose the person who does, than the artist himself. What is demonstrated here is a feat only a handful of great artists could even attempt.