Toccata d-Moll / D-Minor BuxWV 155, P.D.Peretti, Schnitger organ Stade, Dieterich Buxtehude

NOMINE video: CD-Audio quality, headphones recommended / Kopfhörer werden für den vollen Klanggenuß empfohlen. Orgelportrait unter www.nomine.net
Pier Damiano Peretti lehrt und lebt in Wien.
Assistance: Eun-Young Kim, Heejin Kim
Cameras: Martin Elsen
Recording and editing: Christoph Schönbeck
Copyright and production: NOMINE e.V. 2013

[@hjgk4568]

Bravo, an Orgelbauer Meister Arp Schnitger, den Komponist Dieterich Buxtehude, und natürlich an den Organisten Pier Damiano Peretti.

[@marcellomeneguzzo8869]

Bravo Pier Damiano, sempre eccezionale.

[@juanfischer7677]

Fkin great touch man close to the keys. And a constant Reed in the bass. This is the orthodox phantasticus style.

[@davidpreston6250]

His changes between the pedal reeds were spectacular.

[@samshearman5251]

Audio quality, great playing!

[@baxter5431]

Just EXCELLENT! Never heard this played any better! Sgnr. Peretti artistic in his choice of registration changes at key points throughout the piece. The old theory was that changes in registration during playing was impossible due to the stop knobs being out to the sides of the keyboard & having to be pulled out & pushed in so far. Obviously, Buxtehude, Bach & all the rest had assistants perform that task as proven here. Again, a wonderful performance! Thanks for posting this!!!

[@WilliamOAutry]

Sehr gut ausgeführt und eine tolle Interpretation! Herzliche Glückwünsche!

[@AbramBez]

And thanks to Ahrend for the beautiful restoration of the organ

[@user-ru8vy1uz7c]

Bravo bravo bravo

[@glockengambe]

Das ist eine exzellente und sehr empfindsame Interpretation,wie ich finde. Raffiniert und wirkungsvoll die Registrierung mit Dulcian 16' im Pedal bei der ersten Fuge.

[@jimhaase5625]

Das Werk ist große Kunst, aber diese Interpretation ist für mich die einzig wahre. Buxtehude wäre stolz - insoweit ich das beurteilen kann.

[@raulreyes725]

Exellent recording!!!

[@moseskfrost]

Thank You for this, Master Peretti. What a beautiful recording on Schnither's work, and the effulgent meantone tuning. You especially mastered the two passages following 06:43; that trill fit perfectly. Best regards: Moses K. Frost

[@user-en7ol3um7j]

Ein sehr präzise und schöne Interpretation. Im übrigen sehr interessant, dass die ersten beiden Takte als Manualiter gespielt werden.

[@musikwortkunst9019]

GREAT!!!!

[@andre26071955]

Many organists can learn from this interpretation how it has to be done....

[@Qctep]

I'd like to work on that combination action!

[@felipesaldana3756]

Que buena obra

[@urbanviii6557]

Too bad this sizable, beautiful and famous instrument resides in a room almost devoid of any acoustic.

[@paulcaswell2813]

Typical Lutheran 'preaching box'. One reason why Schnitgers, Müllers etc are so crisp - there's no hiding place for an organist! A big acoustic can cover a multitude of sins!

[@berylgreen1973]

This.

[@sergejnekrasov7688]

That's a very philsosophical ellipse sentence.

[@InterkosmosStudios]

SINISTRO

[@martinvanheusden9832]

It sounds a bit too thoughtful lieber Freund . Please, go WiLD! The listener doesn't have to witness a super-controlled realisation of an 'Urtext' score. Score are just Anleitung zur Musik'. Music, the ear-art you know. Drag the listener along in an overwhelming exposé. Buxtehude's keyboard music IS rich story-telling first class. Realize this without hesitation. Convince! Overwhelm! You are already a great man of the muses!

[@lesb_socal]

Ironic how someone playing a barebones organ such as this makes just as good music.

[@metelinensis]

remember Axterix..very afected

[@franciscoserna4171]

que personaje mas vanidoso..ni que estuviera tocando las trompetas del juicio final..

[@resonantdave]

Not exactly "toccare".

[@gustavspritzer7411]

Too slow