Trevor says “now it’s 2018, it’s not an innovative record anymore” truth be told, it’s just as fresh and inspiring as the day I first listened. To be able to make a record like that in the 80’s was cutting edge. No one makes music like that anymore. Today’s music scene is simply sad.
@XenoghostTV3 жыл бұрын
Absolutely true.
@sw6188 Жыл бұрын
I have often wondered why no one today makes music as it was done in the 80s. There's a whole generation of us who would eat up "modern" 80s music.
@bg357wg Жыл бұрын
@@sw6188 Do you know of and follow anyone whom you feel might carry that torch so far? I feel like it’s probably out there, but they get drowned out by the ubiquity of new works nowadays
@sw6188 Жыл бұрын
@@bg357wg Sadly I don't. I think there has been the odd song produced which is reminiscent of the 80s, but as you say they get drowned out by the dross of modern offerings.
@Johnny_Socko Жыл бұрын
@@bg357wg I can think of modern bands who carry the 80s in their heart, so to speak. But *produced* like the 80s? I'm not so sure, and sadly I don't have the expertise to really pin it down.
@jpaleologos14 жыл бұрын
Trevor Horn will always be regarded highly in my book because he created one of the most original and best bands of the 80s: The Art of Noise.
@blairwilliams1364 жыл бұрын
Moments in love has got to be one of the greatest and also most underrated songs to come out of the 80s . I have had that track in constant rotation for years whenever I'm demoing or tuning audio systems.
@MonoLith20494 жыл бұрын
I loved them. Marketed as ' god's backing band' and 'the band that doesn't exist'. Brilliant!
@KennyEvansUK4 жыл бұрын
One of the first jobs I had in the 80s was working on a video for the AON.
@thomasley40063 жыл бұрын
@@KennyEvansUK Which one?
@zuur3033 жыл бұрын
He also created some of my favourite extended versions of eighties tunes. Legend.
@mediumstudio5 жыл бұрын
people didn't like that snare?! its absolute perfection ...
@anthonymcilwain44265 жыл бұрын
Blew my mind at the time
@shadowmixx5 жыл бұрын
I was thinking the same thing. LOL! I loved that song when it was out and I still do.
@RhymesWithCarbon4 жыл бұрын
I want that snare drum sound on every recording I play on, forever. I just need a late-1970s Pearl steel like Stewart's... mine's close, but no cigar!
@jimdavignon4 жыл бұрын
It's tuned to A as well. Thats part of the reason it works so well
@SteveStockmalMusic4 жыл бұрын
Cooool I sat in for my older brothers band when I was in high school, (just for a rehearsal). I was “the kid“ and very nervous, so I quietly tuned my drum set, by tapping my finger. We started jamming and then at one point one of the guys stopped and said “hey, hit those drones for a second”. It turns out I had subconsciously tuned them to EADGBE. Craaaaazy !!
@sawnmiwe1460 Жыл бұрын
In my humble opinion, this is the greatest feat in audio engineering and production in the 80s. And possibly the best song made in the 80s all together.
@TheAciddropper Жыл бұрын
I would put tears for fears maybe on the same level regarding engineering and production. But musically i prefer yes.
@benadams1661 Жыл бұрын
Bobby Kimball (lead singer for Toto) "hold my drink, we gotta a little song called 'Africa'"
@sawnmiwe1460 Жыл бұрын
@@benadams1661 Doesn't even come close.
@garrettlowell7637 Жыл бұрын
This song also had one of the worst videos of the ‘80s-a packed field. Still, it’s great fun to play this song, and it allows for infinite improvisation.
@skierpage Жыл бұрын
"Owner of a Lonely Heart" is a great GREAT song and production, but "Slave to the Rhythm" is objectively the peak of 1980s bombast. £800,000, two studios, dual sync'd 24-track machines,, endless remixes, mountains of cocaine-fueled reinvention adding more and more parts. People are still making remixes and reminiscing about the project. I'd love to hear Trevor Horn talk about many of his other production masterpieces.
@rome81803 жыл бұрын
The performances in the original are just mind blowing.
@777jones Жыл бұрын
Chris squire… not only a great bassist, but a great vocalist.
@goofe.washington9532 жыл бұрын
If I like a song, there is nothing more fascinating - and pleasing - than hearing the deconstruction of it, and being able to identify the various components. This video is stunning.
@NessunDorma7324 жыл бұрын
How can someone not like that snare ?!?
@magnuszetterqvist5936 Жыл бұрын
Love it!
@MrRezRising4 ай бұрын
To be fair, high pitched snares weren't common in the early 80s. It was all fat bottom, deep snares left over from the 70s (thank you Mr.Bonham). Stewert Copeland taught the world to rethink that, as well as what a hihat is capable of. 🤘
@keithparker13462 ай бұрын
@@MrRezRisingfat bottomed snares make the rocking world go round
@OrzoMondo Жыл бұрын
"That's a Synclavier *and* a Fairlight". The fact that they used both gives away the type of song this is.
@andyr4941 Жыл бұрын
The drop into 3/4 in the middle gives me the goosebumps and the weird jazz section makes me smile. And the ending - what an ending. What a record! Genius.
@timpricedrums5 жыл бұрын
This man knows how to make drum tracks sound amazing. Slave to the rhythm is a masterpiece!
@patriciahealey29275 жыл бұрын
My husband is a singer reakeses with a German label his producer says slave to . Is the best production ever . the holy grail
@AL-PAKA2 жыл бұрын
no its not
@taccamine8312 Жыл бұрын
@@AL-PAKA Personal taste will always have huge variations :). In it's genre ( Jazzy/ funky / atmospheric) it's definately a stand out production. And it was way ahead of it's time.
@AL-PAKA Жыл бұрын
@@taccamine8312 no it wasn't ahead of its time at all, plenty of other artists tried this before, you know nothing about music.
@taccamine8312 Жыл бұрын
@@AL-PAKA I don't know how old you are, or if you are a musician (I've been a musician for 40 years). This was released in 1985. Name some other act that did something slightly comparable at that time?
@junkandcrapamen5 жыл бұрын
I loved the snare sound when the album came out. I was in music school studying jazz and ate this album up. Masterpiece.
@JacksonAxe5 жыл бұрын
Yup, it was all about that tight drum sound/playing for me.
@cd39495 жыл бұрын
Yes segment starts at 7:45.
@margeryharper78375 жыл бұрын
Cheers.
@kbbl102.53 жыл бұрын
Fanks !!!
@mikedr15495 жыл бұрын
Back when music had dynamic range. Very cool to see the various tracks!
@WBradleyRobbins5 жыл бұрын
There are still bands that have dynamic range. Tool sticks out as one. Stupid loudness wars.
@coolcat63034 жыл бұрын
And melody. And a memorable hook. And originality too.
@TheLuizSouza2 жыл бұрын
Nowadays there's really no reason not to have at least some dynamic range in your music, since every streaming platform (which are what matters now) and even KZbin will normalize the volume.
@StratsRUs2 жыл бұрын
Great music doesn't get talked over.
@noodletribunal9793 Жыл бұрын
well actually! compression is used so often because of the different situations in which people will find themselves listening to music in nowadays. often through some little headphones with the sound of the world around them, or in their noisy but affordable car, or on their cheap laptop or computer speakers that are not at all specialized for music. the majority of us listen to music now in subpar situations on subpar systems and its for this reason that dynamic range has been lost. music has to compete with the listeners situation, and squashing the range a little is how they do it. so its not like they do it just cause they like to(although that is applicable too), its because it is necessary!
@erlinebausch98564 жыл бұрын
Yes segment starts at 7:45. people didn't like that snare?! its absolute perfection ... Jon Anderson's legendary voice was, and is to this day, a marvel.
@kiereluurs12434 жыл бұрын
Yes, that's exactly to where I skipped.
@Twobarpsi Жыл бұрын
No Jon, no Yes.
@vidadvocate9522 Жыл бұрын
Thanks for that mate...I started thinkin' I was crazy.
@rabarebra Жыл бұрын
@@Twobarpsi Wow, that is an great band title for Jon to use: "No Jon, No Yes" 😂
@Twobarpsi Жыл бұрын
@@rabarebra kind of catchy isn't it?😃
@2009captainpaul5 жыл бұрын
"people hated the snare sound". What?! No way, best sounding snare sound I heard during that era. I nearly crapped my pants in awe when I first heard the song. Great song that never gets old.
@RUHDD4HVN5 жыл бұрын
Yes Paul! This is one of those songs you bring to test equipment with before you buy it. It will move the air in some great ways....... tight!
@widescreennavel3 жыл бұрын
YES! The Police were setting the pace. The guitar riffs in this tune are influenced by Andy Summers no doubt! Great snare sound!
@RideAcrossTheRiver3 жыл бұрын
@@widescreennavel The Police won that Grammy for Best Instrumental, so ....
@dyrphotography5 жыл бұрын
That Trevor Rabin arpeggio sequence during the Verses is absolutely unforgettable! And then there's the Bridge part with Chris Squire's descending pattern! Awesome! 90125 marked a brilliant return for Yes. Kudos to Sound on Sound for posting this!
@muppetrowlf14735 жыл бұрын
yeah. But they hated it. And the Dinosaur Yes fans forever grumble about Rabin.
@XHuntinatorX5 жыл бұрын
David Rollo ... Agreed... I have 90125 in my top 3 best performed, written, and produced. Every track is just pure perfection.
@dyrphotography5 жыл бұрын
@@XHuntinatorX Agreed! It felt like a Masterpiece as soon as I slipped it out of the wrapping and tossed it onto the turntable and the sound came out of the speakers! It Can Happen is an All Time Favorite. Especially where Rabin and Squire's voices blend in near the end with Anderson's! Perfection!
@stinkstick173 жыл бұрын
@@XHuntinatorX big generator is excellent as well
@danmurphy9173 Жыл бұрын
I just hate when it’s old Yes fans vs new Yes tracks. My point: I would listen to nearly all Yes and love it! This track is a gem - had YES not recorded it, I’m certain the OG Yes fans could have appreciated it. Liking this track takes nothing away from Fragile, Starship Trooper, etc… Musicians love it all because Yes is killing.
@WrvrUgoThrUR3 жыл бұрын
You can see how The Art of Noise was born. This guy needed that outlet.
@soundonsound3 жыл бұрын
AON was not Trevor Horn; it was Anne Dudley, Jj Jeczalik and engineer Gary Langan.
@WrvrUgoThrUR3 жыл бұрын
@@soundonsound yeah, but Trevor was involved no? Or does producing count for nothing.
@marctronixx3 жыл бұрын
@@WrvrUgoThrUR Trevor was involved! i respect SOS but Trevor was abso-smurfly involved with AON.
@theeddianproject Жыл бұрын
My all-time hero of producers, Trevor Horn is a legend.
@andrewphillips81983 жыл бұрын
Loved hearing Jon's voice on one track without any music.
@cooldebt Жыл бұрын
Goosebumps!
@GlenFerrisMusic5 жыл бұрын
My god, how good does Jon Anderson sound on this in isolation....such a great tone and projection....bloody marvellous.
@DrivenCrane110 ай бұрын
Rabin, not Anderson
@johnflanagan91535 жыл бұрын
Jon Anderson's legendary voice was, and is to this day, a marvel.
@tarekwayne91935 жыл бұрын
Legendary yes, but marvel, why do you say that? Because he sang such high notes? Have you heard him speak? His voice is naturally VERY high, he speaks at around a D4. Conversely, have you ever heard him sing low notes? I myself, can't recall. That is to say, his range is quite limited. I love his voice and am a Yes fan, but I would not say anything he is doing is superhuman. Geoff Tate, however, in his prime was a marvel. This guy spoke in the second octave(F2), almost 2 full octaves lower than Jon Anderson and could hit the notes Anderson hits plus go even higher, like significantly!! So he sang all those notes Anderson could hit plus higher AND a rich low range. Check out ¨Take Hold of the Flame, live in Tokyo´´ by Queensryche to hear what I mean :) Even Micheal Jackson, who seemed to have a high speaking voice, similar to Anderson had a significantly wider range. Remember, I am not saying he doesn`t have a killer voice, but not a marvel by a long shot.
@westrig1805 жыл бұрын
@@tarekwayne9193 A "Marvel" is, for the one who speaks of it, to behold. It is of their feeling and response to what is ( or in this case, whom ) is creating that "Marvel" for them. You cannot tell them how they should feel, it is for them alone to experience.
@mikearchibald7445 жыл бұрын
@@tarekwayne9193dude, he said voice, not singing voice. thats part of it, but how many singers out there you hear sound like jon anderson. there's a reason every instrumentalist from kitaro to vangelis to mike oldfield wanted to work with him. thats a marvel, and a killer songwriter to, and queensryche sucks.
@tarekwayne91935 жыл бұрын
@@mikearchibald744 Very good points, you are absolutely right. He said "voice". Queensryche sucks, however, is a totally unproveable opinion. I will concede that I'm not a huge fan of their latest incarnations. In their prime, another story altogether.
@tarekwayne91935 жыл бұрын
@@westrig180 Indeed, I stand corrected💯
@Ambienfinity5 жыл бұрын
I love Trevor - he's been in my musical life these past 40 years. He's so straight forward and honest - and of course he's incredibly knowledgeable and gifted.
@magnuszetterqvist5936 Жыл бұрын
Have you heard Frostbite? Wonderful!
@rabarebra Жыл бұрын
No, no, and just no.
@TheUndecideds Жыл бұрын
We're a young band and when our dad played the original for us, it floored us. The musicianship, the vocals, the production... AND the snare. Outstanding!
@Chloe-cv6wm4 ай бұрын
wait till you hear them do the gates of delirium
@Toracube4 жыл бұрын
Regardless of whether people feel dissapointed it has been redone having TH take us into his making of the original was pure gold.
@grabasandwich5 жыл бұрын
11:43 Bang! Doodooleeadlow. 😂 now I'm going to hear that every time I hear this song!
@yrmthr5 жыл бұрын
Trevor is the wizard of all wizards. My absolute favorite. Thank you for this.
@joshuahenry7482 Жыл бұрын
I'm just glad that Trevor also vocalizes the "bang doodilidilum" part.
@lonophonic1173 ай бұрын
Jesus first I found out Trevor Horn did Frankie Goes To Hollywood, Duran Duran and now OWNER OF A LONELY HEART BY YES!? I’ve really gotten to live this song properly but I had forgotten about the video and helping YES creating this masterpiece of a song!! He defines a legend and the greatest producer of the 80s!!
@shorerocks5 жыл бұрын
That snare is glorious. As glorious as it was back when it came out. I remember being completely blown away by the album, it's songs and the sound.
@TheAerovons5 жыл бұрын
Amazing, that record was so ahead of it's time, crazy good. New version is wonderful!
@hsepo2 жыл бұрын
Rhythm section is a killer on this track. Trevor Horn and Trevor Rabin are geniuses.
@jakobole5 жыл бұрын
Love Trevor. The stuff he did on Frankie goes to Hollywood, esp. on the 12" mixes, are huge-sounding groundbreaking stuff. And it still sounds great today, (with a little bump up in the low end )
@martiniv89243 жыл бұрын
I can remember sitting in a club back in the 80’s and a guy walked in with a lady , sat down, sat quietly seemed to be engrossed in listening to the music, someone in the know said that’s Trevor horn, I said who ? … if it was him, my apologies, what a Legend 👌🏻😎
@frankjamesbonarrigo71625 жыл бұрын
Higher standards back then for radio music
@MalcaratMartinez5 жыл бұрын
I.LOVE.THIS.VIDEO . All my life I've been wanting to listen to the separate tracks. THANK YOU !!!!
@carlasker9285 Жыл бұрын
Together with Scritti Politti's "Cupid & Psyche" and Rush's "Power Windows", this album is my favorite production from the 1980's. Stellar album, 90125.
@accordionSWE8 ай бұрын
Scritti Politti ❤
@ZeroChannelZero5 жыл бұрын
The breakdown of the 80s tracks gave me a whole new appreciation for this song, especially the nerdy tech stuff like balancing a high pitched snare with Chris's sub octave bass... brilliant. However, I think the orchestral version was a missed opportunity. The power of an 85 piece orchestra lies in the ability to weave & mesh dozens of different parts. But here we have everyone hitting the same note. That's how soundtracks to cheesy made-for-tv movies are done. The original "Owner" was a minimalistic song, produced brilliantly, and that was its power. In the new version, the minimalism is cranked up to 11 which defeats the purpose (sort of like Spinal Tap mocked in "Big Bottom" with 3 basses playing the same part). Trev, I love what you're doing, but if you had an 85 piece orchestra at your disposal I would've LOVED to hear something more intricate like "Changes" or even going back to the Drama album, "Does It Really Happen" where you could've really made those orchestra musicians earn their pay!
@mfaddy Жыл бұрын
One of the best produced of all time in my opinion and so ahead of its time. When it's broken down like this it seems so simple.
@tomasmulcahymusic5 жыл бұрын
The orchestra is playing the Stravinsky Firebird sample from the Fairlight, aawesome! Very meta. Incredible orchestration and performance :)
@Iain01015 жыл бұрын
madtheory - I always wondered what sample that was. Thanks.
@kellyjackson78895 жыл бұрын
always wanted to know thx!
@simonvetter2420Ай бұрын
I thought it was from Firebird.
@tomasmulcahymusicАй бұрын
@@simonvetter2420 Oh yes, you're right. Will edit to correct.
@kevinfrieden79295 жыл бұрын
that's the kinda stuff i'd like to see on this channel :)
@htimseel5 жыл бұрын
I can watch and listen to this kind of thing all day, every day. Fantastic.
@ry87295 жыл бұрын
11:42 "Pang! Drinnininoong!" Yep, that's EXACTLY how I remembered it went. LOL
@monx5 жыл бұрын
HAHA
@perfectbeat5 жыл бұрын
lol
@sketchur3 жыл бұрын
Pang! Diddliddliong! 😅🎶
@JillKnapp Жыл бұрын
That cracked me up when he did that, because I know 99.9999% of the people watching this did something like it there, too. (I'm more of a Bap than a Pang, but we can all get along. 😂)
@west4coast775 жыл бұрын
This is great! Oz behind the curtain. A rare glimpse of a master at work. Thanks to Trevor and SOS!
@beatz045 жыл бұрын
I still consider the long album version of Welcome To The Pleasuredome to be an early taste of what later would evolve into techno. The middle part with its 4 on the floor beat, the offbeat hihats, and that room filling bass. Sonically it was light years ahead of its time and even today it's as hifi as it can get.
@cdhill93583 жыл бұрын
ya masterpiece indeed
@zachary67372 жыл бұрын
Nah techno was already a thing mate. Detroit had it down pat. Maybe for Europe though.
@skierpage Жыл бұрын
Agreed. And then Trevor Horn turned the knobs to 13 for "Slave to the Rhythm"... I wouldlove to hear Trevor Horn talking about those two songs.
@tonelemoan Жыл бұрын
@@zachary6737 hello, Kraftwerk anybody?
@lptomtom5 жыл бұрын
Fantastic video, this kind of multitrack analysis makes for great content!
@mineheadX15 жыл бұрын
the man who put YES back on the Billboard charts...
@viewoftheaskew3 жыл бұрын
that song was Yes' ONLY #1 single ever, masterpiece!
@TheVickersDoorter5 жыл бұрын
Frankie and Grace Jones were not my thing back in the 80's, but listening to them more attentively 35 years on, the production on Pleasure Dome and Slave is epic.
@muppetrowlf1473 Жыл бұрын
A well preserved copy of Welcome to the Pleasure Dome on Vinyl will make anyone wonder why they bother with CD.
@NaiNitis5 жыл бұрын
Fascinating breakdown of the multi-track, as well as the info on the upcoming project, thank you very much!
@fernandoperdomomusic4 жыл бұрын
That Electra Bass with "the Chip In It" is pure magic!
@JoinTheProgress5 жыл бұрын
This is *awesome* ...thanks for posting. To get a breakdown of these songs not only brings them back to life, but gives fans a whole new perspective on them. Huge for us long-time Yes fans.
@Cre8tvMG4 ай бұрын
I've always loved the extreme shifts on this song from massive loose grunge to super tight, crisp tracks. Brilliant.
@woodshed_moments Жыл бұрын
Trevor Horn, truly one of the most brilliant producers not only in the 80s but he’s a great bass player and he plays horn as well no pun, brilliant guy, you put Trevor Horn and Trevor Rabin in a studio together - hits are going to come out of it.
@MichaelLewisMusic3 жыл бұрын
That's crazy that people were hating on the snare drum! I loved it when it came out. I thought that was such a cool departure from the trends.
@danmurphy9173 Жыл бұрын
Yeah, I guess they weren’t ready to let go of the LINN snare chip 2 or whatever.
@artysanmobile3 жыл бұрын
The original album track was just stunning at the time. A groundbreaking marriage of writing and production.
@realheadphonecandy11 ай бұрын
That guitar tone is off the charts! One of the greatest productions ever…easily.
@peakAV4 ай бұрын
Don't get the dislikes. This is arguably the single greatest produced track of all-time.
@citysim73753 жыл бұрын
Always loved the song. Eventually I know a bit better why. Incredibly driving rhythm. What a perfect recording. Thanks so much for sharing!
@SteffenSeagull3 жыл бұрын
11:42 “Baaang, boodedeleeduhdum” pure magic right there!
@billesposito2112 Жыл бұрын
I always loved that snare sound. It was perfect for that track. Everything you did on that track was PERFECT! Masterful production. Thank you for the years of quality recordings to listen to. LOVE GREAT AUDIO.
@GeoWizard Жыл бұрын
legend
@HustonSingletary5 жыл бұрын
Classic LinnDrum in the background. One of my favorite producers EVER!
@csmcrckrs5 жыл бұрын
Those are real drums
@jonathancollard3710 Жыл бұрын
Trevor is one of THE major influencers on 1980’s pop synth music which has been so readily mimicked in last 40 years, but rarely bettered… so sad he lost his wife.
@dre7sus Жыл бұрын
Classic Material..... Always loved this track... Man this dude is a legend... Moments in love, Video Killed the radio star, Slave to the rhythm... Just a few of the classic records he produced I was raised on.... Legend 👑 💯
@iainholmes27352 жыл бұрын
This is a brilliant analysis by Trevor of a wonderful song. It will be 40 years old next year, but the album 90125 still sounds as fresh as a daisy.
@TimShoebridge5 жыл бұрын
What a legend! Very informative and entertaining, thanks for posting :)
@philipbrodermann68675 жыл бұрын
Taking a song where the minimalist aspect really made it work and then adding a 64 piece orchestra, horns, flutes, timpani, percussion, big modern drum sound, drum editing, more strange samples, a much more elaborate arrangement, a bee-bop inspired bridge with an organ solo, a big vocal outro with many vocal tracks, tempo changes and a big ending really fucked it.
@bitrexgm5 жыл бұрын
the two minute long intro to that one sounds like the intro music to a ride at Epcot Center "Get ready for the experience of a lifetime and climb aboard the Star Voyager as we take you through the....brought to you by Qualcomm and BASF - for a brighter tomorrow!" not in a good way. why do this
@windwardpro5 жыл бұрын
Yeah- but it still sounds small. Way smaller than the original, and it sounds like fake orchestra!
@nebstaism5 жыл бұрын
Philip Brodermann they really made a mess of it... the orchestra does nothing for that song at all 🤦🏼♂️
@leeanucha3 жыл бұрын
Omg i have always been wondering about all these crazy tracks since i was a boy in the 80s how and who made these, oh wow now i can die peacefully :)
@planetclay5 жыл бұрын
saw Trevor with Art of Noise way back when they toured as a 9-piece.....i've seen a lot of things but THAT was definitely one of them.
@NonLocalYokel5 жыл бұрын
I liked the end bit. But ultimately the original is and always will be a stone cold classic.
@kdub12424 жыл бұрын
Sometimes even the creator of a great thing can't just leave it alone.
@mrt.71464 жыл бұрын
Fantastic to see the original track breakdown and get the thoughts behind!
@3D-PHASE5 жыл бұрын
LOVE IT SO MUCH!!! Thank you Trevor!!!
@KevinStCroix5 жыл бұрын
I always liked the snare drum sound and thought it was the center of that song.
@mumbles2155 жыл бұрын
Agreed. And I am not a fan of high tuned snare drums, quite the opposite actually....but that snare just drives it. Crazy they cut it with that gate tho. I’ve done crazy things in sessions (like a famous producer that wanted to run the singer through a DJ mixer prior to tape so they could “scratch” the singer to tape. Of course it didn’t work out. But gating a snare to tape is pretty aggressive. Nice commiment there.
@steveben10065 жыл бұрын
Great to hear the Fairlight and Synclavier samples in isolation. The mix of those breaks all make sense now!!!!
@jbforce105 жыл бұрын
I think that's the first time I've ever heard TH mention the Synclavier in a positive light, other than what Steve Lipson got out of it.
@jefffoster35575 жыл бұрын
Cutting edge tech for 83. I was a big fan of AON at the time 90125 came out which is really AON/Yes.
@editingsecrets Жыл бұрын
@@jbforce10 I think he liked the Synclavier... when he delegated someone else to fiddle around with it!
@muppetrowlf1473 Жыл бұрын
Yeah, he wasn’t a fan of the Synclavier. That might be more to do with Lipson experimenting. TH was so in awe of the CMI he made it the sound of the Eighties.
@martincaz77722 жыл бұрын
What an awesome interview with an awesome artist, grew up hearing all this and it's in my veins as a musician, thanks!
@coolflex15 жыл бұрын
Wow!! I was always intrigued by this track because it was waaaay ahead of it's time with the sounds and samples.I was hoping that they made more songs like this! The other version of this song is SICK!! Trevor Horn is a true musical genius!
@Fu_kTheZeitgeist5 жыл бұрын
This is incredible, thanks!
@cerahjoselet74233 жыл бұрын
I'd watch a whole movie of Trevor Horn doing track surgery and also tinkering a bit with his classics!
@marctronixx3 жыл бұрын
id bring the popcorn and soda!
@kickbiker79205 жыл бұрын
Brilliant! .... more content like this please. Love it!
@cedricsimonakafrozenjazz5 жыл бұрын
Thanks thanks! I looove this song and I enjoyed so much the multitrack analysis!! :)
@darkjoint40875 жыл бұрын
This is 50l karat solid gold....brilliant!!
@bakerXderek5 жыл бұрын
I love these ! I really get sunk into the info.
@bobbymayyy3 жыл бұрын
well thats interesting. good to see you here
@Paulo2011noRio5 жыл бұрын
Trevor you´re genious, seminal, llife musical influence and pride for all of us. You´re a legend! Thank you
@RobPapen5 жыл бұрын
My all-time favorite producer! So much love to detail!
@spsimmons4 жыл бұрын
13:35 - My new phone notification. Thank you
@WrvrUgoThrUR5 жыл бұрын
This song introduced me to the YES catalog. Amazing musicians!! And wholy crap! This is going into my study book!
@Choose80s2 жыл бұрын
Great interview! He’s such a lovely man. Was lucky enough to have a quick interview with him last month!
@MePeterNicholls5 жыл бұрын
BRILLIANT! PLEASE films more like this!
@dingbat195 жыл бұрын
oh dear Lord Trevor, what have you done to this originally classic track?!
@anthonyyoutubefan75675 жыл бұрын
"Owner Of A Lonely Heart" is truly a masterpiece of The 1980s and all time. I So would like Trevor Horn and Siouxsie Sioux to work together...even though he said to S&TB, in the late-'80s, "What could I possibly do with your sound, that you haven't already done?" I still think those 2 in a studio together could certainly create some kind of new, original alchemy..esp. w/ regard to lyrical/poetical composition. Those 2?! My God...the possibilities! I hope some of your new material from this very interesting work gets airplay on the radio and TV, Good Sir.
@josephayoub64454 ай бұрын
This was amazing. I totally loved every second of it... :)
@Only1Science5 жыл бұрын
Greatly Appreciated!
@viewoftheaskew3 жыл бұрын
That snare is one of my favorite things in that Yes song lol.
@frchansen15 жыл бұрын
This is Fabulous Trevor Horn is now Mr Horn himself (string arrangements)
@fandlpetroleum5 жыл бұрын
Such a great song. One of the few songs I crank up solely so I can listen to the mix.
@sansocie5 жыл бұрын
I am so sorry for the loss of your home. Will check this project out. Sounds great.
@DarrenAudioguy5 жыл бұрын
the remix that really didnt need doing.
@Rhythmattica5 жыл бұрын
A reinterpretation that didn't need doing.
@colintolley24714 жыл бұрын
I think he probably felt he had poetic licence as he was the one that made it in the first place. I can't say I dislike it, or like it yet... not listened to it enough. I've ordered reimagined for a proper listen
@ark14923 жыл бұрын
That remix is by Trevor Horn, Art Of Noise & Chris Squire aswell,...Squire also worked on the Leave It remix aswell,...I find them fun & amazing production on the extended version, Alan White’s drums turned way up sounds stunning....the 80’s is the decade of the remix & Horn & his production team(s) were changing the industry in Rock, Pop, Dance & New Romantic (New Wave).....Trevor Horn was releasing 12’s remixes for McClaren, Art Of Noise, Yes, ABC, Act, Propaganda & Frankie every dam 2 to 3 weeks in the record stores😂😂😂 i visited 3 different records stores every Tuesday (new record shipments arrival day) in my neighborhood solely looking for new Horn Produced Records😯✌️
@SandrinesVoxServices2 жыл бұрын
RIP Alan White
@TomTom-sy6fz4 жыл бұрын
One of the best remixes ever! It hit the floor in the 80ies, and still does.