UE Mahler Interview with Pierre Boulez

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uemahlerinterviews

uemahlerinterviews

Күн бұрын

Composer and conductor Pierre Boulez talks to Universal Edition about his relationship to the music of Gustav Mahler.
Interview: Wolfgang Schaufler
This interview is included in our new book Gustav Mahler: The Conductors' Interviews
Edited by Wolfgang Schaufler
www.universaledition.com/mahle...

Пікірлер: 19
@sirmattbelios
@sirmattbelios 13 жыл бұрын
This was so interesting! Thanks you. Boulez speaks like he conducts - such precision.
@allesvergaengliche
@allesvergaengliche Жыл бұрын
You can really tell his love for the music. Fascinating interview.
@TheRealGnolti
@TheRealGnolti 3 жыл бұрын
All of the Second Viennese deified Mahler, particularly Schoenberg, and this was a matter of record well before Boulez became a conductor. It's a nice (if insidery) touch that Boulez learned about this connection not by reading about it, but by chatting with Adorno.
@fredericolourenco1972
@fredericolourenco1972 3 жыл бұрын
What an amazing interview!
@user-jb5sk7pc2m
@user-jb5sk7pc2m 4 жыл бұрын
Your best interview in my opinion
@kuglagerfeld
@kuglagerfeld 8 жыл бұрын
On a shelf, next to Boulez, books about Boulez.
@uemahlerinterviews
@uemahlerinterviews 8 жыл бұрын
+Vladimir Gligoric Yes, that's because he visited us in our office for the interview.
@annakimborahpa
@annakimborahpa Жыл бұрын
So very honest and forthcoming in his speech.
@davidmayhew4818
@davidmayhew4818 8 жыл бұрын
I remember first hearing this music when I was a teenager in the sixties. I had on a lark baught Bernstein's recording of the 2nd with NYP. I listened to about five minutes near the end and did not like it. About a year later on a rainy day I was painting a picture and put this record on from the beginning. By the end of the day I was a changed person. I played it for months. The next few years were all about Mahler's music. It was so great to be in on this first real acceptance of his music and to have Bernstein as a guide. Plus his music was interestingly a very zietgiest like experience. On the one hand there was this whole new kind of pop music and Mahler for so many of us was the new classical music. It fit the times with all the turmoil and war and civil disobedience etc. I can't imagine a world without his music.
@MrKNNT
@MrKNNT 11 жыл бұрын
WOW!!! Interesting questions!
@profdodo1
@profdodo1 12 жыл бұрын
Agreed - great interview. Pityy it wasn't longer. What would he say about the 2nd, and 3rd?
@LeonardAbbado3
@LeonardAbbado3 13 жыл бұрын
It's a shame that he couldn't talk with the great Bernstein. They're two great conductors.
@Breakbeat90s
@Breakbeat90s 3 жыл бұрын
wait why is that?
@KinkyLettuce
@KinkyLettuce 3 жыл бұрын
how so? Didnt they even host concerts together at the NY phil introducing mordern serialism?
@uranrising
@uranrising 3 жыл бұрын
Interesting interview, Boulez an engaging personality. A shame he wasn't asked for his evaluation of Mahler's body of work Greetings from East Anglia in England.
@JPFalcononor
@JPFalcononor 7 жыл бұрын
There are two questions I wish all of these conductors were asked... 1. What order do you place the two middle movements of the Sixth Symphony and why? (my preference is scherzo-adagio)2. What is your opinion of the performance version of the Tenth Symphony and do or will you ever program it? (Rattle, thank goodness is an advocate of it, but I do wonder what some of these other conductors think).
@photo161
@photo161 6 жыл бұрын
It is not, as you must know a problem with Mahler's composition of the 10th Sym. but with the orchestrations, or as they are best referred to as the reconstructions, various of them, as it is impossible to know how closely they reflect what would have been Mahler's own finished work.
@olivierbeltrami
@olivierbeltrami 2 жыл бұрын
No need to harken back to the 1950s, I recall the Place des Arts in Montreal emptying progressively more after each movement of Mahler 7, in 1986.
@arnaudhanon5174
@arnaudhanon5174 11 жыл бұрын
hihi
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