Рет қаралды 15,001
Unison tuning, or batter and reso tuned to the same pitch, is something that seems to throw a lot of people off in concept. If you’ve spent any amount of time experimenting with tuning, you’ve likely figured out some intervals that you prefer with your drums. Today we wanted to demonstrate what a unison tuning can sound like in comparison to an alternative interval as well as the juxtaposition of different intervals for different drums.
PATREON:
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PRODUCTION PARTNERS:
GIK Acoustics (sonic treatment): sladl.ink/GIK
AKG Audio (microphones): sladl.ink/AKG
Evans Drumheads: sladl.ink/Evan...
ProMark Drumsticks: sladl.ink/ProM...
Signal chain:
Mics - Focusrite Clarett 8Pre USB & OctoPre - MacPro w/Pro Tools 12.8
Recorded at 48kHz / 24bit
Overheads: (Matched Pair in Glyn Johns - Cardioid) AKG C314 sladl.ink/C314...
Toms: AKG C518M sladl.ink/C518M
Kick Drum: AKG D12vr sladl.ink/AKGD...
No EQ or compression in use with drum demos unless otherwise noted
Acoustic Treatment:
GIK 242 Acoustic Panels: sladl.ink/GIK242
GIK 4A Alpha Pro Series Diffusor/Absorber: sladl.ink/GIK4...
GIK Evolution PolyFusor Combination Sound Diffuser/Absorber: sladl.ink/GIKE...
GIK Tri-Trap Corner Bass Trap: sladl.ink/GIKT...
Drums:
Pearl Masters Maple Custom Extra w/Ludwig LM400 70’s Supraphonic
Cymbals:
22” Jesse Simpson Clone of old Zildjian A, 14 Jesse Simpson old K Clone over Zildjian Prototype New Beat top
Drumheads:
Snare: Evans G12 / Snare Side 300
Toms: Evans G1 Coated / G1 Clear
Kick Drum: Evans UV EMAD / EQ3 Coated White Reso
Hosted by: Cody Rahn
Production & Consulting: Ben O'Brien Smith @ Cadence Independent Media
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