Ust. Zia Fariduddin Dagar and Nirmalya Dey - Raga Bhupali - Rasa 2013

[@manasbanerjee259]

It's a priviledge n good luck to listen to repspected Ustad ji, doyen of Dhrupad

[@DDGanguly]

Performing with his Guru ji must have brought deep joy to Pandit ji।

[@dhrupadinmilire8011]

So beautiful. Marianne on tanpura is his best student in the west

[@texlinesoxx]

Dear Nilanjan Deyji, I accepted the comments and really apologize to harm anybody,I am not a professional or expert-but listening to these great masters is a soothing moment,so I wrote the above things.. Extremely sorry,if it hurt anybody....Really.

[@davidcross64]

Beautiful.

[@dhrupadanuj6252]

🙏🙏

[@JessSajdahSafa]

This is so real I feel it till my soul*** Beautilful

[@swshin4727]

Does anyone have the words to the last bandish? That is so beautiful.

[@KevinDunning108]

He broke Nirmalya Dey to Ghandar, in consideration of accord (samaya)!! Completely only something a true guru-bhai could do, and in a benevolence the majority of sangha would not understand.... yikes!! Wrathful!! Gorgeous......... That moment he does it in public... 26:00 .... lol and Mara at 27:15... splendid... and then 43:22, where he is brahma, holding the tamboura behind him in visage alone... om a hung...

[@tmadhavamenon8890]

i am struck with the peculiar "quavering" quality of the voice, in this composition. Is it a characteristic of this raag, or a personal style of this great DOYEN among Dhrupad maestors? in any case, it is very effective in emoting the sentiment of this raag. Thank you for uploading this. it is indeed unique. (incidentally, i have noticed this "quaver" in other performances of this great singer (Sri F Dagar.))

[@sachinfab]

That's due to his old age

[@texlinesoxx]

Pakhavaj is so poor,the guy doesn't know its own Sruthi also...after :40:15 its corrected by Deyji itself... Pranama to this Great Maestro of Drupad...

[@wojciechw4656]

+g r vijaya Kumar Hi, I'm new to Drupad, could you tell me is there any meaning of the hands moves besides keeping the rhythm? I'm asking about moves like the older singer makes from :41:24 to :41:44. Greetings from Poland!

[@nilanjandey09]

The mistake was quite professionally taken and even big ustads do make mistakes on the stage but it's not criticized in such away as u did, they are professionals, may be u r too, so I request you to please address him as one too, just because u don't know him and he is not 'famous'. FYI his name is Shri Sanjay Agle, one of the finest professional Pakhawaj player who has played with several eminent artists on stage so he is not a rookie as u have mentioned him as one. And lastly, with all due respect if that correction wouldn't have shown, the viewers wouldn't have to come to know about it, not even you sir, unless u r looking to criticize.

[@nilanjandey09]

+Wojciesh wSh the hand movement u r specifically asking is part of the emotion and passion u go through during singing that comes out.There is no formal training for it. Well, keeping rhythm by hand is a different thing that needs training.

[@shoutputstudios8539]

Pakhwaj is poor!!!!! really?

[@abhijitbaner]

wrong gharana; listen to Darbhanga