Ustad Ali Akbar Khan, Tilak Kamod

[@ummeshbapat]

THE BEST tilak kamod on internet. Mastery unprecedented - masters and ustaads are those who knows what not to do. Not a single place of error. Divinity

[@munjalparikh3244]

Just 9000 views : What a tragedy that this supremely elevating music has not graced more ears !!

[@banirbn]

Splendid ! Ustadji's best recordings were not necessarily his longest ones. This is a stellar example. Thanks very much for your kind shares.

[@manoharbhide5699]

बिच बिच मे दुसरे राग में वह भी कोमल स्वर के जाकर वापस आना अति सुन्दर .

[@AvijitChakraborty-w2i]

No word can appraise this devine music,

[@shadebardchhayanat1450]

This appears to be the LP issued by Raga Records.

[@swapanbiswas5757]

Uses of komal swar is just out of the world 👏👏👏

[@shahvivek]

Ali Akbar was god of our music.

[@swapanbiswas5757]

Just amazing improvisations

[@swapanbiswas5757]

Use of Krintans is also a lesson for all music students. .

[@mahendrashah8883]

Aliakbarkha iconic legend sitarist whom people love to hear his renditon

[@ashissarkar3713]

He played sarod not sitar 😅

[@Jobs__Adda2024]

La........................... Jawab...! Kya kha jaye. 🙏🙏🙏🙏

[@musafirboy6650]

With respect to Ustaad Ali Akbar Khan, RAAG TILAK KHAMOD by Bharat Ratna Ustaad Bismilla Khan is the best.

[@dipayanbairagi616]

What is the meaning of your statement?

[@sayankundu2286]

Is it royalty free? Can I use this in a youtube short film

[@TanmoyMukerji]

Priceless !! Wonderful stereophonic audio. Any details Ramesh da ?

[@PrithvirajGuha]

Tilak Kamod with Ragamala Aochar, Sitarkhani & Drut TinTal Gats Tabla: Swapan Chaudhuri Oriental Records LP/BGRP1041 (1982)

[@dipayanbairagi616]

The Himalayan figure in Indian Music. But may I dare say, however beautiful may this sound, this is not at all tilak kamod...and he just didn't use a few other notes but digressed from the Raag many times.

[@CBerryman57]

You need not "dare say": as indicated in the reply string above, the source recording was explicit - "Tilak Kamod with Ragamala". Khansahib began with this raga and extended it to ragamala. Hence the additional Komal and tivra notes and the digression you hear