Ô Vin Dissipe la Tristesse - Hamlet - A. Thomas

Huw Montague Rendall
Andrea Battistoni
Netherlands Philharmonic Orchestra

[@passionlyricpassionlyric6572]

Fantastico!!!

[@PamelaJean2013]

Excellent. Would love to hear your Tote Stadt aria.

[@nickking649]

Get his new CD, the Tote Stadt is on there and its stunning.

[@BadshaSarker-n9i]

This is my favorite channel. ..

[@joegreen4554]

You're pretty terrific...but only three videos!? Looking forward to your Pelleas in Aix!

[@huwmontaguerendallbaritone]

More to come! 😇😇

[@SopranoLili]

Je croise les doigts des mains et des pieds pour qu’un jour l’ONP vous permette de le chanter à Paris!

[@kedemberger8773]

Great old school liquid legato with true pitches with true overtones (many singers 'mark' pitches today) and excellent French. Thank you!

[@huwmontaguerendallbaritone]

Thanks for listening

[@alexandregarden6260]

Seem to have seen your reply before. Is it just a “mark” response? Explain to us, we poor mortals, not only your understanding of the term but the generally accepted one.

[@kedemberger8773]

@@alexandregarden6260 If i had cared about generally accepted terms I'd be a happier person. If you can hear when ppl often mark the pitch today and don't sing in the middle of the note, too bad for you. Most people can't tell the difference. I can point to expamples but from experience, it's useless. If you listen to many singers of the golden age the difference is immediately discernible. There the pitch is pure and it relates to the surrounding instruments. Today many singers sing to pass an orchestra and relative pitch is just non existant. At times you honestly can't tell which notes they are singing. But nevermind there's no point.

[@josemartin9974]

Magnifique