Intro To Mixing In Dolby Atmos | Presented By Dolby, Avid, Focal & Vintage King

[@robpaustian7955]

That was an amazing presentation. I didn’t know what the on-ramp to Atmos production was until I watched this video, know I know. I especially appreciated the Pro Tools section of the presentation. There’s a lot to take in. Clearly Avid has not been sitting on their hands for the last little while. The Aux I/O and Dolby Audio Bridge technologies seem like cross point matrices that got their start in I/O Config, then got more robust with Dante Controller, but now it’s a cross platform mega crosspoint editor able to connect multiple input and output formats. The level of integration is amazing. I look forward to delving into this suite of technologies.

[@richfab8667]

Now I know what my parents must feel like when I discuss my commercial studio operations.. It is a confusing new world of options but will the consumer appreciate and consume? This AVID presentation was very thorough and informative for me. Thanks VK as always !

[@RicochetRockNice]

This is the new wave 👋 In mixing it’s really immersive and a great 👍 listening 👂 experience so you definitely have to upgrade your system going beyond 5.1 Dolby.

[@MichaelForbes-d4p]

Listen to the Greg penny mix on headphones and stereo speakers. It's better than the original on the gear you have now.

[@anaiybeatx]

How do you manage low end when mixing in Atmos ? 🤔

[@sounddramaturgien]

You produce for headphones first ❣️

[@robfulco4739]

The push for music to mandate it is in Atmos format defeats the purpose of music. Music is to be focused. In your face.