This is best demo of glazing I’ve seen. Lots of artists treat glazing like it’s a state secret- thanks for sharing!
@oliviaroseink11 ай бұрын
Seriously! I’ve been looking for a demonstration like this.
@fluxlx64514 ай бұрын
I bought some of his full, in depth courses and they are worth every cent!!
@ozymandiascakehole3586 Жыл бұрын
that lady did not blink once when you dabbed that paint on her face
@joseramonmarintebar62582 жыл бұрын
Absolutely amazing. You are a insanely talented artist. Seems the girl is just going to talk...
@paulstratton9228Ай бұрын
That is one of the best explaination`s for glazing techniques i have seen thanks.
@zivauri Жыл бұрын
I am ready for this! As I have now perfected Bumbling.
@leo47443 Жыл бұрын
You're a true master Scott, many thanks from Italy.
@MindfulAttraction2.02 жыл бұрын
I knew u went to gca just by the quality of your portrait
@casperthegm7412 жыл бұрын
I've watched a few of your videos now and I must commend you on your down to earth teaching technique; the combination of clearly speaking/explaining, while you are applying various techniques is perfect. And of course your work is fantastic.
@hd-xc2lz Жыл бұрын
Agree on all points, would only add that I enjoy his speed of presentation. Intro is kept to a minimum, and he quickly gets down to the matter.
@michaeljohnangel63592 жыл бұрын
Bravo, maestro! Thanks. Another brilliant video! A pedantic point: scumbling is the reverse of glazing. While glazing is painting a (semi-) transparent colour over a lighter preparation, scumbling is a (semi-) transparent lighter colour over a darker preparation. A glaze always shifts its hue towards orange, while a scumble shifts its hue towards blue. The Old People used scumbling to create the beautiful optical greys that one sees in their paintings. At least this is what I was taught back in the late 1960s in Italy when I was learning how to paint.
@ArielGulluni782 жыл бұрын
Another "pedantic point": the deffinition are endless, and painters, restorers, researchers and conservators doesn't agree about it, and its ok that happens that way (different schools of thought, different language, different evolution of words and differetn usages). One deffinition that many historians of the technical aspects of painting use is that a true glaze happens when the refraction index of the pigment is closer to the vehicle -linseed oil, just suppose- (to name just one, Noëlle Streeton, foremost Van Eyck expert, but they are many more) A glazing/glacis is like a colored, limpid glass . A veil/velature in the other hand happens when we use diluted a pigment that by nature is opaque or semiopaque, so even diluted doesn't form a true glass-like film. A scumble is in a way like a veil, but its name also implies a why of execution, similar to a frottis. All this are definitions, variables and in concrete applications, as Scott suggest, many times happens nor a true glaze nor a true veil, because most of the things happens "in between".
@dalescher Жыл бұрын
Michael, thank you for your comment. Could you please explain why a glaze always shift its hue towards orange and a scumble towards blue? I can't find any reason behind that.
@LeanneFan8 Жыл бұрын
@@dalescher i had the same question. For the scumbling, I'm assuming because white pigment mixed with another pigment makes it a cooler hue, but i'm not sure about how the glazing makes it oranger... maybe because glazing often uses warmer colors such as burnt umber?
@fluxlx64514 ай бұрын
... are you the famous Michael John Angel of Angel Art Academy fame?
@michaeljohnangel63594 ай бұрын
@@fluxlx6451 Yup. That's me-sins and all. Hi,fluxlx!!!
@mariapilarme2 жыл бұрын
Your paintings are scary realistic! Great job 👏
@alexflorence53062 жыл бұрын
i'v been watching videos on painting for years and i learned more from this little video of yours than i ever have
@oliviaroseink11 ай бұрын
Your portrait work is incredible. Wonderful video, thank you
@malliswararao72093 ай бұрын
Excellent domonstration about glazing ,stumbling and glumling. You are a great artist as well as an efficient teacher. Thankyou for sharing!
@dumpmail555Ай бұрын
You are an incredible painter!!! Thank you for sharing your wisdom ❤
@kennethwisseman4 ай бұрын
Glumbling is probably what the Italians call Velatura...thanks for your tips, I learnt a lot.
@ThurmanArt2 жыл бұрын
Thanks Scott for some more of your tips and techniques ☺️
@MK-px7dw9 ай бұрын
Incredible creative technique and informative video, thanks!
@muhammadowais33142 жыл бұрын
Beautifully explained in a easy way to understand. Thanks for this keep bringing more of this
@susanroberts1400Ай бұрын
Great job ❤ loved this
@archaen2321 Жыл бұрын
The glazing section here is technically a velatura, which is like a glaze but done with opaque or semi-opaque pigments. It lends a more gauzy/foggy feeling than a glaze of transparent colors. A velatura brings the area towards the color mixed - moving both light and dark passages - where a glaze darkens everything, often moving the area towards a color darker than both the glaze color and the color on the substrate. If Scott had continued the velatura over the shadow area of the cheek it would have lightened that area. Transparent pigments are weird. Take permanent alizarin and mix it with ultramarine and you'll end up with a purple that is somehow darker than either color you started with. Note: I love Scott and think this is a great video. I just wanted to offer some more information for people to research and play with in their studios. The pigments you use to add transparent or semi-transparent passages matter, so play around with it! From left to right Scott's preferred colors are opaque, opaque, opaque, transparent, opaque, transparent.
@Kig5055 ай бұрын
Which is the darkest color on Scott's palette here ?
@archaen23215 ай бұрын
@@Kig505 Ivory Black (last on the right), followed by Raw Umber (2nd to last on the right).
@Kig5055 ай бұрын
@@archaen2321 Thank you sir ! 🥂
@archaen23215 ай бұрын
@@Kig505 Of course! Sorry I didn't see this for two days. Is there anything I can help you with? An underlying reason you asked that question?
@Kig5055 ай бұрын
@@archaen2321 hi I am working on a figure and just learned painting by myself a life ago my way , never had opportunity of following academic training .. now exist tutorials here and i am discovering many technics and sometimes is a little bit confusing .. so i need more explanations
@klausbantzer40772 жыл бұрын
Have you done a video about your brushworks? I wonder how you achieve this extremely smooth surface, it’s impressive! Plz make a tutorial about this subject!
@vmaxm2122 Жыл бұрын
Thank you very much, the simple and very important demonstration really helps!
@giovannisiano5742 жыл бұрын
Extremely informative and well explained!
@LadyAnne304 Жыл бұрын
Great portrait artist !!!
@ingridcarmak42682 жыл бұрын
Thank you Scott this was very useful ..greetings from Croatia😀👋
@alq8i79 Жыл бұрын
Thank you sir , amazing tips for correcting the work
@delmarrosa8596 Жыл бұрын
Amazing video and we'll executed! I used to paint with oils, but I'll try these techniques with acrylics.
@janet49002 жыл бұрын
You are the best, Scott and humble, too ! Thanks for showing us how you do it. I know exactly what you mean, when you step back and see a small version of your photo, and the shadows as a whole are not working. Also, I am going to try the same palette you use. I think I have been using too many colors, and its causing lack of 'color harmony'. Best wishes, from Louisiana.
@raoarw18592 жыл бұрын
Great video
@squintymcginty2560 Жыл бұрын
Just what I needed to know. Thank you for this. I'll be referring to this a fair bit I reckon.
@crystalleach47852 жыл бұрын
Glumble for the win! Ooo auto correct did not like that word at all. We fought. But awesome tips as always!! :)
@gunnarg8074 Жыл бұрын
you are so talented. wish I had the patience
@DanPeal12 жыл бұрын
very nice explanation. Much needed in these days
@jrcanimation2 жыл бұрын
I just love your channel! Period❤️
@paulcorfield_artist11 ай бұрын
Oleogel from Rublev or Oleo Impasto Medium from Michael Harding works well as it doesn't bead up like linseed oil often does. It's just linseed oil and silica, one of my favourite mediums for glazing etc.
@juanalbertooviedonunez539 Жыл бұрын
Has igualado a la fotografia. Felicitaciones. Eres un Maestro.
@Ginger_McElfresh_Art2 жыл бұрын
Wow!!! She is sooo realistic! Absolutely incredible 👏
@1lastry3449 ай бұрын
This was really helpful. Thank you!
@JhonyLeft2 жыл бұрын
Amazing! That’s a good idea to mix techniques to make things look smoother! 👌👌👌👌👌
@hichamtakache8465 Жыл бұрын
Thanks for the valuable tips. I learned that glasing should only be done with transparent colors as additional mediums may not be recommended for the durability of the layer.
@joycehandersonfriends3225 Жыл бұрын
FANTASTIC !!!!
@pord1234 Жыл бұрын
Nicely explained and demonstrated.
@lauraswan86478 ай бұрын
Excellent teaching
@peterbunyan39242 жыл бұрын
Only just found you but so pleased with your techniques as answered a few questions on portraits, many thanks for your advice Scott :)
@katjamohr8097 Жыл бұрын
Thank you so much for your help...i enjoy your Tutorials a lot. Very good explained..
@TheSmashCapital5 ай бұрын
Amazing content as always.
@2stansfield9034 ай бұрын
Your so good you've taught me so much .thank you 😊
@Thesamurai199910 ай бұрын
When I glumble I have a hard time moving the paint around. Yours is gliding across the canvas so easily! Should I add some solvents like you did with the glazing process? c:
@whisperatnight58772 жыл бұрын
I really love this demonstration.
@ThomasJojo9 ай бұрын
Awesome. Question; do you glace with oil+paint only? Not terpentine into it? If so why and what's the difference? Brgds T.
@adamlessard08 Жыл бұрын
Fantastic advice and great content! I will be using glumbling in my next portrait for sure
@austincaruso75964 ай бұрын
your skin tone is insane. Wow
@creativeponderer95282 жыл бұрын
Love it Scott🥰 just EXACTLY what I was looking for!!!🤩 You da man. Slightly crazy like me a can see🤣.
@ben_stier3 ай бұрын
Glumbeling is awesome!
@mikerockwood44754 ай бұрын
Yes, that was very helpful.
@lapassion24 Жыл бұрын
Beautiful my god!!!
@chrissaunders9727 Жыл бұрын
Excellent lesson thank you and i love your work.
@simpliciussimpli-cissimus603410 ай бұрын
this so good
@debbiemay3265 Жыл бұрын
Very very helpful your cool 😎 more please...
@edwardmirza Жыл бұрын
Great video!
@bastian6173 Жыл бұрын
Use the scumbling brush for the umbling part of the gumbling. Love it
@feliciaeze1143 Жыл бұрын
So...the previous layer has to be dry before using any of these techniques? And I really enjoyed the video.
@mariannevannunen263 Жыл бұрын
Thank you very much for your clear explanation. but your surface is very slippery. what kind of cloths do you use and what materials do you use to prepare your cloths. Another question which oil do you use the most for your glazing. love to know which brushes go with what, thank you. Definitely go see more of how you work and with what materials. Marianne van Nunen.
@anonymousanonymous53272 жыл бұрын
ok just shit my self when i started watching and see the calibre of your paint....... just wow, i cant take photographs as realistic as you paint
@sonijam2 жыл бұрын
Beautiful!
@Saiaku_Komuso Жыл бұрын
I really enjoyed watching this video. What was it about?
@cvekris81772 жыл бұрын
great, thank you
@soniadegarcia25962 жыл бұрын
Love the way you explained. Very useful. Thanks
@Taja.EL.Panchan2 ай бұрын
Def adding glumbling fckn genius
@Reb0rta8 ай бұрын
Thank you!!
@ТАРОГАДАНИЯ-й6ы2 жыл бұрын
what is that smoothing thin that u used for those separated oil drops on the surface? eng is not my mothers lang so i cant understand what ur saying. solvin?
@michaelhawthorn8254Ай бұрын
what do you think about doing a monochromatic and then glazing colour over it? as the old masters did. what are the pros and cons of this technic
@ALLISMIND2 жыл бұрын
your skill is insane!
@LadyAnne304 Жыл бұрын
He is better than the old masters
@lynegrandmaison Жыл бұрын
Super intéressant … merci
@svetajanda50469 ай бұрын
Thank you!
@lapassion24 Жыл бұрын
Thankyou for sharing
@sid5272 жыл бұрын
Amazing!!! Could you add the subtitles, please?
@JohnNoZ352 жыл бұрын
Great video! Thank you, thank you, thank you. Very helpful.
@jenniefrench13382 жыл бұрын
Great tips thank you!
@oliviaroseink11 ай бұрын
What is your palette here? Yellow ochre, cadmium orange, alizarin crimson, raw umber, and chromatic black? Titanium white?
@TanyaElbournArt2 жыл бұрын
great tips
@Bairon12202 жыл бұрын
Complimenti.
@Sam-dz6do3 ай бұрын
What kind of oil was used to thin the paint? Linseed? Turpentine?
@laeflores56182 жыл бұрын
Excelentes videos !!!solo que no estan traducidos en subtitulos al español.
@pradipnd23you2 жыл бұрын
Very useful
@tusk2428 ай бұрын
Your canvas when making brush grumbling on her nose, you make her NOSE MOVE, as if she is all ready part REAL LIFE. ENJOYED , THANK you will watch again paint colors used on eye, and parts of face. Some people are using BLUE RIDGE. from NC. and really like it. I try to you the words in ENGLISH. but does not show it. . Hearing is not easy , when surrounded with so much noise, or when need to be quietly listening, when everyone is sleeping..
@mandylwilsonable6 ай бұрын
Have you ever glazed over black and white underpainting?
@ezequielruiz24882 жыл бұрын
I liked a lot your video. Very didactic. I thank you a lot..
@enriquemejia62262 жыл бұрын
Hi sir very nice too my beautiful painting teknik good idea artwork posrait artist
@josejorgeamadorlanza35272 жыл бұрын
Thanksfor the techniques, but there is a question, what about the canvas surface, the imprimation is important ?
@weeverob Жыл бұрын
Hi, can flaxseed oil sold in grocery stores for human ingestion be used as a working substitute for artist quality linseed oil?
@mediaharlot2 жыл бұрын
Thank you for this tip. I'm about to do some glazing on a painting but I might try glumbling instead. Do you have any effective methods for scraping off paint if you need to redo an area?
@davonte_bailey2 жыл бұрын
Do you work alla prima? If not how are you able to keep working after areas have dried?
@juancarlosmartinlopezgarci5444 Жыл бұрын
Thanks.
@radurobert1 Жыл бұрын
I saw a video in which someone mentioned that glazing must be done with perfectly transparent colors in order to be real glazing . What you're doing is not glazing but other method
@romulusbuta9318 Жыл бұрын
TRUE ☝️
@eu2104952 жыл бұрын
But but but... What about fat over lean "rule". That glaze will be very fragile. And if you varnish your work it is possible to destroy de glaze because of the solvent from the varnish componence wich will be too invasive in this situation.... I mean.. It happened to my paintings several times in the past. And it was very annoying.
@mariellaparra22 жыл бұрын
Hola, me encantaría que tus videos tuviesen subtítulos en español, sería genial entender todo lo que dices. Lo siento, no hablo inglés. Mucho éxito! Saludos desde Veracruz, México.