Analysis of the Back to the Future chord by Alan Silvestri Full score for purchase at Omni Music Publishing: omnimusicpublishing.com/produ...
Пікірлер: 52
@SeriousMoh8 ай бұрын
Man, these chords always touch my heart. It's just the best music for the best film.
@Keith_Horn8 ай бұрын
So true!
@MardukGodSlayer8 ай бұрын
As a jazz musician, I saw your chord chart and my first thought was, 'Oh, that's clever! Alan's written four different melodies over the same chord.'
@Keith_Horn8 ай бұрын
That makes sense!
@ydva13177 ай бұрын
Thanks for breaking the score down, so much I didn't realize when I was a kid. Tritones are about the farthest related pitches from each other, its almost like G/E is meant to represent Marty's time and the Db/Bb that follows is the timeline he's in. When the G and the Db sustain together, we get this blury confusing sound that represents Marty a person from the future being in the same space as the world from the past. I suck at explaining things
@Keith_Horn7 ай бұрын
Ha! No you don't! I think that's a perfectly legit take on these chords. If we are in two different times/realities, why not have opposing chords that are in conflict with one another representing those times. Thanks for your thoughts!
@thornhill678 ай бұрын
When I first listened to Petrushka, it made me realize how much movie score composers were inspired by/borrowed/ripped off from Stravinsky. It reminded me of Back to the Future specifically at most.
@Keith_Horn8 ай бұрын
Totally. His music, especially the ballets, is so inspiring to film composers and the sound of BTTF is inspired in part by Petrushka.
@Keith_Horn7 ай бұрын
@@maximiliandemartis6167 That's a great suggestion - I haven't heard of Montiverdi's theory of emotions. I will definitely check it out. Thank you!
@thechinaman71828 ай бұрын
wow man this is really observant and creative of you to make. I am really impressed by how much attention you have paid to movie scores and found such interesting ideas such as "The Back to the Future Chord". You're creating history. A lexicon of musical ideas beyond theory.
@Keith_Horn8 ай бұрын
Thanks so much! You're very kind.
@skyscrapersx58777 ай бұрын
all you have to do is look at the sheet music, he's not listening to it and going "oh its this"
@DrewReviewsOfficial8 ай бұрын
IVE BEEN WAITING FOR THIS!!!
@lewisedmundscomposer8 ай бұрын
Great stuff, Keith, as always! Thank you!
@Keith_Horn8 ай бұрын
Thanks, Lewis!
@omorganstudios8 ай бұрын
Thx Kevin! You break down the notes into chords I can remember...
@Keith_Horn8 ай бұрын
Thanks for watching!
@Keith_Horn8 ай бұрын
@ 3:26 I meant to say "E" not "Eb"
@DrewReviewsOfficial8 ай бұрын
GREAT CHORD AND GREAT BREAKDOWN!
@Keith_Horn8 ай бұрын
Thanks, buddy. One of my favorites!
@NicoCoboMusic6 ай бұрын
This is great content! Keep it up man.
@Keith_Horn6 ай бұрын
Thanks!
@jonabond7 ай бұрын
The thoughtfulness and musical genius of the composer is what makes this score a classic. Great channel
@Keith_Horn7 ай бұрын
Couldn’t agree more. Thanks!
@gilevansinsideout7 ай бұрын
The score is almost all tritones! 😀 Nice vid. thanks
@Keith_Horn7 ай бұрын
He really got a lot of miles out of the tritone in this score. Thanks for watching! Your channel looks very cool, btw - looking forward to digging in.
@Ashanath-Music8 ай бұрын
Wow i just learned something new. I know the half whole scales but never implemented. Thank you. I like and subscribe ❤
@Keith_Horn8 ай бұрын
Thank you! Yeah it's amazing how much harmony you can get out of that one scale.
@omorganstudios8 ай бұрын
@ash_guitar_noise I think guitarists would need an octave pedal...will try this out
@thromboid7 ай бұрын
To me, the half-whole diminished scale absolutely screams "ooh, something interesting and mysterious is afoot!" 😁 So glad to have discovered your channel. Hoping you've done or will do a video on Dave Grusin's music from The Goonies. BTW, any 80s kids who love film music should check out Varèse Sarabande's compilation of 1985 movie music.
@Keith_Horn7 ай бұрын
You’re so right about it being mysterious. Goonies would be an awesome study!
@BillWithem8 ай бұрын
"Did you rip that off?!" 🤣
@sias95467 ай бұрын
cf. Silvestri's score cues from Roger Rabbit "Toontown", and Flight Of The Navigator "Transporting The Ship", "Flight"
@Keith_Horn7 ай бұрын
You're so right! Thanks for pointing those out.
@curtpiazza16887 ай бұрын
Great stuff! 😂
@Keith_Horn7 ай бұрын
Thanks!
@dragorn32128 ай бұрын
What keyboard/soundpatches are you using
@Keith_Horn8 ай бұрын
Its Rhodes - LA Custom Lush from Keyscape
@thesingingaccountant17 ай бұрын
Sounds a bit Ghostbusters too
@Keith_Horn7 ай бұрын
Oh, interesting. Which cue? I'd love to compare the two.
@Intense0117 ай бұрын
what software shows the notes on the scale while you play?
@Keith_Horn7 ай бұрын
www.chordieapp.com/
@chong23897 ай бұрын
Affectionately stolen from 'The Day the Earth Stood Still' (1951) score by Bernard Herrmann. "Good composers borrow -great composers steal!" - attributed to Igor Stravinsky
@BongoBaggins7 ай бұрын
Sorry, did you just flash up the WALLBERG Italian Job and not THE Italian Job?
@BongoBaggins7 ай бұрын
Subbed though, despite what was obviously a genuine mistake :'D
@Keith_Horn7 ай бұрын
HA! Yes, yes I did. The John Powell score is SO good!
@okayhonks7 ай бұрын
It's awesome stuff.... but, like... when did we stop calling it the "octatonic scale?" There have been a handful of videos that just go with the alternate "diminished scale" name, and I'm left wondering why octatonic fell out of fashion...
@dominicmoisant83937 ай бұрын
Octatonic just means 8 note scale but no other distinction, the whole and half diminished scale names are much more descriptive.
@okayhonks7 ай бұрын
@@dominicmoisant8393 I get that, but that was the *dominant* name for it while I was studying, and it's just weird to not have it show up *at all*
@Keith_Horn7 ай бұрын
That's a good point. I suppose I use the terms interchangeably but for this video I decided to call it a HW diminished scale for clarity. In the same way pentatonic can mean more than one thing, octatonic might be too general a term for this specific iteration of it. In the published score, Tim Rodier refers to it as both octatonic and symmetrical diminished. This also makes me wonder - why are the seven Greek modes not referred to as variations of septatonic scales? Also, octatonic just sounds cooler than symmetrical diminished. Thanks for opening up the conversation!