What makes JAWS (1975) so damn good?

[@beatrixwickson8477]

This was incredibly useful. I could honestly watch hours of this but for those who couldn't you covered so much so quickly. Thank you.

[@ScriptSleuth]

It makes me very happy that it was useful for you. Thanks for watching!

[@Ruylopez778]

Another thing about the contrast of the characters on the boat, is how enjoyable it is when they start working together as team, and how Quint's anecdote makes him more likable as they bond. We really want them to just get along, but we can also see each perspective and its influence on their actions. Quint also foreshadows his own end. We also get the exposition about the tanks through conflict, so we know exactly what Brody's plan is before he fires. The tanks are also tied to the ideas of safety and Hooper's love for modern technology.

[@ScriptSleuth]

Excellent points! Thanks for sharing.

[@aliensoup2420]

The positioning of key sequences is important - in particular, Quint's Indianapolis story. He could have laid that on us earlier in the dock prep sequence, or when Brody hires him, but it is most effective after we have had time to form our own opinions of him from his interactions with the other characters. Just when we think we know who he is and what motivates him, he drops this bomb of a story on us, which changes everything, and we gain more empathy and respect for him. Also, it provides the perfect break for the audience after the excitement of the first barrel chase. The writers and director really played chess with the audience in this movie.

[@ScriptSleuth]

Agreed. Excellent point! Timing is everything.

[@PeakedInterest]

One of my favourite movies ever made and a big influence on me in many ways. You did a great job covering this

[@ScriptSleuth]

Awesome. Glad you enjoyed it.

[@mortalclown3812]

Biggest difference between first seeing "Jaws" in '75 and today - my empathy now lies with the shark. Spielberg and Benchley both regret demonizing him/her, as well. But the real crime? The truly terrible sequels that ensued. Veritable film felonies. :⁠,⁠-⁠)

[@danielgregg2530]

Finally ! Are reviewer with the sense to get the economic picture in the story of this picture !

[@lassolegenda]

The one observation I might add is as a kid I didn't understand the point of Quint smashing the radio. All I registered was the tension it added to an already unbearably tense situation, with Brody now blowing up at Quint, calling him 'certifiable' and waving a bat. But as I saw more and more movies and TV I kept noticing screenwriters prolonging the running time by having an accident or some other coincidence ruining plans just when it looks like the hero is sailing smoothly toward their goal. I get now that breaking the radio is a way to keep the heroes stranded, but the fact that it doesn't happen by accident is wildly important: Quint smashes it by CHOICE. Plotwise this action accomplishes the same function as have it broken by accident, but accident doesn't reveal character! Others have probably been aware of this ages ago but that was a huge lesson for me.

[@ScriptSleuth]

Excellent insight!

[@oambitiousone7100]

The adventure nautical music makes hunting a monster seem fun

[@tumbleweed4315]

Know what you write. Fantastic Advice! This whole video has been very helpful please make more.

[@ScriptSleuth]

Will do! Thanks for watching, Joe.

[@larryll7614]

There is an important irony in the story. Quint wants to kill the shark alone. He doesn't want help; he even smashes the phone when Brody calls for help. He is the most knowledgeable, most experienced and most confident in killing sharks. Yet, he is the one who was eaten by the shark.

[@ScriptSleuth]

Excellent point. 🙂

[@larryll7614]

@@ScriptSleuth Thanks for the reply. I just realized that it was even more ironic that Quint talked about a sailor being cut in half along the waist by a shark in the WWII tragedy. And he was killed in exactly the same way. BTW, I really like your analysis. So far yours is the best that I can find on KZbin to analyze screenplays of great films. I don't understand why so few views. Is it because of SEO? When I searched key words such as screenplay, screenwriting, I didn't see your channel. I got hooked to your channel only when I searched for videos to better understand the screenplay of Casablanca. I saw your video on Casablanca, then all other great videos about great films on WGA list. I am sure if your channel can get more exposure, people will realize what a gem it is. I have shared your channel with several of my friends who are interested in understanding films. Keep up the good work.

[@ScriptSleuth]

@@larryll7614 Thank you for the kind words. Yes, I suppose I can improve the SEO, I'll look into that. And thanks for spreading the word!

[@TomEyeTheSFMguy]

I like how the "Know What You Write" tip ties into the "Be Specific, Not Generic" tip from your videos on No Country For Old Men, Fargo, and (if I remember correctly) Forrest Gump (I never knew what I had until I lost it).

[@bowlining]

Amazing content. You deserve way more, thank you for doing such deep review on my favorite movie!

[@ScriptSleuth]

Thanks for the kind words. I'm glad you enjoyed the video!

[@acceptfilms9415]

Awesome thanks

[@philotomybaar]

One of my favorite shots is in the scene when Quint and Hooper compare scars. Brody looks down at a scar on his abdomen but then decides not to bring it up. He’s not one of them and he knows it. What is the scar? It’s never revealed, but I always assumed it was a wound from serving as a policeman in NYC. It’s just such a brilliant additional shot to have added and not overemphasize.

[@ScriptSleuth]

@@philotomybaar Agreed! The audience doesn't need to know every single detail, and it keeps us intrigued.

[@oambitiousone7100]

Favorite movie.

[@ScriptSleuth]

Hey guys, please do me a huge favor and hit the LIKE button. That's all I ask - it helps out the channel a lot!

[@mortalclown3812]

Have you done 'Close Encounters of the Third Kind'? Can't think of a film that entertained me more - hip or not. ☺️

[@samlyons3552]

Evergreen channel

[@ScriptSleuth]

🙂

[@ScriptSleuth]

Don't forget to subscribe for upcoming videos, and check out more content on patreon.com/scriptsleuth!

[@ScriptSleuth]

What other films would you like to see me cover? Let me know in a comment below!

[@beatrixwickson8477]

Silence of the Lambs

[@ScriptSleuth]

@@beatrixwickson8477 Definitely on the list! And done.

[@bowlining]

Script Sleuth The Thing or Alien, maybe?

[@ScriptSleuth]

@@bowlining Great suggestions!

[@marvinsereba2858]

Network, Dressed to Kill, After Hours

[@philparker6282]

Well done, mate. A very useful look at different aspects of storytelling. Cheers!

[@ScriptSleuth]

Thanks for watching, Phil!

[@bananess_]

great vid

[@ScriptSleuth]

Support the channel on Patreon and get access to more videos: patreon.com/scriptsleuth CITY OF GOD CRIES AND WHISPERS DO THE RIGHT THING IT'S A WONDERFUL LIFE

[@roquefortfiles]

Apparently it was Steven who told Roy to back up into the cabin and say "Bigger boat"

[@oambitiousone7100]

Fear and threat: universal

[@martykeaton182]

4:17 - :24 That’s not as important as Brody trying to save them. 4:58 - 5:01 Very argumentative considering his sons for one.

[@watcheronly71]

I love the whole part of film before they get on boat to hunt the shark it's beautiful to see a policemen working at seaside i wanna go there one day