When A Blind Man Cries --- Deep Purple Cover

[@dardunki]

Awsome. It was a pleasure to listen and watch 👍

[@OldDogNewTricks57]

@@dardunki thank you so much.

[@56101921]

I LOVE IT. GOOD SOUND.

[@OldDogNewTricks57]

Thank you 😋

[@Botanikkubesu]

Sounds amazing !! Well done !!! I like it !!!!

[@OldDogNewTricks57]

Thank you.

[@nimachehrazi7992]

Pure music🎸.i had to smoke a cigarette to calm my feelings😃 those smooth bends were amazing.

[@OldDogNewTricks57]

Thanks so much for the kind words.

[@jodah12]

Get it Kyle! Sounds amazing! 😎

[@OldDogNewTricks57]

Thanks Kino.

[@Jeff-nl1fk]

Excellent.

[@OldDogNewTricks57]

Thanks Jeff.

[@carlosenriqueacostamaya4434]

Extraordinario punteo

[@chipgunter]

Closed my eyes and there was Ritchie .. You killed it Kyle .. Bravo 🤘🤘

[@OldDogNewTricks57]

Ah thanks Chip. I got pretty close. But Mr. Blackmore has many subtleties and nuances that are really hard to get exact. That probably explains why he's the rock star and I'm not. Lol

[@chipgunter]

@@OldDogNewTricks57 Lol.. I would think that would be the same if he were to try and play one of your original songs .. 😉😉 It's like a finger print each player unique in their own way .. Take care brother

[@paullee9160]

pretty great dude.

[@OldDogNewTricks57]

Thanks Paul.

[@jozseflazar917]

You really nailed the tone of the guitar. May I ask what was the signal chain?

[@OldDogNewTricks57]

Hi thank you. My strat is plugged into a Motu audio interface which is USB into the laptop. Using cakewalk DAW and positive grid bias fx 2 for amp modeling.

[@jozseflazar917]

@@OldDogNewTricks57I also have a Positive grid Sparc GO. Possibly the whole chain can be reproduced with it. Would you be so kind and give me the settings for each FX in the chain ?

[@OldDogNewTricks57]

do but currently in Mexico for a wedding. Should be able to in about a week or so.

[@jozseflazar917]

@@OldDogNewTricks57 I gladly wait. Have a nice time in Mexico.

[@OldDogNewTricks57]

@@jozseflazar917 OK. Back to this. I used 2 pickup selectors on the Strat. One is the neck pickup with tone rolled way back to kill the highs. This was used on the first half of the song and the last part of the song mellow lead stuff. Going between the clean rhythm and the clean lead I adjusted the guitar volume from about 7 for the rhythm to 10 for the lead. The second setting was the pickup selector between the middle and bridge pickup. This was used for the second part of the song rhythm and lead stuff with a more rockish tone. You can probably hear where it changes, and watching the video again I see the pickup selector is switch at about 2:19 in the video and then back again at 4:58. For this part of the song, the dirty rhythm and hot lead, the guitar volume stayed at about 7. Switching to the hot lead amp gave me the volume boost I needed so I didn't mess with the guitar volume. There are 4 amp selections. 1 for the Ritchie lead stuff (mellow lead). The second amp for the Ritchie rhythm stuff which is the first part of the song (very clean setting). The third amp (hot lead) for the rockish solo in the Ian Gillian version of the song (second guitar solo). The 4th amp for the rockish rhythm parts (dirty rhythm) in the Ian Gillian version of the song. Amp 1: I called this the mellow lead amp. In biasFX2 this is the I Got Blues amp. Gate: Threshold 1.5, sensitivity 2.7, release 3.0, mode reduction Drive: off Amp 59 tweed lux V2: gain 2.5, bass 7.5, mid 9.5, treble 0, presence 1.5, master 6.7 Cabinet is tweed lux with sm57 mic Delay: off 60s Reverb: blend 5.5, tone 5.0, decay 4.0 Amp2: I called this the clean rhythm amp. Its the same I Got Blues amp with these settings. Gate: Threshold 1.5, sensitivity 2.7, release 3.0, mode reduction Drive: Off Amp 59 tweed lux V2: gain 4, bass 4, mid 6, treble 6.2, presence 6, master 6 Cabinet is tweed lux with sm57 mic Delay: time 310ms, feedback 3.6, level 2.6, tone 4.0, BPM switch to the left. 60s Reverb: blend 5.5, tone 5.0, decay 4.0 Amp 3: I call this the hot lead amp. Again using the I Got Blues amp Gate: Threshold 1.5, sensitivity 2.7, release 3.0, mode reduction Drive: Off Amp 59 tweed lux V2: gain 9, bass 3.3, mid 7, treble 5.8, presence 6.7, master 4.6 Cabinet is tweed lux with sm57 mic Delay: time 310ms, feedback 3.6, level 2.6, tone 4.0, BPM switch to the left. 60s Reverb: blend 5.5, tone 5.0, decay 4.0 Amp 4: I call this the dirty rhythm amp. Again using the I Got Blues amp Gate: Threshold 1.5, sensitivity 2.7, release 3.0, mode reduction Drive: Off Amp 59 tweed lux V2: gain 5.3, bass 4.3, mid 6, treble 6.5, presence 5.8, master 6.1 Cabinet is tweed lux with sm57 mic Delay: time 310ms, feedback 3.6, level 2.6, tone 4.0, BPM switch to the left. 60s Reverb: blend 5.5, tone 5.0, decay 4.0

[@driw5017]

Can i have your gitar sirr❤😢

[@OldDogNewTricks57]

Ha. Sorry but no.