When wrong notes don't matter...

[@andremaggio859]

Say what you want about wrong note and all that, but this guy created a whole orchestra with just a piano

[@franzozean8132]

@Andre Maggio if you're interested in similar stuff you might check out this guy: kzbin.info/www/bejne/a5OrY6GLmLSan9E I've never heard an orchestra created by an piano in this kind of way.

[@Highinsight7]

YES he did, Andre!

[@antoniot]

Yeah that’s pretty damn impressive

[@arthurhorowitz5345]

Great comment, that is so true! Inspirational arranging and playing.

[@Tn089-b6g]

He’s playing his own arrangement so technically speaking there are no wrong notes

[@cosainsegnarealmentelatorr4532]

😉😁

[@dmitryvasilyev5543]

Absolutely

[@vaniasetti7753]

Right on! 🙌🏼

[@karpabla]

Hehehe very good. He was just rearranging live his own arrangement, adding a bit of atonality and complex chords. BTW, Pletnev's love for music is always so refreshing.

[@Bod_users]

:))

[@tarikeld11]

Like Beethoven said, it's irrelevant if you play wrong notes but playing without passion is unexusable.

[@KyleHohn]

Then Elise gave him $100 and everybody clapped

[@igorabdoaguilar9331]

Source please? I'd love to cite this in a academic paper

[@tarikeld11]

@@igorabdoaguilar9331 I'm not sure, but it's a popular quote, maybe there's something on Google :)

[@pizzacheeto]

@@igorabdoaguilar9331 There is no record that Beethoven actually said that. But an anecdote by his student Ferdinand Ries proves essentially the same thing: "If I made a mistake in passages or missed notes and leaps which he (Beethoven) frequently wanted emphasized he seldom said anything; but if I was faulty in expression, in crescendos, etc., or in the character of the music, he grew angry because, as he said, the former was accidental while the latter disclosed lack of knowledge, feeling, or attentiveness. The former slips very frequently happened to him even when he was playing in public."

[@michaelallenyarbrough9503]

@@pizzacheeto Damn, this rocks, thank you for sharing!!

[@animalistiktiero3835]

Just like Ludwig van Beethoven said: "Eine Falsche Note zu spielen ist unbedeutend, aber ohne Leidenschaft zu spielen ist unverzeihlich!" (Translation) "Playing a wrong note is insignificant, but playing without passion is unforgivable!"

[@darealbeesechurger]

True, this is important to remember

[@rayhanbutt8337]

starke worte ☝️

[@juliag.1231]

for someone who doesnt know the piece, I only thought I heard one hesitation and maybe one wrong cord... so well played!

[@arthurhorowitz5345]

I am sure that is a welcome relief to hear for many pianists!! Some of the arpeggios he played were like COMPLETELY wrong! But who cares haha

[@Nekoandpiano]

@@arthurhorowitz5345 it wasn't even printed yet as a transcription at that time) So who cares:) (joke:)

[@jacobrubanov4932]

@@arthurhorowitz5345 at least got most of the loud parts right

[@bazingacurta2567]

I didn't know the piece either but I was able to notice like 6 or 7 major mistakes. Some of the arpeggios were hilariously off. But it was very well played; the interpretation was full of the right intentions. The uploader is right, wrong notes don't matter much here.

[@raym6205]

Haha a lot of the running running notes sounded ... pretty funky. But the musicality was there. I would say a few wrongs notes are fine but too many (like here) is a little annoying to listen to

[@therealtruetwelfth798]

There are actually not that many wrong notes! There’s a live film out there somewhere of Pletnev playing Liszt’s Fantasy on Spanish Themes - also full of unintended notes - but also very impassioned and exciting to listen to, and watch. It is refreshing to hear someone play like a human being nowadays.

[@samothchipmah2407]

There ARE many wrong notes. Nearly all arpeggios are wrong for example. Anyway Pletnev is a great virtuoso.

[@therealtruetwelfth798]

@@samothchipmah2407 If you could add the total number of “right” notes compared to the total number of “wrong” notes, there aren’t that many wrong notes.

[@samothchipmah2407]

@@therealtruetwelfth798 yea I could, but he asked about our opinion at the end of the video. That’s what I think about it.

[@Eristhenes]

I like that: "unintended notes."

[@arthurhorowitz5345]

Thank you for the comment. I will check out these recording straight away! Sounds like they are great!

[@pineapplesareyummy6352]

Wrong notes that are just fast running, accompanying notes don't really matter they are just there to add colour and could really be any other note. You played all the right notes in the melody line and kept the flow which is absolutely critical!

[@Franz_Liszt_Korean]

Agree

[@IEEMAZ_Convoluted_14.2.8.5]

I concur

[@memeful4]

Well it may not matter to you, mate, but unfortunately, my ears process every single note, involuntarily, no matter how fast they may be. I suggest Maria Callas's (or Tetrazinni's) "Ah! Non giunge" in La Sonnambula, or "son vergin vezzosa" in "I Puritani"-- every single note was intended, and well-considered. That's some dedication. : )

[@IEEMAZ_Convoluted_14.2.8.5]

@@memeful4 musicality is much more important though

[@samothchipmah2407]

For me they matter a lot. Always in the brilliant high register all arpeggios are wrong. Not hidden mistakes, extremely good to hear mistakes. They sound so good when played right.

[@minecraft8846]

the always composed and calm pletnev let’s himself go in this rare instance and it’s quite compelling

[@arthurhorowitz5345]

I think his Youthful spirit is shining brightly. He was 21 years old in this performance. Also, this was his first performance after winning the Tchaikovsky competition (the first major competition that he had won). He was also the publics favourite performer and the atmosphere was incredible. I think all of this made for quite a special performance.

[@Fernandez218]

@@arthurhorowitz5345 wasn't this video a sample from the Tchaikovsky competition?

[@RechtmanDon]

Vladimir in his farewell performance (age 99?) played oodles of wrong notes, yet got a well-deserved standing ovation for his communication with the audience. That (and this video) powerfully demonstrates what has now been proven scientifically, that music is language. When an actor misses a word, stutters, or mispronounces yet maintains the communication of the passion within the words, the audience appreciates the humaneness of the performer and the wrong words are thoroughly ignored. (Unless, of course, they are so bad as to distract from the communication!) Music as language, can be subject to the same bits of human imperfection, which, when not too distracting from the feelings being communicated, may actually contribute to the overall human interaction. I currently reside in China, and Chinese Western music musicians have an interesting dilemma: technically, they are overall superior to Western musicians--they can play the notes more perfectly, faster, and with greater balance than Western musicians. So why out of about a billion Western-trained musicians has China produced only a handful who are recognized in the West? The answer lies in the communication component. I teach students (and teachers) here to apply three questions to every piece they play, to address the language (communication) component: what feeling is the composer trying to say; what are you the performer trying to say, and where does the music breathe. If any of these components is missing, even if one performs technically perfectly, one cannot perform from the heart. VH and Pletnev demonstrate what is possible even when not technically perfect: both don't just play piano; both also know how to play music.

[@arthurhorowitz5345]

This is the best and most inspiring comment I have ever received, thanks for sharing your wisdom! I couldn't agree any more :)

[@genial789]

Wow, thats an amazing perspective! can you explain where does the music breathe? Greetings from México City!

[@abb5643]

@@genial789 I feel the way I'd answer that question is that where a music breathes is similar to where a human breathes. Imagine the little pauses in speech and singing we need to create music, and think of how those apply to the piano. On the other side, there can be parts where I feel a little bit of rushing gives a human characteristic to what I'm playing. In general, I feel breathing can be described as playing with the time and tempo of a piece to give it human characteristics. Hope that helps! :)

[@Paroles_et_Musique]

Uh, the claim that Chinese pianists are technically superior to westerner musicians is not true and not backed by any facts or statistics. Show me a Chinese equivalent of Volodos, Zimermann or Katsaris, basically the greatest virtuosos of this century, never a wrong note even in the middle of passion. There is the flamboyant Lang Lang but technically he takes so much risks that ends by doing mistakes then gets even injured, then Yuja Wang plays properly but she sold her soul to fashion and mannerisms and became the queen of bad taste. The problem with China, Korea and Japan is that they all belong to a cultural block which didn't produce a single classical top composer from 18th to 20th century. And that's a enormous gap to fill, so they need much more time. They may understand the technical component of it, but musically and spiritually they have a hard time to create unique interpretations and in same time respect the score and the composer.

[@Paroles_et_Musique]

@Miraak Seriously, Jonah Ho is your example of technical superiority of asians, the little boy who, instead of learning Bach and Mozart to structure his brain, massacres la Campanella for views on youtube? Have you ever played piano?

[@vasjakavcic8704]

Classical folk slowly coming to the jazz conclusion: there are no wrong notes...

[@arthurhorowitz5345]

Touché!

[@Nekoandpiano]

Oh, i love those recordings from the competition so much. MVP was so young and passionate, full of energy, later he became somewhat philosopher type of the pianist, with good amount of sorrow in his interpretations.

[@Georgeth-kb6rg]

Pletnev isn't just a musician ; he's a magician

[@Varooooooom]

I had a lot of negative thoughts coming into this video, and I left this vid feeling empowered af and grateful that I came across this. Thank you for sharing this!! It’s amazing when someone’s passion can resonate with people so easily.

[@arthurhorowitz5345]

I am so glad that you felt empowered after viewing this, that is incredible! All the best mate 😃

[@jennifercoopman]

That's one of my favorite moments of the whole ballet! He did such a great job with what was obviously a very difficult arrangement. I loved this!

[@arthurhorowitz5345]

Amazing, glad you enjoyed the clip :)

[@professionalamateur417]

“To play a wrong note is insignificant, but to play without passion is inexcusable.” - L. V. Beethoven A lot of people these days care so much about perfection and technique that they are forgetting the ultimate goal of music, which is to express emotions and feelings using the instrument. If perfection meant everything, then robots would be enough. We are all unique and we all play differently, that is what makes our music beautiful.

[@arthurhorowitz5345]

Great perspective!

[@j.thomas1420]

I prefer a performance like this one than a cautious and boring performance. Having the precision is just some god tier matter.

[@arthurhorowitz5345]

Defo true!

[@natatpongtouch]

*“To play A (Ton of) Wrong Notes is Insignificant, to Play Without Passion is Inexcusable”* - Ludwig Van Beethoven.

[@shadmium3471]

can i smash my keyboard with passion?

[@EIegie]

@@shadmium3471 indeed

[@dan6219]

"Not everything famous people say is always the truth" -Me

[@GuilhermeMichel]

@@dan6219 Beethoven is not famous, he is only a simple commoner...

[@Ace-dv5ce]

@@GuilhermeMichel He is simple beet farmer

[@nickk8416]

There are a few mistakes but so what. Pletnev plays on the edge and it's so exciting. It's what makes live performance unforgettable. Schnabel filled the room with wrong notes, not that Pletnev did, and people were taken by his passionate performances. Pletnev is truly astonishing.

[@arthurhorowitz5345]

Thanks for the great comment :)

[@jarosemann1228]

The subito piano at the two hand chromotic climax crescendo made my hairs stand. This is why I love music. Passion is amongst us, not everyone gets to show it.

[@arthurhorowitz5345]

Oh that moment is so gooooood! Perfect

[@vichernandezii]

Honestly, if I played this way as a student I would’ve been shamed by professors. It’s very unfortunate to know that you can have such a beautiful sound when playing but all that the jury cares about is your accuracy. Not an excuse for me to play wrong notes, but a perspective that is often looked over as educators. That’s why I switched to playing jazz.

[@minephlip]

sucks to hear it was so bad you had to switch to a different genre completely. Where I am from, the culture around classical music is not that oriented around the perfectionism, and i was shocked to learn how bad it can get in for example asian competitions. I can't understand how those jury are mucisians themselves but don't understand what music is about

[@vichernandezii]

@@minephlip I found myself leaning toward jazz more because of my heritage as well. I have a Spanish name, however my ancestry belongs to the Louisiana creoles, the original co-founders of jazz in New Orleans. Louisiana creole musicians were originally classically trained, however when they were forced to become second-class citizens, they weren’t allowed to perform “white people music” anymore. So then they started forming ensembles with freed men blues players and creating the genre: jazz. I only tell this story because it sort of relates back to me. I don’t relate that well to classical, though I have studied it and have two degrees in it, and I decided that playing jazz fits my character better.

[@pomatomapo]

"There are no wrong notes, you just lack confidence" - Jacob Collier

[@arthurhorowitz5345]

If only my piano teacher would have said that to me ;)

[@yudiapancaputra9161]

Oh my God this is so unreal. Albeit all the missed notes the music was sooooo far more than just beautiful. Literally amazing

[@arthurhorowitz5345]

I come back to this recording so much because of this!

[@nazarenoorefice2104]

Another glaring example was Alfred Cortot who had an incredible number of pupils who became very well known pianists.He played really well and he never concentrated himself in not making wrong notes. There are moments where wrong passing notes do not bother , of course if you are wrong on the strong beat of a slow romantic song is another story. A lot of virtuoso arpeggios and scales do not often belong to the core of the composition. If you are playing a virtuoso tune it matters because technical ability is what it counts.It s easy to spot a wrong notes and is objective , a great interpretation is a matter of taste but at the and of the day it is what touches your soul and reaches you especially if you do not know much technically about music there is plenty of boring musicians who do not make mistakes but do not play with soul . I could name very many well known pianists who are for me not great musicians.

[@xEr_ror]

That piano is begging for its life. Amazing performance.

[@TheFlamingPiano]

I think this is what makes up for the many wrong notes I make in competitions

[@v_once1523]

Meet you again:)

[@DAMusic-qu2ec]

This is why piano is the King of the instruments.

[@arthurhorowitz5345]

COULD NOT AGREE MORE❤️

[@hansdekorver7365]

No wrong notes . It is his own transcription.

[@arthurhorowitz5345]

He can do what he wants!!

[@rdkamath]

First be a genius...then you can break all the rules. To reach that level takes years, as a beginner better to hit the right notes.

[@alanleoneldavid1787]

Pin this comment

[@eriknewland3686]

Pletnev's Nutcracker arrangement is NUTS!

[@arthurhorowitz5345]

😂

[@theinacircleoftheancientpu492]

One of the massive issues with playing wrong notes is that they throw you off and make it easy to make more errors.

[@arthurhorowitz5345]

Yes, I agree. Pletnev did a good job of making sure that he fully loose control and kept the integral parts to the piece correct.

[@paul-zx5du]

Can you imagine dancing to that live performance instead of to a recording of the suite?

[@arthurhorowitz5345]

I can imagine professional dancers dancing to it, sadly not myself though. You?

[@paul-zx5du]

@@arthurhorowitz5345 Yes, I played Fritz, the Mouse King, and Trepak. 👍🏼 Recorded music - meh.

[@789armstrong]

Horowitz during his later years said "Sometimes you have to miss a few notes to get it right"

[@ngenuity1395]

in my opinion, something that makes a great pianist, isnt about how many right notes they can play, its about how passionate they're about their craft

[@mashatomi734]

Mistakes can sometimes go beyond the work. I think people who can't see mistakes as mistakes are proof that they don't understand art.

[@arthurhorowitz5345]

'Mistakes can sometimes go beyond the work' Masha Tomi, 2022. Love that! and I resonant with that so much in this performance.

[@kalprao]

Everything blended beautifully regardless of wrong notes.

[@eugenvonbismarck5029]

As soon as things suit the harmony, the wrong notes don’t matter at all

[@Ricardo7250]

While he played lots of wrong notes, not a single one of them was in the melody, which is the main component here. So, the lesson is: If you are gonna miss, don't miss in the most important element.

[@arthurhorowitz5345]

True true!

[@JoyAndWhimsy17]

Yes there were wrong notes but this was the most beautiful sound I’ve heard in my life. It’s so colorful

[@redwren4182]

This was very musical, but I'm afraid I can imagine myself giggling in the back row of the audience

[@memeful4]

That's why Rubinstein is, and will always be, my all time favourite. He never stops striving to top his PB of interpretation, particularly when his physicality starts to frail, yet replaced by ever vast experience one can never exhaust life to comprehend. His stiff fingers still tells stories I'll never grow tired, but forever intrigued, not just the piece, but his most intimate inner being, that I hear, and feel. Yes musicality, flow, and organic expression, are above technique, but still nice to be able to enjoy with ease, what clarity touch brings-- with souls. : )

[@arthurhorowitz5345]

Beautiful comment, thank you for sharing this!

[@OscarZhou511]

LOVE IT SO MUCH! I WANT MORE!!!

[@leonardotitta4052]

It's not that bad. He made some mistakes but he kept going and the melody have all the right notes

[@arthurhorowitz5345]

I agree! Thanks for the comment :)

[@marinadela1361]

It sounds marvelous. If I wasn't seeing the score, I wouldn't even think there were any wrong notes played.

[@OlegPereverzev]

Нормально всё!

[@pagorami5253]

wow!!! gave me goosebumps, amazing recording

[@arthurhorowitz5345]

Glad you enjoyed it!

[@republiccooper]

Yeol Eum Son has a really perfect version. It's on YT. Very, very beautiful, without wrong notes and exceedingly passionate.

[@arthurhorowitz5345]

I will give this a listen, never heard this one before!

[@republiccooper]

@@arthurhorowitz5345 listen to the two versions side by side: kzbin.info/www/bejne/f6nbh4N3mdWobs0

[@kallenkoffer_8842]

You dont play wrong notes when you have the right feeling

[@arthurhorowitz5345]

I like it!

[@a1spanish630]

This sounds better than the "correct" version

[@arthurhorowitz5345]

That is what always draws me back to this performance!!! It is almost like the the wrong notes heighten the passion somehow?! You can tell that Pletnev is on the edge of his virtuosic pianistic abilities. He is letting loose and the music is flowing out of him so intensely. A 'safe and accurate' performance doesn't guarantee passion!

[@1389Chopin]

I believe Pletnev has his own edition on the the nutcracker suite. Not sure these are wrong notes though

[@ludix711]

I'm so glad I knew this piece almost immediately. So well played!!

[@arthurhorowitz5345]

Good knowledge right there!

[@paulgorfinkel3093]

@@arthurhorowitz5345 was it the pas de deux from the Nutcraker?

[@southernhawkstudios]

Paganini: sound good bro

[@Tizohip]

This is Fantastic, awesome, all cool words for this video

[@arthurhorowitz5345]

Thanks!

[@DFFSism]

Better to play a CD. Pletnev verson is for home playing. But neighbors were not wishing to hear, so he came at work and just played it that night, than some Grieg suit and so on ^_^ ...

[@danielgloverpiano7693]

I have to laugh when people use accuracy as a criteria for judging a performance. I read comments from young pianists about wrong notes, and it’s simply something juries at competitions pay absolutely no attention to. I’ve judge dozens of competitions and don’t remember once commenting on wrong notes or frankly even noticing them. Severe memory slips are different, especially if the music is disrupted. If you’re paying attention to this, or worried about it as a performer, I recommend you find another field of study. You will never be happy with yourself. It’s pointless to worry about being note perfect, and means you’re missing the overall point of being a musician. We get lots of boring people who play note perfect and have no musical substance, you get zero points for playing note perfect in a competition. Nobody cares.

[@Fernandez218]

He won this competition.

[@aidtananyan8271]

Beautiful Even with wrong notes

[@arthurhorowitz5345]

❤️

[@Jajadore]

Is there any human who is capable of performing this music without mistakes? Beautiful perfomance by the way.

[@arandashi386]

This is his own transcription.

[@arthurhorowitz5345]

Yes, definitely possible for some on some occasions (if that makes sense). However, in order to express the music in a piece like this, you just have to let go and let your hands fly.

[@jamesdownham6417]

The virtuoso having fun !!

[@arthurhorowitz5345]

he so is! A great watch :)

[@lordmusea]

Pletnev is my absolute favorite pianist. This is a bit sloppy relative to his other performances, but it fits his very expressive style and beautiful melodic lines.

[@youzhang5018]

Electrifying!

[@ma14.27]

I don't know but I kinda like it.

[@defaultset]

There's a certain point where you could be good enough to literally make your piece spicier by putting "wrong" notes. In this case, he made it alot more interesting.

[@arthurhorowitz5345]

He definitely heightened the sense of passion yes!

[@terranbricklin]

Ah yes, back before Pletnev ascended into legendary perfection, lmao

[@LettuceGameYT]

plays a wrong note during a competition: **sigh** guess imma yolo this now.

[@arthurhorowitz5345]

This is how it should be done!!!

[@kavgullapalli8906]

geez i really felt something there

[@Bildungsrebell]

If you play at the edge of possibilities because you invest your complete heart for your interpretation it's always fine to have some "wrong" notes. I hate streamlined and sometimes even technically manipulated live recordings - but not any odd notes. Remember Alfred Cortot in his later years? It was said he had some memory problems. I have the feeling he simply pushed the borders further - and you can still hardly find anything like his recordings of Chopin Etudes and Preludes...

[@arthurhorowitz5345]

Great comment, thanks for posting!

[@jamesdownham6417]

Wasn't it the late Sir Thomas Beecham that declared " Play the right notes to start off , and end with the right notes ....What happens inbetween , the audience doesn't worry about ????? "

[@arthurhorowitz5345]

I don't know if it was a Sir Thomas Beecham quote - but there is truth in that statement.

[@mza3544]

"Idk bro. That sounds pretty jazzy to me"-jazz players who can't for once hit the right notes

[@rimmamelaten6112]

Bravo!!

[@leonardchileungman4925]

‘pas de deux’ from Act II of “Nutcracker”

[@arthurhorowitz5345]

Indeed!

[@IvarsBezdechi]

"Attention, attention.....Cleanup needed on aisle 19....stat....Cleanup needed on aisle 19....stat...."

[@arthurhorowitz5345]

haha😂

[@golden-63]

There are musicians that impress and musicians that move you emotionally. I'd rather listen to the latter kind.

[@unsigned5324]

Forgot that I left KZbin on x2 the speed and thought this guy was going cocaine-enduced mental at the piano.

[@lubosschelepak7032]

Ok. That piece is extreme difficult and it is live..for me it is very nice playing

[@arthurhorowitz5345]

Agreed!

[@user-vy8ou1qj2u]

My teacher said that the manuscript is just one point of the piece. It could have been played differently each time the composer performed it

[@lyolevrich]

pray to be able one day to play as he plays here….

[@arthurhorowitz5345]

Keep the dream alive!

[@arandashi386]

His wrong notes are artistic.

[@arthurhorowitz5345]

mine are just wrong notes lol

[@jefolson6989]

It was said of Schnabel he "played less of the notes but more of the music" which has been adapted to fit other aging greats and may have been said of someone before him but it was pretty accurate. Janis had to fake phrases he couldn't physically play, but disguised it well.

[@Fritz_Maisenbacher]

Real piano at last .... hello Barere, Horowitz, Nyiregyhazy .....

[@schumannop44]

I can't agree with you more.

[@arthurhorowitz5345]

Great to hear!

[@Shootingie]

I feel dumb for saying this, but I honestly feel that this amount of "mistakes" are the ideal amount. There's something kind of off-putting to me about a recording where there's not a single kind of mistakes or mishap.

[@neptuned7937]

Me playing Liebestraum at a recital

[@arthurhorowitz5345]

😂😂

[@ombreblanche3058]

Beginning : try to count wrong notes Ending : try not to cry

[@arthurhorowitz5345]

Haha! The 'ending' part is how it should be. I hope you have listened to the full version to put this clip into context. It is such an emotionally intense, beautiful, longing, nostalgic piece! It is the first piece in this video: kzbin.info/www/bejne/ZmrEdqmbeMZqhJo

[@ombreblanche3058]

@@arthurhorowitz5345 Thank you for the link !

[@ozgen6302]

Here passion is more important than wrong notes. Also if he did not play wrong notes, he could'nt play such passionate. Because only robot can play without passion. Who wants this? Excellence in art is not playing a piece of music without mistakes. It's about giving an emotional experience. I think this is here.

[@arthurhorowitz5345]

Thanks for the comment, I agree 😀

[@jameswatkins7763]

I was thinking, although it doesn't sound right, maybe the uncomfortable tension adds character to the piece? But then, it could've been so beautiful if it had been played correctly.

[@arthurhorowitz5345]

Yes, I think so too!

[@The_M1A2Abrams]

To be honest, a typical person wouldn't even tell

[@arthurhorowitz5345]

True!

[@stevendaniel8126]

Hahaha hahaha hahaha. Give him some credit for the performance!

[@mikedaniels3009]

EXACTLY. As long as it sounds right & great, WHO CARES? And, BTW, it's HIS baby, quasi una improvisazione, so no wrong notes there anyway.

[@kaleidoscopio5]

This is just a few notes slip....try Gilels playing Petrushka, Rubinstein at the end of Rachmaninov's Paganini variations or Horowitz at the end of Tchaikovsky concerto in the 1952 recording. That is big league of wrong notes 😎

[@mo-mo-ni]

Everybody wants to be an expert.... Try not to be one 🤸🌸🐬

[@arthurhorowitz5345]

Preach it!

[@olirpinho]

all those mans that are saying this has errors, they just can't get the spicy

[@thomassicard3733]

GET DOWN!!!!

[@danielm17]

Everyone starts somewhere

[@arthurhorowitz5345]

😅

[@giannottister]

In competitions if you play one single wrong note you’re out. Robots win (and music loses).

[@arandashi386]

Pletnev won 🥇 at the VI international Tchaikovsky Competition. He played this piece at third round .

[@giannottister]

@@arandashi386 Yes, but nowadays, you must play perfectly if you want to win a competition. Pianists like Cortot would never win anything if they were alive now.

[@arthurhorowitz5345]

It is also a different time now though tbf!

[@giannottister]

@@arthurhorowitz5345 And a worse time in my opinion.

[@carrotvevo]

what a goat

[@arthurhorowitz5345]

🐐

[@alanpotter8680]

Check Malofeev's performance of this. It's as good. Learning from the master Pletnev.

[@birgirkarl]

I guess no one informed Yunchan about this matter.

[@arthurhorowitz5345]

That guys' technical facility at 18 is insane! He definitely didn't get the memo!

[@aphraxiaojun1145]

i laughed out loud when there was a fff and then a crescendo

[@arthurhorowitz5345]

hahaha😂it is insane!!!

[@ReianoMusic]

sounded like amogus at one point 😳

[@hello-rq8kf]

swallow batteries idiot zoomer

[@arthurhorowitz5345]

I wonder if there are any good Among us piano arrangements haha???

[@lavender2963]

Want the whole performance

[@arthurhorowitz5345]

The piece is: Tchaikovsky/Pletnev - The Nutcracker Suite (Piece No. 7 Pas de Deux) The recording which the clip is taken from here: kzbin.info/www/bejne/ZmrEdqmbeMZqhJo This recital also includes two other pieces from Pletnev's arrangement of the nutcracker suite. The whole video is well worth a listen.

[@elmiramuradova561]

Но на конкурсах жюри этого не прощает,хотя многие играют страстно и с душой. Вот и все.