Why are there SO MANY RED KOMODOS for sale?

It's because the RED Komodo sux... Or does it?
Well, so the Komodo sux FOR THEM. With so many baby dragons out in the wild, there are bound to be a few that go up for adoption.
Whatever the case, this video explores the top three reasons why the used marketplace has been seemingly flooded with lightly used RED Komodos.
Help me get one sub closer to my 1,000 sub goal! I want to try EVERY 12G SDI protection method and figure out which isolators work and which ones are BS
0:00 There are more Komodos for sale than normal
0:46 The RED Komodo isn't an FX6
2:16 It's your money, use it when you need it
3:00 Upgrading to the Raptor (or Komodo-X)
5:16 Absolutely no value in the video after this point

[@airviewcinematography]

I'm selling mine to pay off Stormy Daniels.

[@ThomsonVisuals]

I’ve heard one Komodo might not be enough! 😬

[@airviewcinematography]

@@ThomsonVisuals I'm quick.

[@ThomsonVisuals]

HAHAHAHAHA

[@robertdouble559]

Any client that's obsessed with what you're shooting on is generally gonna be a pretty lame client.

[@the180degreerule3]

wrong

[@blackicestudios]

lol because the people who bought them thought they were point and shoot cameras . It’s a professional cinema camera not a toy.

[@OSKVIDCreativemedia]

Yea, same goes with blackmagic, people buy it and than sell since dont know how to properly use it

[@ThomsonVisuals]

Totally agree. I almost feel like it's worse with BMD because it's so much more affordable. But I like their gen 4 color science. Just needs to be in the hands of someone who can grade. -A

[@parodyverse]

I think 10 years ago you could definitely tell the difference between a Red and a consumer camera. But consumer cameras have improved so much that it's hard to tell. The Fx6 vs BM6K vs Komodo blind tests, I can't tell which is which. Lighting and CC matter way more. I like your counter, where did you get it?

[@ThomsonVisuals]

You’re 100% correct. I can only tell cameras apart by how they handle their highlights and shadows now. Colors are much easier to match than before. I was just watching a video by Alex Zarfati about the “most underrated camera of 2023” and I think he nailed it. A large part of camera adoption is brand loyalty at this point. When you look outside that tunnel vision, you start to see some great value-for-money options that could be better suited for up and coming image creators. Divoom Pixel 64! It’s tons of fun. It shows KZbin stats during my workday, and then shows fun shit at night.

[@BrandonDull]

I bought a RED Raven. Love it.

[@ThomsonVisuals]

That was my second camera! #000061. Loved that camera. Only sold it to move up to Komodo. -A

[@BrandonDull]

@@ThomsonVisuals thing about komodo is it doesn't shoot 120fps that was my breaking point for the raven.

[@ChristianChannel]

Best Review so far, keep them coming i subscribe

[@ThomsonVisuals]

Thanks so much!

[@iamgodgvn3528]

This is prime content! Thank you for this sir!

[@ThomsonVisuals]

Glad you enjoy it!

[@WillDaRosa]

Couldn't agree more man. I especially loved the GT4 analogy.

[@ThomsonVisuals]

Buying a spec’d out Porsche when they really need a Tesla they can keep on autopilot. Still a great vehicle, just not quite the same experience!

[@jacopoabbruscato9271]

They bought into the owner-operator youtube meme thinking the camera would repay itself in a matter of weeks or that sporting a RED would land them better-paying jobs. It doesn't do either thing. Or they just ran out of cash buying the camera before finding out how expensive proprietary RED accessories and media are.

[@MonigMedia]

00:47 lol what a transition!

[@JoshWilliams123]

Another theory: people bought it from B&H to try out, didn't like it, and then realized it was a non-returnable item.

[@Dezdirectz]

BINGO

[@ThomsonVisuals]

100%.

[@nda42831]

I had to subscribe this video was too funny 😂

[@ThomsonVisuals]

Much appreciated!

[@BehindTheSeeNez]

your sarcasm just earned you a sub my guy..."Pelican Case Queen" LMAO

[@the180degreerule3]

I bought 2 RED Komodos and immediately charged 2X what I used to charge, got less work but more profit and within one year and half I bought 2 Raptors and now got 2 more s35 raptors. so I got 4 red komodos, 2 raptors vv, and 2 raptors s35, not to mention the lights and all while of course having a good life financially and growing faster than I did from 2013 to 2020. could I do it with Sony and Canon mirrorless and cinema cameras? it didn't work for 7 years, blackmagic design cameras let me down 5 times in one year and it's not just one camera but 3 and I will never buy their terrible quality control cameras and weird ergonomics. I used to shoot, now WE shoot, cause I now have a business and focus on directing while my agency is killing it...we shoot commercials, live broadcast, documentary, and so many things that many people would choose an all in one cinema camera which is mostly a jack of all trades but a master of none, but the komodo did a lot of heavy lifting and all it took is talent, and knowing how to get it ready for the job at hand and have the necessary accessories that complements its capabilities. I mean damn, even a friend of mine learned filming with one of my komodos and is now doing really good using his own Red Komodo...he shoots outside and color grade the hell out of that R3D raw and it looks so good because he wasn't a filmmaker technically but he always had a great taste and talent in many things that are part of filmmaking. Sony and Canon drove me crazy, Sony with too much options that I don't need as much as RAW, and Canon with their half ass commitment to give us anything useflu without limits or what so ever...RED was to the point, fewer things to waste your time getting set, and what really matters the most without issues; great sensor, great codec, great ergonomics, and that's it.

[@ThomsonVisuals]

Amazing comment. Very well said. I'm stoked for your success and I hope it continues. RED really does make a jack-of-all-trades camera. It very rarely places 1st in a single category, but it places 2nd in all of them, which for a lot of business owners, makes it the top tier camera. There's infinite demand for the Alexa 35 camera, but affordability is a massive issue, so a V-Raptor XL or two is a fine alternative. Venice 2 is great as well. It all comes down to money and preference at the end of the day. You've got to try in-camera camera to cloud, it's really saving money on my productions. Just need good upload. Cheers! -A

[@robhashemi3559]

Hahaha “it sucks!!!” subscribed

[@topicruben]

This was good 👍

[@AVAPopCulture]

I have made indie feature films and music videos for over 15 years (I started back when 4k was really only available to movie studios or to really big budget projects)- so many people forget about Lighting, shot composition, framing, using 2 cameras to cut seamlessly between angles in a scene etc etc that make their work "look cinematic".... BUT as I am in the market for some new (used) gear (I never buy new), I have noticed that there are TONS of Red Komodos for sale on Ebay and other places and there are so many other Reds at very reduced prices for sale that it takes a long time to even look at them all....BUT at the same time, there are very very few people Re-selling their Canon Cinema Camera line cameras like the c70 (a direct Komodo competitor)or the c500 mkii or c300 mkiii etc.....makes me nervous about buying a Red rather than renting it for a project...the c70 is way easier to use and actually looks more "filmic" like 35mm Film Studio cameras of the past than the Komodo does in my opinion

[@angryrabbitproductions1690]

Honestly, I love my Komodo and have no intention of selling it anytime soon. The global shutter makes it the best choice if working with an LED wall… The only other camera I’ve seen that works almost as well on a virtual set is the Sony Venice. Sorry Arri, BMD, Canon etc… However, I did just purchase a Fujifilm XH2S and the Leica M11 Monochrom for travel. Imo you nailed it. Many bought this camera but really needed something less manual… more forgiving. You need to take time to get to understand Reds. There’s a learning curve. Happy that you love yours.

[@ThomsonVisuals]

How do you like the M11? I really want to own a Leica someday, but it needs to be different enough from my DSLRs and iPhone cameras. I've shot with a Leica M6 and it's a transformative experience. It's nice to have a quality tool in your hand. Thank you for your kind comment! -A

[@rationalhuman5338]

Hi sir I am planning on making an indie feature film mostly horror and thriller. I am looking at sony fx6 and Red komodo right now. Which one would you recommend for me ?

[@directorjayalex]

I agree with you 💯🎥

[@ThomsonVisuals]

I sincerely hope you never get crappy pizza as your “premium catered crew lunch” for the next 10 years 🫡

[@directorjayalex]

@@ThomsonVisuals 😂😂😂😂

[@dm.b7560]

Because people just wanted a RED camera, when they don't need it, and when other cameras fit better their needs,, RED making millions.

[@andrewsaulf]

I'll be at NAB on Sunday, see ya there!

[@ThomsonVisuals]

Let’s meet up! I’ll have TONS OF WELCH’S FRUIT SNACKS

[@andrewsaulf]

@@ThomsonVisuals DONE

[@bnapier]

@@ThomsonVisuals glad to know im not the only one living on welch's fruit snacks during work.

[@redkomodo]

I'm sticking with mines It has a future with me

[@aurorahiraeth5896]

I remember when the A7iii came out my video friends sold their A7Sii’s thinking the Siii would come out. I held mine and ended up renting it out constantly to all those that sold there’s lmao.

[@ironsun27]

Dope video... and Im not selling my Komodo... gonna pair it with a Raptor or XL.

[@ThomsonVisuals]

Good call! -A

[@Eyedbythetiger]

Just went from the FX6 to the Raptor VV. Needed the res & better color.

[@kinoromantic]

Blackmagic shooter here: I shot on Pocket 4K and Ursa 4.6K side by side and did not see much of a difference and neither did my producers/clients so it's IO, ports and other features that matter. BUT pocket 4K and URSA 12k - holy sh*t there's a difference between the two. YES, Ursa is more difficult to shoot with and requires actual lighting experience, but for those bigger productions it can deliver RED and, dare I say ARRI-like image, just not "out of the box" because BM cameras are geared towards post production as BM props their software in that way.

[@ThomsonVisuals]

I haven’t shot with the 12K. That camera with the OLPF intrigues me, especially since BM has been aiming for a color science with a film bias for quite awhile now. I‘be been off the Blackmagic bandwagon for a few years now, but if the street price of the 12K continues to inch lower, it may arrive at a price that leads me to pick one up for experimentation’s sake. Or, I could always rent. ¯\_(ツ)_/¯

[@dp_zee]

Haven't seen a red on a big set in over 8 years.. 100% of my jobs are Alexa mini lf Alexa 35 Venice 2 Venice 1

[@ThomsonVisuals]

I saw the Venice at NAB and was seriously impressed. Haven’t had the chance to work with it, but it’s seriously good. The bummer about RED falling out of style at the top end, is these next gen REDs blow the doors off the Scarlet and Dragon of years past. But there is more competition now than ever before, and RED has to move quickly to overcome that.

[@musicelect]

I think some people bought it thinking it would help them become a better cinematographer or get them clients or clout. It’s not that easy though. RED could have priced it at $8k and it still would have sold well. It also would have kept out the wannabes who should be playing with a BMPCC4K instead. You’re right when you say the FX6 might be a better choice. Or the Canon C70.

[@ThomsonVisuals]

It’s possible to leverage the RED brand to win clients, but only in the entry level to mid tier of corporate videography. Once you cross that bridge, you switch from clients that love that you shoot on RED, to not caring what camera you use. The C70 is also fantastic, I agree.

[@asili2tv767]

Have seen good work from BMPCC4K than from clout"pros" with FX6 or C70

[@theosophicalwanderings7696]

Bro can you list all your gear you use to shoot this video?

[@ThomsonVisuals]

Sony HDR-SR1 720p Camcorder Sachtler Flowtech 75 tripod with FSB8 head Future videos won't suck, I promise. -A

[@theosophicalwanderings7696]

@@ThomsonVisuals haha just messing with you. I thought it was filmed on a phone TBH. Appreciate the channel

[@TimDaust]

this video slaps

[@TimDaust]

I love y33t'n my komodo

[@ThomsonVisuals]

Timmy Ribs slap 👋🏻

[@asili2tv767]

Because most shooters are trend followers, when the Fx6 came they all went as usually do, because people they follow moved, The Black magic and canon c300 or c70 are still there and in my opinion still need no upgrade

[@BrandonDull]

You got to PAY to PLAY with RED

[@Gianfrancoaxe]

Something scary me, you have a red you talk about light and quality, but this video is like 240p LOL, and is render at 60 more LOL, GIGACHAD

[@ThomsonVisuals]

what really pisses me off about this camcorder is they market it as a HD camera, 1920x1080, but it only has about 540 lines of resolution. WACK.

[@Gianfrancoaxe]

@@ThomsonVisuals Just use your phone, gonna be better.

[@trinimedia19]

For me the image isn't as good as other REDs and more comparable with other cameras like the Sony FX6, Black Magic Pocket 6KPro and Lumix S1H.

[@ThomsonVisuals]

It's definitely a tier below their flagship sensors, but for automotive work, the global shutter is such a massive upgrade. Just gotta control highlights because you really only have 1 stop of room. REDs win in the shadows, ARRIs got the highlights, Sony's got autofocus. -A

[@andrew_nayes]

If your question is "why are people offloading their Komodo RIGhT NOW", then reason 2 needs to be qualified further: why do people need $$$ RIGHT NOW?

[@subarusensei3685]

Why am I watching this when the only decent video camera for me is a Canon 70D. You made some awesome points and I still will shoot with my 70D ( its mostly personal and lower church media use). I will say my dream camera is a canon C70 ( maybe c200)

[@ThomsonVisuals]

I started on a Canon 7D and a T3i! And I think it's always good to keep up with trends and understand the undercurrent surrounding gear sales. You never really want to be the last one to a lifeboat. If everyone is jumping ship, you don't want to be last. I think some Komodo users are overreacting. Secondhand camera sales are a normal part of the process.

[@chrispaasstudio1]

Where can I get one to buy? My budget is $450

[@ThomsonVisuals]

eBay, there are a few sub $1,000 REDs on there!

[@chrispaasstudio1]

@@ThomsonVisuals ok

[@paperstacksfilms]

Red just upgraded the komodo yho with a better version lol

[@ericwu0318]

New RED coming.

[@Ajt4k]

“there’s nothing abnorbal”

[@directorjayalex]

😂😂

[@kazlepek6552]

I’m dead 😂😂

[@KandidVision]

red is always sus

[@memphismadetez]

Sony FX6 basically comes with jobs..😂😂😂 most requested camera from proffesional businesses

[@ThomsonVisuals]

I know someone in Burbank that has 11 of them. Because they were being rented so constantly. It really is a money printer for Sharegrid operators.

[@Dentis306]

Buy red if you want to shoot real features film, feature commercial, feature music videos. Don’t buy red for anything else. For KZbin videos and contents, buy BM cameras, Nikon Z9 etc.

[@ThomsonVisuals]

The new Komodo-X coming out next week will likely be a great KZbin camera, albeit on the very high end.

[@ninerlives]

Because they don’t know how to use them

[@ThomsonVisuals]

So many

[@andrehora]

Isnt' weird that people tha use to talk about cameras never show their work ? They are aways with lots of theories about cameras and lenses and whatever, their just pretend that know a lot about it. The internet have a bunch of them. This is a waste of time Oh my god grow up man.

[@OGBURNA]

I want to sale my Komodo for the dii ronin 4d

[@ThomsonVisuals]

Now that it has internal RAW again, I'm more intrigued by the 4D. It's quite revolutionary. A totally new way of capturing content. -A

[@dkdpua]

Better to own 5*Panasonic GH4/5, than 1 Red (any Red) camera. For KZbin videos at least. With 1 Red you can only shoot 1 angle of music concert. It's boring and not enough for today's standards.

[@MARZILLI]

The Red Komodo is MORE camera than most of these “content” creators need and it is fussy, it needs love to get the best image… ALL REAL CINEMA cameras are WORK… Most people buying are not creating dramatic or high end Indy work… And right now the economy is getting tougher, so SHIP IT !

[@OSKVIDCreativemedia]

Agree, i moved from sony to bmcc4k i knew it it will be struggle at the begining. But now i love ot and i wouldnt change. People just cant get best out of it , and dont know how to actually use it! Its all about lighting, storyline, and so on

[@ThomsonVisuals]

you're totally right

[@ekphotography]

Social Networks where 90% of content is being seen these days really appreciate red cameras... LMAO get 2 FX3's and be done with it. How many " cinema photographers " who own a Komodo are actually shooting movies... Right, hardly any, except all those Korean Netflix films..

[@ThomsonVisuals]

You're right. But I'm wondering if the Komodo is more like a gateway drug into the world of RED. Like, $6,000 is much easier to throw at, than $25,000. So if someone gets used to using the Komodo, maybe they'll take a look at the higher end REDs when the business opportunity arises.

[@ekphotography]

@@ThomsonVisuals I heard there are ton of Komodo's on the use market so maybe a handful upgraded but I think most did not want to deal with the hassle and went back to Mirrorless type cameras. I rent RED's when needed but 90% of my clients are quite happy with the FX3 personally.

[@Oleka8]

hey dude, love your energy and I think you can hit big, BUT you're choosing the wrong audience. Your audience seems the high end cinema people, whereas high end cinema people don't spend that much time on KZbin watching videos. Aim for the people that are new to cameras in general.

[@ThomsonVisuals]

Good comment. I‘ve been thinking about this a lot. I think a lot of high end cinnamon tographers don’t spend time on KZbin because there’s nothing for them. With that said, there’s little juice to be squeezed out of chasing the top 15% of professionals. Content will broader appeal with be necessary to get any traction.

[@Oleka8]

@@ThomsonVisuals This might mean that you gotta chase what the rest of the camera geeks are doing, review lenses and all that fugly shit - but as a videographer that's very ambitious myself - and like many others, these lens reviews and camera reviews aren't what I'm looking for. We can't afford even the budget lenses that are like 500 USD - like I just blindly bought a Sigma 30mm f/1.4 - a leap of faith throwing down my Fujifilm 18-55mm f/2.8 lenses and approximately 250 USD. Might not be much in the eyes of someone who lives in an economy that isn't as inflated as my country's, but it's half the minimum wage here. why a leap of faith? cuz I can't find any good value reviews. I don't know what to look for to achieve that sharp image, to produce that sharp image that I crave so much. fortunately for me the studio I work in has good glass and the sigma lenses I bought was a very good investment and it worked just right for me - not everyones as fortunate as I am. If I was able to communicate clearly, you should've understood where I'm coming from. I really love your energy, calling out popular brands and stupid rich people throwing their money at big name brands. Its quite pleasing - but if you wish to get big - and I can honestly imagine you so - then you've gotta shift mediums and audiences.

[@JonackFilm]

I worked once with this Camera and it sucks ^^ way to over hyped as everything from Red

[@ThomsonVisuals]

What didn’t you like about it? Autofocus or something else?

[@JonackFilm]

@@ThomsonVisuals crop in 2k or slow motion in general, price picture Ratio.... It is good. But not like 6k € good

[@Sniffyboy]

This guy thinks he can light a scene? Anyone else seeing what I’m seeing?