WHY PREMIERE RUINS YOUR COLOR GRADE... THERE IS A FIX!

[@mattih]

Colors will still change a bit once you upload them to youtube for example and everyones screens look different so youre screwed anyways 😂 BUT oh man im so glad I found this out

[@WillColavito]

noti

[@SkyviewExperts]

Thank god! This is a huge help! Thanks Matti

[@RideWithTechie]

I found this fix 5 months ago, and i am so happy after that!

[@beezermedia]

What are the color wheels in your premiere window on the left?!

[@DanielMarchione]

Matti, We gotta link up. Remember me from #hiremematti? Ya, I want in on the shooting/editing situation. Im your guy.

[@parsonstj]

5:52, content relevant to title begins.

[@KapDx]

Thanks a lot for saving my precious time.

[@scottconover90]

Nuts how much bs was in the front of the video.

[@Plague_Captured]

Best comment. Needs to be pinned.

[@kaelfernandez]

where's the qt gamma file, mannn

[@fatcat2976]

Wtf, 5 minutes of unboxing stuff that has nothing to do with the video and then the tip is to download a lut to fix your footage? :/

[@mochingrape69]

lmao what did you expect. From the title we all knew it was an ad for his presets of sorts. Lately this type of video from Matti has increased in number so yea

[@trekgod3]

Yup more clickbait spam trying to sell you something

[@bennygee6879]

Yeah I gotta admit I've just unsubbed because of the 90% fluff, 10% content ratio in Matti's channel these days. I don't mean to be rude, but I'm just not interested in his kids, or his exercise routine. Submit personal Vlogs by all means, but title them appropriately and separate that stuff from the reviews, tips etc.

[@Loftikaz]

algorithm requires at least 10min of content

[@MrBowmanMakes]

@@bennygee6879 likewise.

[@ragnarrothbard3418]

At 5:52 he GETS TO THE POINT!!! (MOST of the way through the video.) Put your personality-driven stuff for your fans at the end bro. Also, you could just not.

[@Ournotsoperfectlife]

3 years running and this video STILL SAVED my color grade.. Thanks Matti!!!

[@FrankTaeger2021]

Meanwhile, Davinci Resolve Users: "Choose your colourspace to Export to..."

[@andyphipps01]

It's on the list when I have time to learn and move properly. Have been doing some basic grading etc to learn, but to move and be up to speed on that system will take time >.

[@BigFlavorFilms]

It doesn't solve the problem entirely, unfortunately. Let's say you have a project that is the default Rec.709 color space and choose to export the video as sRGB thinking that's fix it...then your color profile matrix embedded in the video metadata will be 1-13-1 or something other than 1-1-1. KZbin will convert the video to 1-1-1 defeating the purpose all together. There is more you have to setup in Resolve to make sure it works right and then choose color space Rec.709 on export if your footage is destined for web. It's a huge pain in the ass. There really needs to be tighter standards around all this.

[@FrankTaeger2021]

@@BigFlavorFilms Of course it doesnt fix ist, i was being sarcastic. But it works much better. First thing starting with the monitor. Mine Supports switching between Colour spaces and i have calibrated every single one of them. That is the start, Not starting by displaying Rec709 in P3 and wondering what happens next :)

[@missioncreekstyle3814]

Be it Premiere, Resolve, or FCPX, I'm going to use a broadcast monitor to make sure what I see IS what I get. Then, I will post it online.

[@BigFlavorFilms]

@@missioncreekstyle3814 We also use broadcast color calibrated monitors with a clean hardware feed from Resolve to them. Problem still exists. Looks great on the monitor then washed out on KZbin or Quicktime.

[@CapeBiker]

7 minutes to get to the point..... that Matt Johnson did back in June 10th of 2019.

[@3swordszoro252]

Thankyou

[@J0shluna]

Could have just fast forward lol ?

[@lukebohemian]

Is it me or is there no link for that LUT? 😅

[@QuinnErno]

It’s gone

[@MarryMeStudio]

Does the Video have any value without the „compenstaion lut” ?

[@CodyPyper]

I don’t think you saw our comments on the last video - that issue is only present dependent on which viewer you watch on. That LUT is adjusting it for QuickTime specifically

[@missioncreekstyle3814]

Should look fine on VLC, eh?

[@zachall9539]

THIS WAS THE HINT I NEEDED! IT WAS THE SCREEN I WAS USING FOR MY PREVIEW MONITOR. I put the preview monitor on a better screen and now it looks the same as the exports. I cannot believe this took me so long to figure out. Thank you. You have no idea what a pain this has been.

[@dadverb]

Oh man, this has be an issue for so long! Thank you! There were times where I'd intentionally oversaturate or add more contrast to compensate for the look after the final export. Nice tip.

[@mattih]

I use to do that allll the time too

[@missioncreekstyle3814]

We all did that until the PPro Team fashioned that LUT for us. Sorry it took this long to propagate!

[@BradMcCallum]

I literally discovered this 4 months ago and its a game changer. It's NOT perfect - but its far better.

[@missioncreekstyle3814]

If you want perfect, you can do what we old geezers do, purchase a broadcast monitor that is in 709 colorspace. I haven't trusted the NLE UI ever. Going on 30 years now. Sorry the true fix is going to cost you $3Gs. LOL. NLE used to be much more expensive, though. My "Avid Killer" FCP/Targa 2K Pro system cost me at least $15-20K BITD. And some Avids were going for $100K! All that said, you still need a dang broadcast monitor. Check out the Flanders line.

[@ivladoss]

QT LUT Doesn’t help. Shadows looks darker and everything is more contrasted

[@PhilipRung]

I researshed a a lot on this matter. I agree that the QT-gamma lut is not good. It doesn't make the correct compensation. I have added 5% color and 3%-5% contrast to compensate for the issue. But that still not 100% correct.

[@foundrydogworks5396]

@@PhilipRung are you doing the grade with the Color Management turned on? If not, make sure that is turned on first. The player, and exports should look identical whether viewed in VLC or Quicktime.

[@PhilipRung]

@@foundrydogworks5396 Thanks, I'm going to try it out!

[@PhilipRung]

@@foundrydogworks5396 For anyone reading this, here is the Link to the Color Management page by Adobe: helpx.adobe.com/premiere-pro/using/color-management.html

[@ctoLarssonTECH]

Philip Rung I spent a lot of time with this issue a year ago and I never got it to work with a P3 Mac display. The LUT made it look nice for me - but introduced other issues other people watching the KZbin videos. In the end I bought a Rec.709 monitor. Has anyone actually gotten this to work on a native Mac display with Premiere?

[@danielschiffer]

"IT'S THE BEAGLE DROOOOOOOONE!!!!!!!!"

[@mattih]

Haha 😆 wanna come fly it with me???

[@RReMMuSS]

:( wish I could come work & hang out with you 2 legends!

[@SignatureEdits]

@@mattih + @daniel schiffer DRONE FIGHT. It's the next big thing. To the death.

[@KaiCreative]

7:33 for the magic (:

[@RipRecords]

6:36 to jump to fix and skip fluff

[@wilhelm_jonsson]

I wouldn't put a LUT on the export, since you're altering the look for all displays when in fact the problem is caused by the display settings on newer mac's (using P3 displays (introduced in 2016?)). I'm on a 2015 MBP and tbh I immediately reacted to the skin tones being oversaturated. To solve it without altering the look for everyone not on a P3 display try changing display profile to Rec.709 which is the same as PrPro. Alternatively, preview videos in VLC which will read PrPro metadata and display correct colors, this might not be as elegant though.

[@ctoLarssonTECH]

Will's Cutting Room Yes I ended up with this soliton (buying an entirely new Rec.709 display) but of course that wouldn’t work ergonomically with an iMac 🖥 Using VLC definitely works - for the editor but not for the audience since KZbin on Chrome on Mac looked much like the QuickTime version, not the VLC version in my test.

[@wilhelm_jonsson]

@@ctoLarssonTECH Well, buying a new monitor is a solution, maybe not as cost-effective though haha... This video offers a great TLDR solution/explanation that will make PrPro/QT/Chrome/VLC all match up without any LUT (i.e. not altering the look for everyone else too) kzbin.info/www/bejne/j6jNfaiLh5pknac The issue with using a LUT as a solution is that the problem still exists. You're essentially adding a grade with more contrast and saturation, you might as well add the LUT in Lumetri to actually see what it does! Since QT/Chrome will display it with less contrast you end up with an image that looks like what you get in PrPro, but only on your display (and anyone else using a mac with P3 display). Basically anyone else, who isn't using a similar Mac end up getting an oversaturated and too contrasty video... What you see in PrPro is what mostly everyone not using a Mac P3 display will see, but of course you can't control that. I edit videos on a daily basis for clients, and if they have feedback on the colors we ask if they have access to a calibrated monitor (no one does), and then invite them to our office since that is the only way we both can see the exact same colors, not really a feasible solution for YT...

[@cinema-q]

@@wilhelm_jonsson can u clarify what u mean by “change display profile,” as in where are these settings?

[@wilhelm_jonsson]

ShelbyWorks check the youtube link in my previous comment, he shows where to change it in the settings

[@missioncreekstyle3814]

You don't have the issue on a non-P3 display. I have an old MacBook Pro. No trouble.

[@theplayedpixel8752]

this guy talking like 5 minutes for nothing

[@Thehackerguy2000]

Fr it’s annoying as hell

[@jhonastete]

You made it, he quit, you made him quit congrats

[@danfox2575]

For the Windows users in the audience, there's a different fix if you have Nvidia - go into your nvidia control panel and change the legal range to full.

[@CardboardExpert]

Can't find where it is . Could toy explain with more details? Please

[@CardboardExpert]

@@King_Krait ))) I don't have "Adjust Video Color Setting " .Very strange .

[@danfox2575]

@@CardboardExpert you may need to update your Nvidia drivers then

[@CardboardExpert]

@@danfox2575 I am trying now )

[@CardboardExpert]

@@King_Krait I have laptop with Nvidia Ge force 1050ti. So as I figure it out the Intel Graphic card takes over the Nvidia card and disables some futures in Nvidia control panel,so I need disable it in bios I assume ))If it's possible ))))

[@pwl4576]

Thanks for saving my life, Matti. The whole rest of the internet has me messing around, getting nowhere, and then you pop up with this video from 2 years ago and fix it immediately.

[@SignatureEdits]

With the color, you might be making a different mistake Matti! The big problem is QUICKTIME - If you preview files in quicktime, the colors are ALL different from how they look naturally in other programs! I was having the same issue and it was driving me nuts. Turned out it was quicktime - Once I opened the export in VLC, colors were back to normal!

[@stillsixstudios]

Thanks for the tip. How do you share your work with clients? Guess you're not sending them the mpg4 so they can't open in Quicktime? Maybe just the link to the upload on KZbin or Vimeo?

[@krischanrudolph6005]

The real problem is wrong metadata tags. In resolve you can tag metadata to the colorspace you graded for. Then EVERY player can display it properly. But in Premiere Colormanagament metadata Tags are not there.

[@michaeldawson1584]

This is true, but not entirely accurate. Different programmes have different settings when it comes to reading the gamma of your video. VLC and Premiere Pro read gamma similarly to each other and are set to Broadcast-video gamma standards - so, videos look the same colour-wiser between these 2 playforms. Quicktime, Final Cut, and web browsers like Safari and Chrome use another setting (Gamma 1.96). So yes, the colours will look different inside Quicktime, but you'll also find that how they look in Quicktime, is generally how they will look if you open them in Final Cut Pro X, or upload them to the internet. So it's not that one platform is more accurate than the other: it's more about where you plan to watch your final video :)

[@AloKadrieri]

@@michaeldawson1584 We really need a plan. I don't exactly get now, which plattform needs which settings. Does someone know any list, which platform or player needs which settings? Or could someone just do it? It would be such a help, gosh. 🤯

[@zenwithfabian]

@@michaeldawson1584 The best / most useful answer so far I found on this topic! Thanks Michael!

[@bjchealthAU]

Hi, I need your help. It work in my end. I don't have that Gamma LUT. Where can I find that? THank you

[@troyspoelma]

A typical Matti video: Teases you with what the video is actually about, then doesn't actually get to it until halfway through the video.

[@TristanErvin]

THANK YOU! I've struggled with this forever, and would always export to see what colors I needed to to adjust for what I ACTUALLY wanted, then export again after making those adjustments. So annoying

[@mattih]

Soooo annoying! I’ve always hated that part

[@SincerelyLR]

FINALLY THANK YOU! This has been driving me crazy!

[@BigFlavorFilms]

I've been struggling with this for a while myself. Which is weird because I feel like this is a relatively new issue, past several years. This is actually a color pipeline issue and it's not just in Premiere. Davinci Resolve is the same. Matti, you're right, the default color space is Rec.709 or broadcast standard. This issue is far more prevalent when using Quicktime or when uploading to most web video platforms like KZbin as they use the HD 1-1-1 color profile, which is Rec.709, and interpret them in their own way. Problem is most screens, besides non HDR TVs are sRGB not Rec.709. Resolve even has a new Rec.709 color settings to help address this called Rec.709-A. Man, it's a whole thing. If Resolve is setup correctly, and I'm sure Premiere too, you can confidently grade footage that will look as intended in KZbin and other online platforms.

[@mpell66]

In Resolve, I colour grade for an sRGB output colour space and set the 'color space' tag and 'gamma tag' to Rec709. Do that the export looks the same when playing on the local PC as it does when colour grading in Resolve and with the tags set, KZbin then presents it looking exactly the same also. If the tags were not set, then KZbin would make it look somewhat darker due to applying some changes to it.

[@eliteviewstudios5135]

Cant believe this is the whole reason why my grades from Davinci have been less contrasted! You saved me man!

[@joefilter2923]

This “fix” is useless without the information that explains it - where is the link to the Adobe source? Doesn’t QuickTime player still change the gamma?

[@missioncreekstyle3814]

The link is in the description, I believe. And yes, the advice from pros is to NOT use QuickTime to QC your video exports any longer for just such an issue. VLC is mentioned most often for both macOS and Windows computers.

[@stillsixstudios]

@@missioncreekstyle3814 Thanks for the tip. How do you share your work with clients? Guess you're not sending them the mpg4 so they can't open in Quicktime? Maybe just the link to the upload on KZbin or Vimeo?

[@MrAlifarrukh]

Hey why did you use that lut to export ? What does that do to the footage if u don’t add? Didn’t give that information

[@Steph_davis]

Here I am oversaturing in premiere to compensate, I'll have to give this a go!

[@mattih]

Same!!! I’ve been doing that for so long and hated it

[@88Doug]

I'm learning Premiere, we use it allot! And Photoshop and Illustrator!

[@visualventures]

Same! Literally every export. "Don't worry it's not actually going to look like this after I export..."

[@missioncreekstyle3814]

@@mattih It's crazy the hoops you have to jump through, all because of the stupid P3 Monitor in any Mac with a built in screen. Worst. Decision. Ever. Apple.

[@missioncreekstyle3814]

@@visualventures QuickTime is a horrible preview application these days. Try VLC so you don't have to tap dance in front of your clients.

[@greciarodriguez2185]

I’ve been struggling for YEARS with this issue. I switched to FCPX a few months ago because of this, but I miss been able to use/connect all the other Adobe softwares in the same project. YOU’RE A LIFESAVER!

[@csc-photo]

"You can actually fix it." Cool. But ADOBE should fix it, especially if people (even experts like yourself) have been dealing with this for years. For what Adobe charges, it's not a lot to ask IMO.

[@missioncreekstyle3814]

If General Preferences > Display Color Management won't fix it, and the LUT isn't the fix you're looking for, then let the Product Manager know here: adobe-video.uservoice.com/forums/911233-premiere-pro/suggestions/33841903-proper-color-management-for-p3-displays He'll be notified and will read your message. Hope that helps.

[@LAMALARECORDS]

where is the link for the gamma compensation lut?? cant find it

[@NathanVMountain]

I have to ask Matti, did you try viewing it on different media players on your computer? Because I had this where I colour graded my videos, then tried to view them in VLC, but they just looked so different and I didn't understand why, but when I viewed them on any other player, or on a different device, it turned out the colour grade worked fine, it was just VLC for some reason.

[@adriansphoto]

VLC has the same color profile as Premiere, Quicktime has a more equal color profile to for example KZbin. VLC is "correct" by that means, if you're comparing it to your Premiere footage. But it will be "wrong" for web etc.... It's a tricky one.

[@NathanVMountain]

@@adriansphoto but that's the weird thing, VLC is the only one that looks different to me? The same files look how I intended them too after uploading them online

[@JF..]

Finally a non comparison video between the R5 & the Sony A7SIII. That thing is everywhere lol. Thanks for the upload Matti 👍

[@mattih]

😂 camera burn out

[@JF..]

Matti Haapoja 🤣😅 Good to see Kai back❤️

[@GoExperimental]

This is amazing timing, I've been having hell with my latest video. Looked so good in premier pro then nothing like it upon export. I was literally just thinking how come Matti or Peter have never covered this. It's such a fundamental thing to get right and I'm so glad there's a solution. THANK YOU!

[@josephtaylor4977]

Where can I find the QT Gamma Compensation LUT? I must be overlooking it if no one else is having trouble finding it..

[@JakeMogstad]

I just wish when it comes to a final upload, it wouldn’t change the quality. I work hard for that HD 😂

[@mattih]

Export in 4k ;) it’s the biggest secret to making your HD look better online

[@saftharpkd]

😀😀😀😀😀😀

[@JRidgely]

Matti Haapoja Lossless upscale right? I wish Davinci could do that.

[@JakeMogstad]

Matti Haapoja Thanks man, gonna keep that in mind for next time. 🙏

[@lisamaefilms2774]

@@mattih how?? Please make a video :)

[@NatureMusiq]

i would follow everyone’s “fix” and it never worked. Thank you for this, im so happy editing again

[@visualventures]

Matti - I'm LITERALLY freaking out - THANK YOU!!! I thought I was crazy and have been struggling with this for so long, always pumping the contrast or saturation and just crossing my fingers on the export. So helpful. Thank you so much dude, this is invaluable.

[@ajwilliamsmedia]

So I started using the QT Gamma LUT. Colors are better, but the export now seems darker than the project file. So weird. Anyone experiencing this?

[@praveenjoseph619]

I am facing this issue what to do

[@LXXVIIZONE]

me toooooooo

[@producedbyed]

Jokes on you!! My premiere crashed before I could export the vid 😂

[@missioncreekstyle3814]

Give your system and media details. Maybe the community can assist? Unless you're just joking.

[@yetanotherfilmchannel5766]

I THOUGHT I WAS THE ONLY ONE THIS HAPPENED TO! I am forever in your debt, just kind of wish you made this a long long time ago lol

[@davidshuttmedia373]

This problem is pretty much a Mac issue, move over to PC guys ;) Used to happen all the time thanks to that stupid P3 display that Apple decided to use, Premiere just doesn't play well with it so exports look completely different to what you see in Premiere, even with the LUT it's not exact and still has some colour shifts TLDR; Apple Macs suck for colour shifts.

[@ctoLarssonTECH]

David Shutt Media Yep, I had a funny interaction with an Adobe guy in a forum a year or so ago about this issue, this LUT etc. It ended with him shouting “IT’S APPLE’S FAULT!” in caps lock 😆😆😆😆😆 then I gave up and went out and bought a rec.709 display. Did you ever solve it on a native Mac 🖥 💻 display?

[@davidshuttmedia373]

@@ctoLarssonTECH I didnt no, I had no ends of problem with Macs and Premiere pro, took me 2 months to realise all my customers were getting crap washed out videos, luckily my new company uses PC much better! And I've swapped to resolve for the main bulk of editing which has been a dream in comparison

[@JoePortnoy]

This has driven me insane for so long and I've never been able to figure out how to fix it! You have done the Lord's work. lol.

[@worshiptutorials]

I used to run into this all the time with Resolve as well (on a Mac), although they fixed it with color space settings in the latest version. Honestly the only thing to me that gives me the exact same look once uploaded to KZbin as in the editor on a mac is Final Cut. Thanks for the video - always enjoy your uploads!

[@mattih]

Awesome 🙌🏻

[@CamTalksTech]

Hello Brian or Bradford!

[@worshiptutorials]

@@CamTalksTech Brian here - hello! 👋🏻

[@fnv870]

Worship Tutorials here?? Amen!

[@NolanKoop]

what about when you export a video then bring the exported version back into premeire to turn into a trailer or something. would you need to do this again or is it going to look the same because it was already done once

[@JustinVandergaast]

I had this issue but then selected 'Render at Maximum Depth" and 'Use Maximum Render Quality' and I've never had it again.

[@cloudiow]

Yup always export with maximum render quality !

[@zachsteinbach]

How new is your Mac, Justin? My 2011 never had this issue either. My 2019 5K 27" does, and it's infuriating. It is an issue found only on the newer (~2016-current) Apple wide color gamut displays.

[@JustinVandergaast]

@@zachsteinbach My personal 2010 Mac Pro (with many internal upgrades) and even my iMac Pro at work. I haven't had the issue on either permitting I hit those two check boxes when exporting.

[@jessecohen1]

This never worked for me, I have to use the lut like matti

[@zachsteinbach]

Justin Vandergaast Got it. I’ve always checked those boxes too and, again, didn’t have the problem on the older Mac either. Definitely have it now and I’ve tried everything imaginable.

[@twinscreative528]

Can't tell you how much I love you for this short video I've felt so dump checking all my Export settings for any possibility of color change 😂❤

[@KarlRock]

I have the same issue. What I did was was used software encoding at export, colours then came out like in Premiere. Weird

[@HyperNawab]

Wassup my boi 😍😘

[@alexcarrera102]

:)

[@MaxPowers1245]

nice

[@davidalcaide7236]

Broooooooooooooo, literally you save my final project from college, maaaan thank you so damn much, You're The GOAT

[@ColtonWorld]

It’s a QT issue. Open the vid in VLC and I’ll look the same as in Pr.

[@mattih]

But that doesn’t solve the issue of when you upload it to KZbin or somewhere else it doesn’t get interpreted like in VLC

[@NigelDanson]

@@mattih It does - If I output and look at the grade in QT it is flat / VLC is perfect. KZbin is always like VLC. I am sure it is a QT viewing issue.

[@peterujfalusi2764]

Nigel Danson true man!

[@peterujfalusi2764]

Matti Haapoja i also worked with this QT lut. It helps you out with QT. Only.

[@jamskof]

@@mattih erm. yes it does, its been a thing like forever that qt messes with gamma,

[@mydjiworld8376]

I have to tell you, you are only one person on youtube, who shows how to fix this issue. Thank you man, I have this issue first time and I spend 2 days to find way to fix it, you can't even imagine how many things I have done, but nothing chaingd, befor I saw your video. ThankYou

[@MohammedAgbadi]

LMAOOO THAT CROCODILE DUNDEE MEME !

[@saskelee]

thanks for the tut. Where exactly is that QT LUT?

[@223Services]

Resolve does the same thing. You have to twirl down the advanced tab on the export codec and switch to full from auto. This allows levels that are out of gamut to flow through on export vs being forced into broadcast safe. As a test maybe export something that is graded in spec on the waveform and vector scope and see if it alters it. If it looks ok you could probably just drop a broadcast safe effect on before export. Just a hunch.

[@slambk]

How do I get to this...Thnx

[@DanielTuriman]

Thank you mat for the explanation, i have a some issue, but when i watch your video, Everthing is fix.

[@CaptainSinbad]

Thanks for restoring our friendship man -- damn cameras always getting in the way

[@YISSA]

Hey bro love the video....Can you do an updated video for this 2021 if ADOBE fix this? thanks

[@ctoLarssonTECH]

I actually ran into other problems with that LUT when I tried it a year ago. Then it looked weird on other displays instead, like PC and the TV. I also got clipping. I had a chat with an Adobe guy in some forum about it, which ended with him shouting in all caps IT’S APPLE’S FAULT 😂😂😂 Then I gave up. Will have to try again.

[@wilhelm_jonsson]

Exactly, using a LUT only solves it for newer mac's and creates new issues for everyone else. Changing the display profile on mac's with P3 displays will solve it

[@mattih]

Haha yep it’s always gonna be a battle. But I would rather the colours come out closer to how i intended in the first place.

[@ctoLarssonTECH]

Matti Haapoja yes looks like a huge improvement on your screen. Will definitely try it out again! Thanks! This issue drove me nuts too and made me get another physical screen 📺 😅

[@FrankTaeger2021]

@@mattih Davinci Resolve allows you to do that ;)

[@ctoLarssonTECH]

Will's Cutting Room Will, what do you change it to? Do you do any additional modifications?

[@EvokeTennis]

I was able to get this problem under control recently by downloading the hd709 profile and setting my Mac screen to that. Before that my colors were washed out on export.

[@lukesteichen6794]

Did you few your exports on different browsers after changing your screen? Did they look the same/different?

[@EvokeTennis]

@@lukesteichen6794 before the biggest issue was quicktime and browsers were washed out but VLC looked fine. Now after the change QT and VLC look very very close. Didn't check browser comparison

[@BenCollinsVideos]

I’ve been doing this fix for years. It’s sooooo annoying

[@benjimenlockwood]

Wow, I actually know something the Matti didn't lol! I have also been using this for ages as I could not stand the gamma shift. It also does this in Resolve too.

[@BenCollinsVideos]

Another option is to export in ProRes, as it doesn’t seem to have the same issue. The file size is much larger however

[@NickFaulkner]

sounds like it.

[@SamHolland]

WOOHHOO FINALLY!! Thanks Matti :D

[@RoadtoFinnish]

Matti, thank you so much for this! This has been such an infuriating thing about premiere and i simply gave up trying to fix it on my own... Also, this came at a great time because i just got my color correction right using your old color correction videos 👍. First time i filmed in clog and darn - things look so nice! Cheers ja iso kiitos 👊

[@mattih]

So good 🙌🏻

[@MegaCalidoso]

wheres the LUT COMPESATION LINK?

[@nolansilvius9636]

Thank you, this happens to me with all my exports!

[@IMDABROWN]

What a way to maximize your time. Unrelated product unboxes, some vlogging, discuss the purpose of the video, and maybe some hidden sponsor shoutouts.

[@MakingithappenVlog]

hahaha this is so relateable! I have asked the "WHY" several times to myself! Thank you for fixing the problem for all of us 😂

[@ericmurray6563]

i dont see lut to download in description????help

[@mycomfortmask7937]

Thanks a lot for unboxing the mask. It turned out even better than we expected. Hope you like it and for all the commenters that code is working for everybody and will work for ever. #beyourself #wearamask

[@thebeardbe]

For those interested the code is matti2020 and the company is called mycomfortmask you can have your own face customized on a mask. I'm one of the founders btw. Greetz and thx Filip

[@hipstour]

The download link on the Adobe help site seems down for the LUTs :/

[@EricksonMatree]

I haven't been this early for a video since the dinosaurs went extinct

[@halofourteen]

Reminds me good old times Casey unpack stuff. Thanks!

[@charlemagnekaleidoscope6165]

Thumbs down for taking 8 minutes to get to subject of the video in the title.

[@gregtay67]

Premiere timeline/display only works in rec709 space. For years already I have used a DCI P3 to Rec709 lut in an adjustment layer during export and it's fixed. This lut in the export does a similar thing.

[@hufman9807]

This is just embarrassing. Not a solution. Glad I switched to resolve a while ago

[@JohnAmaro_Official]

@Jack Ieronimo yes i am getting this problem with resolve..did u find any solution?

[@JohnAmaro_Official]

@Jack Ieronimo yeah i know haha. I just messed up with a project actually. Tried everything to keep colorgrading the same but like you said i have to colorgrade everything again because ive used wrong settings to export.. One small tip..you can use adjustment layer on top and re-adjust the colorgrading. It worked on my last project but i quess will not work in all clips when you change colorspace,you will still have to go in and re-adjust some clips individually

[@missioncreekstyle3814]

@@JohnAmaro_Official I would recommend a broadcast monitor for an easy solution. For years, you could get away with not having one. If you have a Mac, it's become necessary again.

[@JohnAmaro_Official]

@@missioncreekstyle3814 i am working on eizo cg279x actually and i am working on a pc:) but i also own a macbook pro sometimes to double check everything.. but on resolve unfortunately colors never match 100%

[@JHawk]

Man luckily I came across this fix a couple mo the ago but it was driving me INSANE before. Glad you found it as well!

[@TAPPChannel]

So you're not moving FCPX?? I guess FCPX works much faster than Premiere right??

[@mskalo-1848]

Have you seen the video that was edited in fcpx lol eos r5 review i think Everything was orange

[@jobanpreetsingh272]

As a beginner, I was doubting display colors of my M2 mac. Thanks big time

[@travelbirds9163]

"Cheapest version of a screencap". Probably filming on a 3k+ setup 🤣

[@aphr0d]

A 3k set up can built over time tho! :)

[@88Doug]

Great video! If feels like this is the struggle of Graphic Designers!

[@cederic7920]

I think the title you were looking for was “Why FCPX is better” 😉

[@mikeodendahl]

Hey Matti, nice explanation. Thank you. Did you add a link for the QT Gamma Cube LUT?

[@lukewilliamhayes]

5:52 - You're welcome

[@aashaaronstudios9328]

So are you saying after you added a LUT to your coloring you have to add ANOTHER lut to get the color the same on export to your screen?

[@decameraman]

I heard you mentioned you want to visit the Faroe Islands?! I've been there and want to go back soooooo bad! Wanna join up together and create some awesome content? :D I can guide you around :p

[@jashrajgor]

I was facing the same issue, I was working with the footage shot in .Braw however this video is very helpful, it worked for me! thanks Matti 🙌🏽

[@julienajarry]

Where is the QT lut linked below?

[@herdociastudios]

I had been asking myself this for years, I was tired of this. I LOVE YOU!!!!

[@Zmywak]

Love that fridge....

[@greggrex]

Would this problem still occur if you color grade your footage via adjustment layers, rather than applying the grade to the clip itself?

[@sondp]

All this years i thought this was a color calibration issue, I just removed the color calibrator tool from my cart saved me money. Thank you 😊

[@fredrik_soder]

Great vid Matti! Where can i find the Gama lut?

[@MyekalBenham]

Thanks for the update Matti. Was this vid shot on the R OG? I'm looking for a FCPX online course. Anyone here have any suggestions?

[@Ournotsoperfectlife]

Thanks for this tip Matti. Color grading is such a craft and true science and I have come to really appreciate your approach to this COMPLEX subject when you address it from time to time. And that knife bro - yussssss

[@MarcTaraz]

I knew about the QT gamma but did not know about the setting I had to change, so when I used the LUT it just looked TRASH so I gave up and always just boosted the contrast to compensate

[@dolphkudumane8363]

just tried it out! works great! Thanks Matti.. love from Africa, Botswana

[@AFuller2020]

The answer is at 7:22, if you want to bypass the gear flexing.

[@miguelcravo8405]

dude, I work with premiere for years and years. I actually thought this was a problem with codecs or something so I color corrected my videos by compensating by eye what I know to expect when rendering. I had no idea it was actually a software default. Thank you so much... omg

[@SonnyVisual]

I don't know if others noticed the same thing, but this only seems to be a Mac issue. Ill export the exact same project on my PC and I get the original colors. Go to my MBP and it mutes them down.

[@foundrydogworks5396]

Yes, it's a known Mac issue.