Why The Beatles Revolver 1st Mono Pressing was WITHDRAWN

The 1st UK mono pressing of 'Revolver' with matrix XEX 606-1 contains a unreleased mix of one of their greatest tracks, 'Tomorrow Never Knows'. In this video we find out how this Beatles rarity was born, why it was withdrawn and how many were pressed.
We'd love you to visit our website: www.parlogramauctions.com
or our 2 eBay stores:
Parlogram: www.ebay.co.uk/usr/parlogram
Parlogram Store: www.ebay.co.uk/usr/parlogram*...
You can also follow us on Facebook: / parlogram
Hi-Fi equipment used in this video:
Project debut carbon Esprit (white): amzn.to/3gH2KyK
Ortofon 2M blue cartridge: amzn.to/2XNXq45
Ortofon stylus 2M blue: amzn.to/3cneUcS
Rega Fono mini (phono amp): amzn.to/2ZWfgEQ
Gear used to film this video:
Camera: Panasonic Lumix GH80/85: amzn.to/2A3Mojf
Lens: Panasoninc Lumix 25mm: amzn.to/307I4dn
If you like classic British cars, why not take a look at out other channel dedicated to our 1968 Rover P5b: / @tarabordeaux1968

[@ericgendell8874]

Tomorrow Never knows was the Beatle's greatest accomplishment, because perhaps more than any other song recorded, encapsulates the Tibetan Book of the Dead and is as close a representation of the Enlightened state of bliss as has ever been created in the human condition. The Beatles, George Martin and acid are pure genius, about as close to perfection as yet achieved.

[@timhubbard8895]

I am retiring from Karaoke shortly and I have a very close Karaoke version of Tomorrow Never Knows. As a parting shot I'm going to sing it! I have a pretty good Lennon voice and will do the song justice. I don't know, (or care) what others might think when they get exposed to it!! Ha! ha! ha!!

[@edigallagher7531]

I appreciate the way you've expressed it all!

[@drummerjohnforyou]

Tomorrow Never Knows is a great song I agree. But the best Beatles song ever is a day in the life!

[@carlrudd1858]

@@drummerjohnforyou Whereas A Day In The Life is a great song, I agree, the Beatles best song is of course 'Cry For A Shadow'.

[@KahlessTheUnforgettable]

@@carlrudd1858certainly you mean ‘Champagne Supernova.’ ✌️

[@LOEVALENTINE]

I just stumbled across your channel and now I’m binge watching and I just found out that I have this record in my collection (given from my grandads collection) I learnt some very interesting things in this video! Thank you!

[@Parlogram]

Nice one. Thanks for watching!

[@mercurialmagictrees]

Sweet! Enjoy it

[@fbt25]

Lucky!

[@vinyljoe8861]

I’m doing the same but 2 years later

[@mohamad-ms2pb]

Back in 1980 I bought a used copy of the mono Revolver and it has remix-11.

[@thefleshexperience]

My XEX 606-1 is one of my favorite “rarities” to show people. While most (understandably) may not care about silly things like misprints or fonts, an actual alternate mix of TNK that can’t be found on any other pressing IS quite cool. LOVE your channel. Keep up the incredible work! :D

[@songwriterjj6022]

Show off! LOL. J/K. Great find!

[@MoneyCrespin]

anywhere on the net that has this version of TNK?? I'd like to hear it....It is my unicorn.....

[@fbt25]

@@MoneyCrespin It can be found on "Turn Me On Dead Man - The John Barrett Tapes". Dr. Ebbetts's UK Mono collection also contains it. The mono bootleg vinyl which is a counterfeit of the original brazilian first pressing also has it.

[@markymarc9339]

@@songwriterjj6022 XEX 606-1's are not impossible to find. Like Butcher covers, they come up for sale frequently on eBay and elsewhere. Finding one in nearmint condition though is the hard part

[@eldiablo8580]

I love this guy's voice. It's so soothing. Great for videos

[@TheVinylGuide]

This is a wonderful summary, thank you for this! One other bit to add to the story; according to the late Bruce Hamlin ("Beatles Bruce" - the Beatles vinyl guru of Australia), there were some XEX 606-1 copies pressed in Australia. He believed this was due to the shipment of metal parts from the UK to Australia after the UK presses were exhausted. A similar thing happened for the Rubber Soul 'Loud Mix' where the the 579-1 and 580-1 stampers were retired early, but somehow Australia kept stamping them out for some time afterward. I hope this helps and even inspires another great video, cheers!

[@Parlogram]

Thanks for watching and the interesting extra information.

[@mercurialmagictrees]

@@Parlogram yeah will you make a video about the rubber soul loud cut?

[@Parlogram]

@@mercurialmagictrees Will do!

[@KBTime]

Another excellent video! I recall when you could still find these for only a few dollars more than XEX-2 -- as recently as 2009. Perhaps if Apple releases a 60th anniversary edition for Revolver, this will be included

[@MrRedinator_]

and it seems you were correct

[@Vinyl_guy]

This man predicted the future

[@paperblitz]

I'll put my two penneth in here, which ties in somewhat with the comments at 9.53 (ish). During 1992 / 93 I had an advert in the local Coventry papers advertising for records wanted, as I wanted to set up a record selling business. By 1993 I'd built up a fair stash of 50s / 60s records, including multiple copies of most Parlophone Beatles albums. Being a fan since childhood I often played those Beatle spares, and one day in 92 / 93 I played a copy of 'Revolver' I'd bought. When 'Tomorrow Never Knows' came on it very soon became apparent it was different to my own copy, accenuated effects etc and then the longer fade out and I thought wow! I mentioned this to some of the major dealers at the NEC record Fair in 93, such as Neil Roddis and Peter Rice, who didn't know of any different mix. Not very long after I remember it making the news page in Record Collector mag or the new RC Price Guide I'm not sure which, so hey it could've been me who first mentioned it to a dealer and it got to RC!

[@OldMod67]

Really enjoyed this, thanks. I got my stereo copy from my order brother in 1979 (black/silver label) but in 1980 my eldest brother's mate taped four of his original Beatles LPs for me. A very pleased 13 year old, three of them were mono editions. A couple of years later I picked up a sixties mono copy, and then discovered this mix difference. The taped copy was from the withdrawn mix. Wish I'd known that in 1980, I would have made him an offer!

[@michaelainge7002]

Ten minutes went by in a flash, love this stuff, more please.

[@randalclarke5487]

I know- this dude is awesome!

[@PaulinaAngel]

WoW, now I’m curious to hear that mix. Surprised Mark Lewisohn didn’t go in-depth on it in his book. Your videos are truly a great resource, marvelous job!!

[@Parlogram]

Thank you - glad you enjoyed it.

[@fbt25]

A cheaper way to get your hands on one is to get the bootleg edition, which looks like a brazilian pressing on coloured vinyl. Sounds really good.

[@chriscampanozzi6516]

Andrew, I missed this episode. Fantastic information as always. Thank you.

[@stevedundee866]

I get excited when I see a new video from you. As per long as usual this one was informative...well planned and executed. Thank you so very much !

[@Parlogram]

Thanks a lot, Steve. Glad you enjoyed it.

[@BogoEN]

I was just looking for general info on the Revolver sessions and came across your video - turns out I have this pressing! Never knew!! So excited to go and listen 😃😃😃

[@williamhenderson8371]

Another fantastic video Andrew! Entertaining and informative as always. 👍

[@Parlogram]

Thanks William. Glad you enjoyed it!

[@steveelliott5060]

I love these videos, all the technical data is very interesting!

[@mrlennonaxl7242]

I’ve heard about this but never knew the whole story. Very interesting. They should have released the first pressing mix on the mono vinyl box. I would love to hear it.

[@ronmartin4212]

It's on the new box set,but also the mono Revolver in the Capiphone project.

[@mrlennonaxl7242]

@@ronmartin4212 I know can’t wait 👍🏻

[@Rich-fh5fh]

Another great video Andrew. Thank you

[@Parlogram]

Glad you enjoyed it.

[@nrod66]

It is always good to hear a Beatles connoisseur like you Andrew. Cheers, Nelio.

[@Parlogram]

Thanks again for watching, Nelio.

[@bengtl331]

I found this when visiting a classic car exhibition in the mid 1990's. A vendor there had a few records and among them a UK mono Revolver. The alternate mix of TMK was not well known among collectors at the time but somehow I did know. He wanted the equivalent of 10 pounds for it, which was just about what I had in cash on me. Couldn't wait to get home and play it. The original owner had written his name and a date on the back side upper flap, he had bought it in Gothenburg, Sweden, in early August 1966, so some copies were sold outside the UK. Fortunately it sounded great, still have it. Mother / stamper on my copy is 1 / AT.

[@nandokinks]

Another fantastic video, Andrew!!! That's a special one because it's my favourite Beatles album!!!

[@Parlogram]

Thank you very much, Luis. Glad you enjoyed it!

[@GustavoLovato]

Excellent video, research and execution as usual!

[@Parlogram]

Glad you enjoyed it, Gustavo.

[@carlosrenatodamotabezerra106]

I'm always learning from your vídeos, Andrew! Thaks a lot, indeed!

[@Parlogram]

My pleasure, Carlos.

[@sz80]

I just received from ebay revolver first print mono... The ad had only a photo of the cover and then nothing more the cover was a bit broken at the edges and above, well no bids obviously I was the last to bid I won the auction , I paid £21...my surprise once I opened the package - 2 - 1 ....so glad I listened for the first time in 46 years the alternate take of tomorrow never knows

[@Tezca20]

Hello, I just scored the same 2-1. All the best.

[@Claus-CaptainPhoenixCorner]

As always - entertaining and adding to our/my knowledge of The Beatles. Thanks Andrew 👍

[@Parlogram]

My pleasure, Captain!

[@TheWalrusWasDanny]

fabulous vid!! Danny

[@scottsteele7109]

After seeing this I looked at my Revolver albums. I have one on Odeon from Venezuela with this same XEX 606-1 in the run out. I never really noticed the song being different, but on listening it does seem to fit what he describes. The album is in average condition but is from South America. Is this worth anything other than being a curio? I agree that this presentation was well done and interesting, excellent story and factual explanation. More of these kind of stories please! It isn't every day there is new info on the most studied and scrutinized band in the world.

[@TheGuitarHistorian]

Great stuff, my man!

[@p0llenp0ny]

No idea why this channel only has around 30,000 subscribers. Criminally undersubbed.

[@jacquescousteau217]

Andrew your knowledge in respect to Beatles recordings amazes me to no end. I thought that I knew just about everything there was to know about the UK pressings on Parlophone,and Apple. I knew how to read the matrices, mothers,and stampers as well as label variations from 1963-1969-70 . I have no idea how Parlogram came up on my screen as something other than a seller of very good condition Beatles albums - I didn’t get into the forty fives - I know I had bought at least one or two albums from Parlogram over a few years , but generally I had Beatles UK albums given to me going back to the lste sixties ,early seventies . I can’t recall which episode I first saw where you were commenting on a given Beatles recording, but I was apparently impressed enough to watch your videos in the future . This is 10-7-2022 now. You put me to shame . The minutiae you get into is mind boggling . It looks like you have a Studer - Revox behind you possibly an A 77 ? - Great machine I Alison once owned a twin track - but there was one that looked like an older Studer as well. There is no one I can think of - even Mike Fremer whom I used to send rarer pressing UK Beatles albums to critique on his possibly million dollar playback system - He’s very opinionated,and not a musician, but he does have a good ear . The one album he wanted to buy from me was Please ,Please Me Decca pressing . Sorry I digress . In any event you have an encyclopedic knowledge that no one else has. The fact that you certainly must have a very good playback system is obvious by your comments . Have you thought of showing your playback system or explaining to people what exactly what system components you’re using to listen to playbacks on ? One other issue . Maybe consider playing back your first episode , I’m sure many would like to see how your show has evolved over time . Lastly . I just had a dental appointment,and the doctor gave me a strong analgesic-opioid- which makes one rather verbose . My apologies. Ps. Spizer gets a hands down from me

[@daveeaglestone548]

Hi friend love the videos on the Beatles I have this LP I payed 50p at the carboot many years ago fantastic love it.

[@josephmantineo1376]

I Love your channel! I never knew any of this and find it very fascinating thank you for the Contant now I have to check my mono US revolver keep up the great work and Videos much appreciate it

[@Parlogram]

Thank you, Joseph. I'm glad you're enjoying the channel.

[@britman1966]

Loving these videos, had no idea how interesting the history of Beatles vinyl could be. Love it!

[@Parlogram]

Glad you like them!

[@jonathanyork8977]

Thank you. You've finally cleared up that mystery for me! I'm still waiting for a remix/ boxset so hopefully we can hear the different mixes. Since it's my favourite lp of all time! And an edit was done on both mono and stereo mixes of Doctor Robert. What was cut out?

[@fbt25]

It's being bootlegged mostly on coloured vinyl. Sounds great for a bootleg. Cover and labels are copies from the earliest brazilian edition.

[@beatlebrad5339]

I am still looking for this one lol . Great video cheers !!!!

[@beatlebrad5339]

thanks .

[@mohamad-ms2pb]

Back in 1980 when living in NYC, there was a record store in Greenwich Village called Bleeker Blobs. They sold used copies of the Beatles UK mono albums for $20 each. Of course that was before EMI re-released the mono albums a couple of years later. Revolver was one of the albums I bought but I didn't find out about remix-11 till about the year 2005. I decided to check the matrix number on side 2 and sure enough that was number. For over 20 years I did not realize I had a collector's item.

[@mathijsdijkgraaf8081]

Great video! Keep up the good work!

[@Parlogram]

Thanks, will do!

[@MattHayesVinyl]

Finally picked up a 606-1 a few weeks ago. The condition is okay... a bit noisy but plays without skipping. It was also a really good price so can't complain! The mix of Tomorrow Never Knows is an interesting one, especially the extra piano near the end. In terms of the *quality* of the mix, you're not missing anything if you don't have a 606-1. It's a nice collector's piece and worth hearing remix 11 of TNK but it's not the be all end all.

[@Parlogram]

Nice one, Matt!

[@peterx1957]

Thanks for this educational video. Absolutely fascinating. I never stop learning new things. 😊

[@Parlogram]

Thanks Peter, our pleasure.

[@chrismcgovern1647]

I am a proud owner of this pressing, I had to buy it from a seller in Germany

[@mercurialmagictrees]

Cool I bought from a seller from the U.K on eBay last year. The condition is a solid vg+ I was so curious to hear the different mix. However after hearing both back to back I still prefer the -2 version.

[@Tik1800]

mercurialmagictrees what’s different about it the -1 version of the song?

[@chrismcgovern1647]

@@Tik1800 It's a different mix from the standard mono mix, it was the first one released and then it was withdrawn for another pass at the mix on the next pressing of the LP

[@utub1473]

@@mercurialmagictrees What changes were made between the -2 and -1 version?

[@thefleshexperience]

@@utub1473 well...Watch the video and he explains as well as anyone can without listening to them.

[@justinherbert9146]

The piano part played on the fade at the very end is a favorite of mine -- it is played in a music hall style with a touch of melancholy -- i just love that part --

[@48musicfan]

Thank you! Very informative.👍👍

[@stuartshire]

Thanks for that - very interesting ! Off to check my copy 😊

[@MSMediaRotterdam]

Besides the very interesting story (until now unknown to me), I am a fan of your laid back presentation of the facts. A lot of KZbin videos seem to be made by people who like flashy, speedy video edits en high speed voice overs. Don't know why, but I think it's annoying and very distracting. So... A big thumbs up to you! (And yes... I subscribed indeed.)

[@Parlogram]

Thanks for watching. I'm glad you like the style of my videos. More are on the way.

[@mercurialmagictrees]

Yeah I like how it's presented in a calm manner.

[@TheRagBag]

Yes very good point mate!

[@briankellymusician]

Fantastic Andrew....

[@Parlogram]

Thank you Brian, glad you enjoyed it.

[@GustavoLovato]

How I wish the fair use copyright rules on KZbin would allow you to play segments of the two to highlight the differences.

[@Parlogram]

Good question, Gustavo.

[@GustavoLovato]

Parlogram Auctions it makes no sense. Movie analysis channels can share entire scenes by Kubrick to break them down for educational purposes and the studios rightly understand that that should be encouraged. Why the music industry is so far behind and near-sighted is both a mystery and a shame. So many great music channels are needlessly limited and their content crippled for absolutely no good reason. I remain hopeful that things will change in the future.

[@Parlogram]

I agree with you 100%, Gustavo.

[@RunOfTheHind]

He could always forego the £ and play them, if he wanted to educate.

[@GustavoLovato]

Geoffreygeefresh95 it’s not that simple, unfortunately. He risks his entire video taken down, and getting a strike against his channel. If getting the video demonetized were the worse thing that can happen, many KZbin channels would go ahead and educate anyway. Even people like Rick Beato, who is totally ok with his videos getting demonetized, can’t use fragments of songs, especially from The Beatles, The Eagles, Jimi Hendrix, Led Zeppelin, and a few others. The videos get blocked every time.

[@Goldberg1337]

This is definitely a new fact to me, and it explains a bootleg "rarities" CD I bought years ago! One of the tracks was an odd version of 'Tomorrow Never Knows" which I now realize is this original mono pressing version. When I first heard it, I assumed it was either the mono version of the song (since I mostly know the stereo Beatles) or otherwise some outtake version. I had no idea it was an obscure pressing! Thanks for the great info!

[@kayedengerber6458]

I stumbled across your video about the 2014 mono box and have been watching ever since! I've just rediscovered my love for the Beatles on vinyl. I hunted down the 2014 monos for my 4 favorite albums and am filling in the rest from the 2012 stereo releases. Even digitally sourced, they sound great to my ears. Any chance of a video about the 2012 remasters? Your videos are very informative and fascinating to watch.

[@Parlogram]

Thank you, Kay, welcome aboard. The 2012 discs are one my list, but I've got some rarer things lined up to review before I go there.

[@philross1680]

Great video and very informative. I’ve just looked over my “stereo” copy of Revolver which is an Australian pressing with the matrix numbers YEX 605-1 on side 1 and YEX 606-1 on side 2 and also with Dr Robert instead of Doctor Robert. I think my copy could be a very early pressing?

[@desperatemohammedantheworl5833]

Every couple of years when I turn up mono UK Revolver in a charity shop the first thing I check is the b-side matrix. And every time I'm disappointed. Still buy them if they're in good nick and less than say £2 as they make popular trades for more interesting stuff.

[@culturalforensicsprofessor7990]

Brilliant talk. I can kick myself for not finding this channel earlier.

[@Parlogram]

Welcome aboard!

[@culturalforensicsprofessor7990]

@@Parlogram Thanks, Mate. You're the best.

[@eldiablo8580]

Who doesn't like Revolver? I don't know...

[@billchavez8473]

I'd say "Revolver" is the Beatles "Sgt, Pepper".

[@beatlesfan1348]

I love the album revolver I love The Beatles

[@jimmymelendez1836]

Revolver is a well put together album.

[@SoundlabStudios63]

I love Revolver, especially the mono mix. It’s my fourth favorite Beatles album after Abbey Road, Sgt Pepper, and Rubber Soul. Almost too hard to rank those 4 albums as they are all nearly perfect

[@elemaszer]

Because you don't like psych music, probably. Nobody should love all the same on Earth. What do you love? :-)

[@Tezca20]

I just scored a XEX 605-2, XEX 606-1. A cross over, definitely. The cover is -M while the vinyl is E+. Really happy!

[@jesserussell7242]

I love that barrelhouse piano at the end of tomorrow never knows I love about the spelling on it and the model mix it is great I think tomorrow never knows as one of the best songs ever besides revolution nine.

[@iangledhill9982]

Great video (as usual!). My 606-1 copies are 6AR/1GP (side 1/2) and 7AO/1AT so clearly they were already pressing loads of side 1 before side 2! 7AO is on the bevelled vinyl (1cm bevel around the outside of the label) like you sometimes get on Rubber Soul particularly.

[@Parlogram]

Thanks, Ian. I've only seen that bevelled label on Revolver and Rubber Soul. It must have been a 1966 thing.

[@papershark]

ok... I just went to my Beatles record collection... and this is the version I have! bought it in the 90s at a second-hand record shop for like £3. so this alternative version... is my original version to me.

[@RATCLIFFE-LISTENS]

Great work you sick Beatles Fanatic I love your work and such scholarly research!!! Please more and more. Too bad EMI will not let you use the mixes. Peace

[@sliceyD]

I bought this 25 years ago at a jumble sale for next to nothing, and it's been stored away in a box for 20 years, but it was only today I found out it was an XEX 606-1 pressing (or what an XEX 606-1 pressing actually is). Nice.

[@davidheafield1436]

Nothing to add that others haven’t already said in praise for the detail and execution of your videos Andy. Your becoming the standard bearer for all things Beatles-records , keep it up Sunny Jim. P.S. ....I see that those photos of the various Abbey Road pianos with a Beatles monthly mag on them were taken at one of the Abbey Rd lecture days , I was there too for it and took loads of similar photos myself and wasn’t it great to be allowed to climb those iconic studio 2 stairs !!...

[@Parlogram]

Cheers once again, Dai. I went to the first 'Abbey Road' lecture back in 2012 which is indeed where those photos come from. It was a thrill to climb those stairs and even sit on those old grey & red seats. Ken Scott even popped in at the end to sign stuff.

[@davidheafield1436]

Parlogram Auctions .....Hi Andy , 8 years ago that’s about the time scale of when I was there , so your probably in the crowd photos I took of everybody from up high on the staircase steps looking down. Those red chairs were interesting in themselves , even though some of them were showing their age I loved the explanation that the reason they kept them was that they didn’t make any unwanted “farting” noises when they were sat upon and intrude upon the recording process , once your made aware of them you can’t help yourself but notice them in the background of any Abbey road studio photos....and not to mention the audience participation in re-creating the famous last chord of “Day in the Life” on the very pianos that made it happen...that was thrilling to hear.

[@Parlogram]

@@davidheafield1436 ...You're probably in my staircase shots too! I saw a picture of a recent lecture there and the red chairs had gone. Maybe they're now considered too valuable for public use. The piano demos were awesome. I wish they had done a DVD on it.

[@jsteed44]

Your video really got me thinking: I have a mono copy of this. Pulled it out right away honestly knew it was not a dash one...dash three instead no big deal. I'm on the hunt!

[@jamiespinks3179]

I've just obtained a copy of this and as I had seen a YT comment about some of the guitar solo missing it made me even more intrigued to hear it. The last section of the solo is indeed not there and it's quite weird to hear all the effects that are under it during that last bit , a bit like the Walrus mono/stereo count in length difference It adds another level of physcadelic to the track.

Muy interesante... Saludos cordiales desde la hermosa Cd. de Cortazar, Gto. Mex.

[@tobyjackman3212]

I love your videos Andrew - only discovered them a couple of days ago. I have a request - I've got a stereo first press of with the Beatles which has a different mix of roll over beethoven (louder handclaps) than my mono pressing... it would be great to pick your brains about that? Anyway top work 👏 👌

[@karenelizabeth1590]

Every time I think I've heard every Beatles story, I hear a new one. Had no idea there was another Tomorrow Never Knows!

[@Bucky749]

Happy Christmas 🎄

[@Parlogram]

Thanks Bucky! Wishing you the same.

[@errorsofmodernism9715]

Thank you for excellent information without histrionics like frantic waving of hands, yelling or obnoxiously loud music which americans are so fond of doing

[@user-hu4gr1bo5g]

Tomorrow Never Knew!!! I surely did not.

[@ronmartin89]

I had a nice copy of it back in 2007 when I traded a copy of a promo white label UA A Hard Day's Night for the entire Mono and Stereo run of all the Parlophone/Apple UK lps-my buddy STILL got the better end of the deal,as that HDN white labeler was running at about $6,500 at the time!!(I picked it up for $50!!)I was allowed to grab one of the two -1 copies he had,as well!Both were near mint!!

[@ferabra8939]

It's in the 2022 box set, thank god...I'm anxiously waiting for october 28th...

[@doncolevinyl572]

GREAT videos!! I just recently bought my first XEX 606-1 after wanting one for several years. However, the cover has a corner bend where the laminate is coming up. Are the covers for -2 and -3 exactly the same as -1 as long as it is an Ernest J. Day cover? Is there any reason not to swap out the cover for a nicer one of a -2 or -3 where it would be less expensive?

[@Parlogram]

Thanks for watching, Don. 'Ernest J. Day' covers are rarer but they weren't used exclusively for the -1. A 'Garrod & Lofthouse' cover would also be a suitable home for it.

[@timothyflyte9443]

I have a boot cd of this pressing.

[@bedlach]

Andrew, love your commentary--as always! I prefer remix 11 myself, although it's fun to have 8 as an alternative (at least, that's how I view it--in reality, it's the reverse). Why in god's name was 11 not included in Mono Masters--I mean, if you're gonna include the 45 of Love Me Do??? However, as a musician, I gotta correct something about the 2nd tape loop--it's a g minor chord, not b-flat minor.

[@TheTigersfan20]

There used to be a video of remix 11 on KZbin, but sadly it’s been taken down. Hoping to add the -1 to my collection one day!

[@Parlogram]

That must have been ours but it was taken down.

[@ronmartin89]

There is a 2nd mix on the Modernisms lp/CD stereo,for a 2nd stereo mix,in the Capiphone project,too!!!

[@clevebaker8399]

Revolver is really the apex of Beatles music! Though every lp is my favorite 🥴😜😉😘

[@faeembrugh]

I'm pretty sure my mother had one of those copies of Revolver as I was surprised when I heard a different version of Tomorrow Never Knows on CD. Sadly, by that time she had given all her LPs to Oxfam!

[@appmp3976]

Rip

[@faeembrugh]

Having spoken to my elder sister, she actually owns my mother's old copy of Revolver and indeed it is an XEX 606-1 copy. But it's totally worn out too.

[@appmp3976]

faeembrugh but she does own it

[@disneyfamily5158]

Merry Christmas Andrew! Has the new Revolver box set destroyed the value of this original cut now that it's been released in that set?

[@thomasbingebo7872]

Travelled to London from my home town in the north of Sweden the first time in 1982 when I was 14. After that I went back every year. If I remember it right it must have been around 1985 I bought my first mono copy of Revolver. VG+ for about £9 at the time. Took me into the 90's (when I bought my NM second copy) that they were different:). The first one was the xex 606-1. Bad ears....

[@MrRedinator_]

Update: So, it seems that the RM11 mix is finally getting officially released with the super deluxe edition of Revolver.

[@Parlogram]

Finally!

[@jesserussell7242]

It’s too bad that copyright prevents you from playing the different mixes of tomorrow never knows I simply love that song I specially love the backwards guitar part. When I first heard the bear our house piano I heard it on the Beatles anthology, when three of us surviving Beatles were listening to tomorrow never knows the final take affect. I would love to hear the song tomorrow never knows and all Beatles recordings without the fade out and I especially love the tomorrow never knows bass and drums with the song within you without you it fits really well on the live album. I love all the tape loops that were used that was way before computers.

[@mcarp555]

"barrel-house piano"

[@WIP532]

"when three of us surviving Beatles were listening to tomorrow never knows the final take affect." 😲

[@ronmartin89]

Still working on the Capiphone project,too,Andrew!!

[@markkopernicky3489]

Hi Andrew, Just finished watching this video. As Mr. Spock from Star Trek would say "Fascinating! !". I have something else to search for now. Thanks again for the stellar information. Mark Anthony K Projekt Gemineye

[@Parlogram]

Thanks again, Mark .Hope you manage to track one down for your collection. Spock, out.

[@MrKaywyn]

Very good.

[@Parlogram]

Thanks!

[@ronmartin89]

This mix is part of the Capiphone project,too!!It's Included on the mono Revolver,in the project!!Stay tuned!!

[@beatleboy0195]

Dear Andrew. On you brief description under the video it say XEX 606-1 contains an unreleased version of TMK surely this must be contains a withdrawn version of the song, that being said it doesn't take away from the content. I did have a Spanish version of the album in the 1980's but can't remember if that had the said version on that album it would be interesting to know if any worldwide versions of revolver had that withdrawn mix many thanks

[@kiethblack3870]

I have a Parlophone LP (a compilation) that has the 'high hat' intro on 'All My Loving'. Has anyone heard about this before? I've liked the Beatles since 1973. I was 4 & my brother bought those 2 'Red' & 'Blue' cassettes. A huge fan since -- but I have never heard of this mix of of Tomorrow Never knows before.

[@ronmartin4212]

It is a Nordic copy of the Odeon Beatles Greatest German lp that is the Parlophone equivalent.The mix is included in the Capiphone project,next year!!!

[@harryfitzgerald26]

great video! i have a copy myself it has a slight warp but still plays through but has lots of surface marks and gets stuck on for no one and makes a loud noise on she said she said. the sleeve is in great condition though and tomorrow never knows sounds beautiful. how much do you reckon this is worth?!

[@Parlogram]

I'd say your copy is worth around £50. Thanks for watching!

[@jimjarmusch2]

I am glad to have mono UK side 1/-2 and side 2 /-3

[@MaxLedZep]

Hi Andrew! How are You? Just today, listening to my Revolver STEREO Cd from 2009, I noticed for the first time that it does play the remix n.11 of Tomorrow Never Knows! Did you know that? My Cd is not from the boxset. I don't have a Mono Cd for a comparison. That's very weird and unexpected to me...

[@davids2720]

Blimey! So I went to check my mono copy, which I bought second hand (because I couldn’t afford a new one as a 13 year old) around 1975 and there it is XEX-606-1. I grew up listening to mono versions of most of The Beatles output, so after the diabolical first CD versions came out I was delighted that the collection was remastered properly in 2009 and finally digital versions of the songs sounded right to me. However, I was unaware of this withdrawn mix on my old mono LP, the 2009 remix, was one track I had problems with… Now the mystery is solved! Thanks!

[@ronmartin89]

Don't have my Parlis anymore.Had to sell everything.Will work on debuting it all.Getting ready to pick up a sweet copy of Twist And Shout(never had a mint one-this ones about as close to mint as I've ever seen or had)Canadian Capitol colorband copy!!!With the Red print Capitol/Pathe inner sleeve-And is the Feb'64,without the parenthesis on the perimeter print around the word Canada.

[@markymarc9339]

Another very noticeable mix difference on XEX 606-1: you can hear the two organ notes when John sings "It is knowing, it is knowing". XEX 606-2 as well as the stereo mix has no organ on this part. I never knew the existence of XEX 606-3. Anyone know if there are any unique mix differences on any of the songs on this 3rd lacquer of Side 2 compared to -1 and -2? Why was it necessary to create XEX 606-3?

[@timhubbard8895]

I have an XEX 606-3 copy. By the waveforms its very similar to XEX 606-2

[@markymarc9339]

@@timhubbard8895 I assume the mono mixes on XEX 606-3 are identical to the 606-2 common mono mix. Yes? No?

[@timhubbard8895]

@@markymarc9339 I have another copy of Revolver with a XEX 606-2 side. It's not quite the same. I had a very hard critical listen in comparison, with headphones on. XEX 606-2 sounds a bit flat and uninspiring whilst XEX 606-3 in my opinon sounded a lot better, clearer and louder and didn't sound as "muddy" as my 606-2 copy. There is frequency loss on the 606-2 cut rather like the Mono cut of "Help!" giving it a muddy sound. I don't know if this is a playwear issue, but my recent aquired XEX 606-3 pressing has demoted my 606-2 copy to "spare status". Rather nice, it also has a slightly more rare E.J. Day outer sleeve with perfect undamaged, uncreased and clean condition flyback tabs on the rear sleeve too!

[@markymarc9339]

@@timhubbard8895 OK so you're saying the newer lacquer sounds better - but I'm assuming the mixes are totally identical to 606-2.

[@timhubbard8895]

@@markymarc9339 Yes, ruinning times are the same. Just my 606-3 sounds better and clearer in my opinon

[@SamHarrisonMusic]

Ran upstairs to check my copy - 606-2. Damn! The mix is still different from the stereo though...

[@Paul_Wetor]

Part of me thinks this is digging way too deeply into minor differences (much as when I bought the American "Beatles Rarities" LP long ago). The interesting part is: a) how it was so important to get a specific version with minor differences, b) how much work went into making the LP itself after the recording was done, and c) that I watched the entire video and was thoroughly entertained.

[@bigboxbobby2]

I have a German Stereo pressing on the Odeon label, SMO 74 161, with the Matrix numbers YEX 605-1 side one and YEX 606-1 side two, no stampers than I can see. This was kindly given to me by my wife aunt who lived in Madeira but she cant remember where they got it from! Is this the version you are talking about or is it just mono? Love these Videos, keep em coming please....

[@Parlogram]

This version is only on the UK mono 1st pressing. 'Revolver' wasn't issued in mono in Germany. The last mono release there was 'A Hard Day's Night'.

[@bigboxbobby2]

Ok thanks for info.

[@Musicradio77Network]

Parlogram Auctions The US version on the Capitol label has the matrix number of “T-2-2576” on side 2. Right?

[@luvmyrecords]

My 1982 mono copy is 606-3 on side 2.

[@phillipwalklett9466]

Very interesting vid,, Didn't understand some of it,, But being a Beatles addic,,any new insights into them,, their music is most welcome,, PS. I can see Liverpool water front jus by looking outta me window,,,

[@Parlogram]

Thanks for watching, Phillip. I envy your view!

[@jmad627]

I have one of these. It has the remix 11 of Tomorrow Never Knows.

[@luckykennedy7364]

I have the repressing which sounds great

[@blackvinylgrooves]

Would you ever want to do an overview of Geoff Emerick, and his post-Beatles work?

[@steveirvine3562]

Pleased to say I have this baby in my collection and the record is in vg+ to mint condition 😍