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Bollywood actor Feroz Khan speaks at the event of FICCI meet, 2000. He speaks about the connection of filmmakers with the underworld. He says, "It will certainly overcome the present crisis. This is restricted to hardly ten per cent of the industry probably few filmmakers involved with the underworld's finances and things like this so in any case before the underworld came into the film industry the films were always made and they will always be made whether the institutional finance came in or not. You see it's a beautiful thing that the institutional finances covered as you know they are going to be very liberal with the finance and at the rate of 16 per cent interest and when filmmakers are capable of producing films at24 per cent interest, of 30 per cent interest they will be surely much more capable of finishing a film in time and in the budget with this kind of an interest.
Feroz Khan was an Indian actor, film editor, producer and director in the Hindi film industry. He was popular for his flamboyant style, with cowboyish swagger, and cigar-toting persona; this revolutionised the style quotient of the otherwise conventional "filmi" hero. He is known as the "Clint Eastwood of Bollywood" for introducing Western cowboy & dacoit style films.
He appeared in over 51 films in the 1960s, 1970s and 1980s, and became one of Bollywood's popular style icons.
Feroz Khan is best remembered for his films Safar (1970), Mela (1971), Upaansna (1971), Apradh (1972), Khotte Sikkay (1974), Kala Sona (1975), Dharmatma (1975), and Qurbani (1980). Later he directed and acted in more films such as Janbaaz (1986), Dayavan (1988), Meet Mere Man Ke (1991), Yalgaar (1992), Janasheen (2003) and Welcome (2007). [5][6] He won the Filmfare Best Supporting Actor Award for Aadmi Aur Insaan in 1970, and was honoured with the Filmfare Lifetime Achievement Award in 2000.
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