William Shakespeare Julius Caesar BBC 1999

[@dylanogle2852]

For anyone that thinks that this is not a good rendition of the original play then you are on some drugs because this is word for word. With that out of the way, I give you something that will help you. ACT I SCENE I - 3:15 SCENE II - 7:40 SCENE III - 23:50 ACT II SCENE I - 32:25 SCENE II - 50:50 SCENE III - 57:55 SCENE IV - 59:05 ACT III SCENE I - 1:02:00 SCENE II - 1:18:55 SCENE III - 1:34:25 ACT IV SCENE I - 1:36:00 SCENE II - 1:38:35 SCENE III - 1:40:50 ACT V SCENE I - 1:57:25 SCENE II - 2:04:25 SCENE III - 2:04:50 SCENE IV - 2:12:10 SCENE V - 2:14:05

[@ianrosen640]

mad helpful

[@johnross5937]

Dylan: Thank you for designating the beginnings of each scene. This is very beneficial to the listener of this classic tragedy.

[@lisewagner2749]

Act I scene i: 2:39 Act I scene ii: 7:41 Act I scene iii: Act 2: 32:22 Act 2 scene ii: 50:51 Act 2 scene iii: 57:51 Act 2 scene iv: 59:06 Act 3 scene i: 1:01:49 Act 3 scene ii: 1:19:10 Act 3 scene iii: 1:35:26 Act 4: 1:36:06 Act 5 1:57:31

[@alcinakenny4705]

thx!

[@aineschmidt4881]

oh my gosh thank you

[@helenweber2006]

Act I scene III: 23:50

[@AnimeniacSimey]

Legend

[@Beave98]

i actually needed that

[@Nia-yz4ft]

These voices poked life in the Shakespeare's words . A thunderous applaud👏

[@simplybobby8705]

This is the best dramatic recitation available online...I've done my research.

[@DuaneJasper]

Cheers!

[@dereinarmigemasseur]

Do you have more plays of his on youtube to recommend?

[@NikisLearningLounge]

I love this play!

[@DuaneJasper]

Absolute class. And every line clearly delivered - which is not always the case in other productions

[@AzRavnGrl]

What a pleasure! Thank you for posting.

[@praalgraf]

a yearly reread for me, alongside this great rendition

[@Vpopov81]

32:23

[@rfarrell6462]

Farmer Giles is played by the Great Brian Blessed - Noted RSC actor - Film and TV actor - well know as Edmund Blackadder's father in that TV series. A giant in the cast of great British actors.

[@MrMan-dd4hi]

Phenomenal recording!

[@sandeshrathod9699]

Thank you!

[@Vpopov81]

God bless you. The arkangel Shakespeare plays are also incredible but Antony and Cleopatra by the BBC are superb

[@Threedog43]

Loved the arkangel productions, sad they got taken off web archives

[@LtCdrXander]

Awesome!

[@watchingseeing5088]

Love this one. Thankyou.

[@watchingseeing5088]

love this one

[@Twentythousandlps]

Cast at 2:19:55

[@steerpike66]

Thanks you for uploading these beautiful productions. If you have the Michael Sheen 'Hamlet' from this same series, please upload it.

[@Fab_Cat]

Bookmark 5/4/23: 32:40 Bookmark 5/5/23 50:55 Bookmark 5/8/23 1:01:56 Bookmark 5/9/23 1:09:24 Bookmark 5/9/23 1:18:58 Bookmark 5/10/23 1:36:04 Bookmark 5/11/23 1:38:42 Bookmark 5/17/23 2:10:53

[@alexpenalo4684]

What with the intro? I don't think William Shakespeare was trying to make a connection to WW2. What with the car noises? Makes no sense?

[@steerpike66]

Imagine thinking 'Julius Caesar' can't be contemporized in 2021.

[@SilentAttackTV]

it was the 90s bro, people had dumb ideas and bad tastes

[@HistoryandReviews]

They also added machine guns and microphone feedback. I Love it

[@DuaneJasper]

With plays that have as many productions as this one, companies like to add their little twists and flavours

[@yeetmaster4398]

17:51 would he be fatter speech

[@TransKidRevolution]

Stop the body shaming transphobe😭😭😭

[@CAVECATART]

@@TransKidRevolutionbruh what da hell does fat shaming have to do with transphobia

[@808_rafa]

7:37 IS THAT A FUCKING CAR

[@DuaneJasper]

Yes it's set in the 1920s, explains at the beginning

[@MrLuigiVampa]

Who is the actor who plays Cassius? Loved him.

[@JavertRA]

Colin MacFarlane - possessor of a brilliant bass voice and a frequenter of voice productions. He's also been in a lot of films, including two of the Dark Knight Trilogy.

[@HistoryandReviews]

1:23:45 best part

[@ambrose7196]

My god. That part's amazing.

[@nicholaswillhoit239]

1.1 3:40 1.2 7:40 1.3 23:50 2.1 32:38 2.2 50:54 2.3 58:04 2.4 59:06 3.1 1:02:00 3.2 1:19:00 3.3 1:34:28 4.1 1:36:03 4.2 1:38:42 5.1 1:57:29 5.2 2:04:24

[@prometheusboat]

@ 2:54 Rome 1924??

[@munchman9854]

18:49 why did he sound like that

[@ZainabKhan-et4er]

Act 4 scene 1 : 1:36:06

[@ngz8101]

1:19:37

[@steerpike66]

Jfc people, who thinks you can't stage 'Julius Caesar' in modern dress, or with cars and planes and bombs, in this the year 2021? Haven't you even been to the theatre? Grow up.

[@HistoryandReviews]

This wasnt made in 2021 🤡

[@TransKidRevolution]

It's funny when the immature tell others to grow up

[@nvindiraindira8168]

A well enacted drama for icse students

[@superblakon5480]

23:00, 23:15, 23:45

[@boyo6213]

Eargasm

[@giriraj6597]

Easier n modern English is highly expected.

[@TransKidRevolution]

Only by idiots

[@ThomasAllan-up4td]

All I can say is I don't know what Shakespeare is talking about.

[@TransKidRevolution]

Tiktok dance videos are more up your alley. Might want to just stick to those.

[@ThomasAllan-up4td]

@@TransKidRevolution Et tu brute.

[@jenkeays8065]

Rome 1924? So not Shakespeare and a misrepresentation of the times. Reads like Shakespeare but a butchering of the theme to match current ‘feels’

[@dmf2475]

As soon as I heard 1924, I swtiched off, please stop modernising and cheapening these timeless classics.

[@conman7851]

Sometimes I agree with you, but does not modernizing timeless classics also show the contemporary relevance. I think Julius Cesar could easily be stage in Donald TrumpAmerica, for example . Although I appreciate the importance of understanding Context, I think the threat of The Dictator is a timeless human problem. The comparison between Cesar and Mussolini is appropriate because The fascist party of evil he used it in their propaganda, and so it was an appropriate protests technique when this play was stage in the 20s and 30s.

[@conman7851]

The point is not whether Trump is or is not factually like a dictator in every respect. This is a debated contemporary question, and you prefer a particular answer. Trump, Obama, and Hillary, all have autocratic elements, for which this work can serve as a springboard of discussion. One could also be an anarchist, object to state power as a matter of principle, and use this play as a critique of the (supposedly) totalitarian elements within democratic regimes. One can also portray "liberal elites" or environmentalists as totalitarian to make a political point about left-wing academic discourses' tendency to shut down opposing perspectives. The original context of this disagreement was the value of staging Renaissance dramatic works in modern contexts. With the greatest of respect, the fact that we are having this discussion about whether Trump's Administration has some autocratic features suggests the validity of my original point that art can have positive social effects if performed outside its original social and historical environment, insofar as Americans prize (or used to cherish depending on one's perspective) free speech in the "marketplace of ideas" as a central constitutional aspiration.

[@AliBaba-mb1pu]

Helmholtz blah blah blah, your country is run by the prison and military industrial complex, 40% of your water is poisoned. There are bigger issues than petty politics

[@conman7851]

That may be true; but, again, that wasn't the argument put to you. One of the reasons persons criticize Americans supportive of Trump is there refusal to address specific arguments put to them, such as, "there is value to be gained from staging Renaissance dramatic works in a manner that reflects contemporary problems".

[@seansmith3058]

It does seem kind of pointless for a radio play where the effect is totally lost.

[@panameadeplm]

If only the voice acting talent wasn't wasted on such gormless, shallow, political pop culture tripe, huh?

[@Master_Reven]

Indeed

[@ZainabKhan-et4er]

Act 5 scene 1 : 1:57:31

[@ness2377]

1:22:04

[@marshaunvann2906]

1:51:46