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Title: Wind Waker End Credits
AKA: Wind Waker Medley
Game: Wind Waker
Franchise: Legend of Zelda
Composer: Kenta Nagata, Hajime Wakai, Toru Minegishi, Koji Kondo
Year: 2003
Left guitar: steel strings, Drop D, DADGBE
Right guitar: nylon strings, Drop D, DADGBE
Mixed by: Anton the Hero
Wind Waker is a colorfull adventure that sings with childlike innocence and beautiful visuals. It's a game about sailing the vast ocean, navigating storms, exploring uncharted islands, finding hidden treasures. But at it's core, it's the story about a big brother setting out to save his little sister. Something about that central arc strikes an emotional chord that makes the game stick with you. It's just so human.
The game takes you to the top of moutains, inside ancient temples and deep below the ocean. You meet with feathery postmen, music-loving forest-dwellers, wind gods, small, powerful fairies and busy islanders.
All of these adventures are accompanied by the game's beautiful musical score. It has clear keltic influences, and sprawls with the melodic playfulness that the franchise is well known for. And when you are finally done, when you lean back and think “I've beat the game, it's over”, you suddenly feel a bit sad. And as the credits roll, and the feeling grows within you, the end credits music emerges. It's a medley of the most recognisable themes from the game. You've got the anticipation of the Main theme, the magnificence of the Ocean theme, the innocence of Aryll's theme, and lastly, the bittersweet nostalgia of Zelda's Lullaby. You see your favorite characters drift past the screen, and remember all the precious moments.
This arrangment is very important to us. It was started almost a year ago, as a proposal from lefty, who found the pience incredibly powerful. We then realised that the composition is some eight minutes long, which made us feel pretty uneasy. We tried to arrange it just like the original, with all the orchestral transitions and such, but it felt uncomfortable, unfitting and wrong. Frustrated, we left the project and approached other songs. The arrangement dwelled in the darkness. We played through it from time to time, but always found that it would be too hard to get every note and passage right, and left it again. We had a couple of papers where we'd written down every part of the arrangement in two separate columns, to remember everything. It was when that paper dissappeared that we decided to do something about it: We both loved the song, but sort of hated the arrangement, and if we were ever to get it done, we had to make an effort. So we created a simplified version, shorter in nature but as nostalgic. Some orchestral transitions and ambience just doens't work for classical guitar, and we finally decided to admit that to ourselves and work our way around it. The result was quite pleasing.
We recorded the piece in our new place, a rehearsal space that lends us microphones and such. Three microphones were used for each guitar, one for ambience, one for the sound hole and one for the 12th fret. We realised after a couple of tries that the lack of pick, the nylon strings and the nature of the lead melody made the classical guitar far to quite. The acoustic guitar, with it's steel strings and strumming, bled into the other microphones and made it impossibe to mix the song. We then decided to use a plexi glass wall to separate the guitars. It worked marvelously. What we ended up with were six extremely defined tracks of pure Wind Waker nostalgia.
Then came the process of mixing. We contacted a friend, who was kind enough to spend several hours mixing the song. We worked on reverb levels, equalizing, panning and corrected obviously faulty notes (that distorted). In our humble opinion, we've never sounded this good before. We hope to make this the new standard for our recordings!
So when we now finally upload this arrangement, it's a very satisfying feeling. We are pround of the result, and hope that we made you drift away to a simpler time, on the ocean with the sea beeze in your hair...
Thanks for watching!
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