Leonardo Vinci - Artaserse (Philippe Jaroussky, Max Emanuel Cencic) | Act 1/3

From the Opera National de Lorraine, November 10th, 2012
Watch the full opera: bit.ly/LeonardoVinciArtaserse
Concerto Köln - chamber ensemble
Diego Fasolis - conductor
Philippe Jaroussky - Artaserse
Max Emanuel Cencic - Mandane
Juan Sancho - Artabano
Franco Fagioli - Arbace
Valer Barna Sabadus - Semira
Yuriy Mynenko - Megabise
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[@juttastepanik5480]

And what a beautiful Semira! 💐

[@luismariofloresalcaraz8804]

Oh Dios .! .cómo me hubiese gustado haber estado en éste Concierto.. totalmente Divino ❤️ Felicidades al Sr.Franco Fagioli y todo el hermoso conjunto de cantantes y músicos..😍

[@qwert2020]

Having some of the best countertenors in one production is really a treat

[@mariomelgar4754]

Los felicito, pero no comulgo con este Tipo de Contratenores. Pero igual saludos..

[@riohenry6382]

And to imagine Vinci had been forgotten until Max found him again ! All this beauty lost for centuries 💔

[@millennial8441]

I wonder how many other famous baroque composers at those times are know completely forgoten.

[@dogglebird4430]

Leonardo Vinci is one of my favourite Baroque composers. Utterly brilliant!

[@ma.luisaulloa2150]

Uuu7

[@siempeters]

This is breathtaking, fantastic....these voices, the ambiance, this brilliant music...thanks for posting

[@wocomoMUSIC]

Thanks for listening ;)

[@juanaromano5703]

No me canso de escucharla

[@millennial8441]

The first section of the overture that Vinci composed to "Artaserse" is the whole opera in itself. Such a mastery! This is how an opera must be started.

[@monostatoschefdersklaven5963]

Time code di tutte le arie che erano nell'atto 1: 9:48 "Conservati fedele" - Mandane 12:57 "Fra cento affanni e cento" - Arbace 20:07 "Su le sponde del torbido Lete" - Artabano 24:55 "Per pietà, bell'idol mio" - Artaserse 32:49 "Sogna il guerrier le schiere" - Megabise 36:21 "Bramar di perdere" - Semira 48:13 "Deh respirar lasciatemi" - Artaserse 54:16 "Non ti son padre" - Artabano 57:29 "Torna innocente e poi" - Semira 1:04:02 "Dimmi che un empio sei" - Mandane 1:08:33 "Vo solcando un mar crudele" - Arbace

[@user-zc2if4xg7y]

Thank you soooo much ❤

[@biserusrussia5676]

Потрясена этой новой прекрасной бездной - барочной оперой с контральтовым пением. Думаю, это исполнение - на века. Цифровая запись сохранит их голоса. Брависсимо!!!

[@dmitriypavlov6675]

Я думаю, что правнуки выходивших на одну сцену с Франческо, будут гордиться этим фактом

[@henriquessamuelsele2018]

Magnifico 🎉

[@user-yj4kf9te2x]

Макс Эмануэль Ценцич бесподобен. Очень колоритное, драматическое меццо сопрано! Прекрасен, подвижен, артистичен! Талантливый оперный певец, пусть звезда его светит ярко и не гаснет! А его творчество пусть процветает!

[@leodepuydt308]

Vinci's music: the indestructible Carara marble from which the greatest composer of all time, Pergolesi, carved his transcendental music, never hitherto equaled, Pergolesi who has been called more than once the Virgil and the Rafael of music. Really? Yes, really. It's just that everyone forgot about it. According to the celebrated English author and music historian Charles Burney's account of his travels in settecento Italy to find out all about its music, he learned that a teenage Pergolesi (1710-1736) in the 1720s wanted to leave school in Naples and compose in the manner of Vinci. The music in this video is what Pergolesi heard in Naples. This deeply inspired him to compose in six years, from 1730 until he died in 1736, music that has never been paralleled. After Burney's seminal work, the link between Vinci and Pergolesi has been completely lost. It is perhaps the Greatest Story of Influence in the History of Western Music: the relation between the incomparable Vinci and the transcendental Pergolesi. Totally wiped off the face of the earth. Unbelievable. It comes close to the Greatest Friendship in the History of Music, that between Pergolesi and Leonardo Leo, the second greatest composer of all time. When his first mass in D appeared not all that successful (yet, that mass is just stunning), Pergolesi tried again with a mass in F. He really wanted Leo to hear this (Vinci had died in 1730). When Leo came, he listened and warmly embraced and loudly praised Pergolesi for having written such phenomenal music. Leo was a total genius. But he was for some reason totally unassuming in praising others. The warm embrace between Pergolesi and Leo in about 1734 in Naples is definitely the pinnacle of Western music. Western music has never been better than this. Vinci's music was completely forgotten until recently, Pergolesi's legacy was reduced to his eternal Stabat Mater, written on his deathbed. Forgetting all this is the greatest injustice in the history of Western music. Such a shame. It is time to elevate Neapolitan early settecento music to UNESCO World Heritage status. Leo Depuydt (Brown University)

[@volta8317]

I believe that music of Baroque era, age of reason, great enlightenment- is the most sensual, sexual, thrilling, supernatural and i love it so much- listen to baroque every day. How i wish that the style was respectfully revived. Use the same form today. This is just what my heart and soul always are asking for

[@user-zc2if4xg7y]

It's splendid! Thank you for posting it!🎉

[@user-yj4kf9te2x]

1000 лайков! Огромное спасибо тому, кто опубликовал это видео!

[@bluebird5361]

Thank you for this. I love Franco Fagioli's performance, especially at the end. Pretty much out of this world.

[@user-tn9ti3yc1s]

Génial,oeuvre magistrale,inouie,trop belle: tous et toutes égales à elles,eux memes:magnifiques

[@user-uy3wk8nk5n]

Браво! Браво?! Браво!!!

[@Tigermuc]

Such a gift to all baroque music lovers even if we have participated the concert version in Köln!

[@krzysztofkluk5847]

Phenomenal and charming.❤

[@robertlaytham2241]

Magical in every way!

[@svetlanasolonikova9221]

Сценография, костюмы, музыка и конечно же божественные голоса и фантастическая игра- это шедевр! А заключительная ария Фаджиоли- это уже просто помрачение рассудка, такой харизмой не обладает больше никто…. Фаджиоли- ты один Бог…. в музыке….

[@user-ql8qz9rh4u]

Он в барочном пении мастер артист! Просто чудо его последняя ария!

[@fmdhaviland]

Bravo!!! Brava!!!!

[@carretou]

Superbe, un niveau d'interprétation rare voir rarissime avec une originalité dans la mise en scène et les costumes rafraîchissante élégante esthétique, bravo

[@tonnypomiklo4579]

🌹❤Amazing 🌹❤Amazing ❤🌹 🌹❤Amazing ❤🌹

[@bernadettemartini8823]

Splendide! Quel bonheur d'écouter ces si belles voix, avec une mise en scène que j'apprécie tout particulièrement et sous la baguette de Fasolis...

[@mereyeslacalle]

1:08:34......... "Vo solcando un mar crudele" , absolutamente soberbio, colosal Franco Fagioli . Bravísimo !!! Magnífica ópera ; me cautiva, es fascinante . Gracias por esta publicación .Felicidades desde Chile !

[@guymertens7901]

Tienes razón, es increíble la voz de Franco Fagioli

[@68ultra]

Franco Fagioli es divino!!!! No creo que sea humano, debe ser un ángel!!!! Le adoraré hasta el fin de mis días.

[@user-yj4kf9te2x]

Франко Фаджоли - звезда первой величины! Его голос настолько прекрасен, изящен, подвижен, колоритен,это талантливый актёр! Браво Фаджоли!

[@jacquelinedumont5155]

Je ne me lasse pas de le regarder

[@jacquelinedumont5155]

Par les cornes d’Artaban j’adore cet opéra !Les costumes sont très originaux

[@mereyeslacalle]

Y también por la soberbia voz de Juan Sancho , bajo esos cuernos !

[@jesuslozanofuentes5123]

Magnifico!!! Genial!!! Sublime!!!

[@user-mk9ip7jx4w]

Браво! Браво! Браво!

[@guymertens7901]

Wonderful performance

[@user-ql8qz9rh4u]

Miracle! Thanks for posting this video!

[@dalmasiklosi9191]

ennek rendezését szeretem nagyon ! az egész gárda tökéletes , - köszönettel

[@user-yj4kf9te2x]

Прекрасное пение! Узнаю нашего Юрия Миненко , в роли Марафиози.

[@irinameshkova2832]

Такие молодцы мальчишки - работяги-трудоголики, попробуй отточи все до такого блеска. Что ни голос - то золото. Думал ли Леонардо Винчи, что через 300 лет будем слушать его с восторгом.

[@user-zc2if4xg7y]

Вы хотели сказать - в роли Мегабизе?

[@ferguszade5594]

Sublime. Franco Fagioli is the Maria Callas of Countertenors

[@user-yj4kf9te2x]

Валер Сабадус прекрасен, чудо - нарцисс. Тонкий, изящный, молодой контратенор, у него всё впереди!

[@oksanamarkieieva9216]

Он само великолепие. И голос и драматический дар.

[@juttastepanik5480]

Er ist auch ein schöner Mann! ❤

[@cpdeska9478]

! genuine art !

[@broutinbenard5466]

Quel final dans cet opéra par Franco!

[@biserusrussia5676]

потрясающе!

[@tarota4488]

Pone los pelos de punta. Bravissimo.

[@wordscapes5690]

I liked the tenor

[@suegroom8548]

Please could some companies put on this wonderful opera in England. I love 🎉all the usual 18 century operas, but could someone, please do some of this wonderful music as well.

[@burtcollins239]

I was shocked when I heard Franco sing this song. It should hit # 1 in some kind of chart.. Sounds like he swallowed a canary.. I wonder what he is doing today.

[@danilobalestrieri8542]

excuse me for my endless ignorance, but why is there vitruvian man? leonardo da vinci and leonardo vinci are different persons.

[@user-si8nk2lk1z]

Спасибо!

[@spyingonyallteacup2744]

This man is a beast I thought she was the only women who could sing like this.

[@bruhlickd]

It's a kind of Ru Paul Drags race from Baroque Italy

[@youtito9472]

Mirabili@!

[@grocheo1]

Mandane - Conservati fedele 9:47

[@sana11sana19]

💖💖💖💖💖

[@feronia7]

❤💞🙏

[@lucaromano8050]

W Vinci, Pergolesi, Durante, Cimarosa,Leo,

[@mikeg2924]

6 CT !!!!!

[@tommyzDad]

_Mr. Strickland_ conducting? "Vinci, you're a slacker!"

[@miuzefreak]

1:08:33 FRANCO FAGIOLI M U S T W A T C H ! ! ! ! ! ! ! !

[@ouradvanture1976]

Really? The breath control is bad and the low and high notes miss most times. I obviously don't hear this the same as you.

[@Ronald-ks2iy]

This performance would be banned in Tennessee & Florida!

[@user-my5mf8uq9k]

Ченчич неотразим.

[@ouradvanture1976]

Franco Fagioli's voice spoiled this for me. Just can't listen. The others are a joy.

[@avecesar4244]

"Las drags asaltan la ópera". ¡Ay, esos directores de escena tan carnavaleros que proliferan por el barroco operístico ! Los experimentos en el laboratorio, no en la música barroca, por favor.

[@user-yh5rj4ve5p]

So poor without women voices!

[@Moffeliten]

You dom

[@yelina.k7467]

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