How to play the Lamban Rhythm - Djembe Pattern #1 - World Beat 101

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Weedie Braimah teaches the first djembe accompaniment pattern for the rhythm Lamban from West Africa. World Beat 101 is a resource for anyone interested in rhythms and music from around the globe. You can improve your knowledge and playing skills anywhere, anytime with on-line video lessons and detailed course notes from our expert instructors. Look out for new courses and free content as we build our offerings with each new instructor that joins our team... Learn from the Best!
#tutorial #djembe #worldbeat101

[@bfortier5198]

Look at is eyes when he start playing, awesome... i really like is musical and instructional ways.

[@ajulan10]

5.43 yes yes we got it XD. I love the sound and how this man is putting so much feeling in it!

[@rainierblades8539]

Thank you for breaking it down. I appreciate it Weedie!

[@Sunshine-ci6rf]

It's like learning to breathe or feels like it anyway, thank you

[@kai_bittner]

Amazing, well deserving of this elusive instrument.

[@unibongo2009]

To understand this rythm, it's important to understand that there're several parts. First ternary, then binary and you'll finish again switching to ternary. The song is the most important part of the Djélifoly. When you understand where it feats in the first part then you can't get wrong in the rest. Here some exemple of this rythm : The ibrahima sarr_porte 386, françois souleymane dembele_san toro are especially interesting for presenting the full rythm. Référence : Lamban : el hadj djeli sory kouyate_anthologie Lamban Ba : ballake sissoko et fassery diabate_djeli Lamban : oumou sangare_yala Lamban : amy koita Sanja : moussa kante_le chant des dununs khassonkes Sanja : françois souleymane dembele_san toro Sanja : ibrahima sarr_porte 386 Sanja : drissa kone_methode Sanja : mamadou kante_tambours du mali Sanja : zykapo_percusión mandinka Sanja : julien comtet_memoires de djembefola Sanja : serge blanc_methode Lamban Guinée : ensemble instrumental de guinée Lamban Guinée : souran Diabate_les djelis de boke. Cette version est très proche des Khassonkés Lamban Guinée : bolobada conde_sankaran Lamban Guinée : mohamed bangoura_djembe kan Lamban Guinée : fara tolno_binye For further info, contact me...

[@soundmindbodydivine]

Just feel the rhythm, listen, relax, and let the rhythm come. Learn to breathe. Learn to feel the sound with your hands. That binary tertiary business is nonsense. Learn from the oldest drummer you can find. Humble yourself and let the rhythm play through you.

[@arraiacc]

You're amazing! So appreciate this brother!

[@eliranh1976]

yo yo man this is so cool, i realy was able to play it, like you counting the tempo and the diffrent between african an western accent (1-3, and 2-4) great video, looking forward for more step by step videos :)

[@blacklight4460]

Excellent! Thanks Weedie!

[@Misterdandamanify]

Nice man! Also the counting is very clearly explained!

[@kerwinfernandes9583]

Great tutorial.. Thanks God Bless! :)

[@miriamruth1]

I love it..................................................................

[@romanpalleschi338]

Love African djembe

[@rainierblades8539]

More videos like this would be awesome. Or even solo phrasing - for different rhythms.

[@Beebop-mk8gg]

Very good lesson, thx you

[@renecollinot5656]

Thanks master Weedie

[@76boromir]

awesome learning videos. this is how it's done. keep up with great work!

[@lplein8429]

This is from Mali and needs to be played like in Mali. This guy Weedie is American and doesn't understand this, so he forces the music. Plus, the break is wrong, as it added part of the solo to it. And Lamban DOES have a break. Study again and respect older traditions rather than changing them, as Americans do.

[@damon123jones]

most skilled man

[@SiddharthDeshpande24592]

Nice video.. Thanks

[@cocoro221]

"AAAYYYY was tought" so funny hahaha great lesson doe !

[@ric9452]

That was a excellent Demo master Drummer , breaking down the 1&3 , More , More . Thanks

[@worldbeat101]

Glad you liked it!

[@The1111Samuel]

really nice that's what i talking about haha.. really clearly

[@vinvijf]

Great video bro!! Keep jammin'!!! Peace from Holland

[@jcyberj]

I know people who have spent hundreds of dollars to learn less than Mr. Weedie has provided us with in this sample. Thanks, Sir.

[@2sutra]

Very plainly and clearly, excellent! Thank you.

[@worldbeat101]

Our pleasure!! More videos are on their way...

[@stephne8115]

Thanks you for this real video learn. (sorry bad english 😁) 👍👐👏👏

[@flaviadobraca466]

awesome

[@romario32]

Saludos Maestro 👋

[@VIKTOR-pp8pu]

Good !

[@lowenherzlowenhez7522]

hey you be.......super. liebe grüsse from germaby.w

[@JohnSmith-ei3zq]

Your the best .thnx

[@worldbeat101]

Thank you!!

[@mickmcloughlin1646]

WEEDIE!!!!!! How are ya man? I didn't know that you had these on here. Dang, it's been a while. Wishing you well, and peace. Mick from St Louis.

[@uglyhonest1]

That was a riot .. Never knew 8:37 could go so fast ... Thank You !!

[@samarascott8648]

Nice!

[@worldbeat101]

Thank you! Cheers!

[@ssselvesss]

Is there a video for the second djembe part?

[@jamaalhabib4001]

I can play that because I have my own djembe

[@daveargall3454]

So it's 1 2+ 3+a4+ with 1 3 using bass? Sounds good!

[@DEBOPC]

Awesome, makes me want to try this rhythm :D

[@worldbeat101]

Thanks!! You can check out the breaks and solo phrases for Lamban here on our blog: worldbeat101.com/lamban-rhythm-breaks-solo-phrases-bass-drums/

[@DEBOPC]

World Beat 101 Thank you, keep up the great work!! :D

[@lplein8429]

World Beat 101 This is from Mali and needs to be played like in Mali. This guy Weedie is American and doesn't understand this, so he forces the music. Plus, the break is wrong, as it added part of the solo to it. And Lamban DOES have a break. Study again and respect older traditions rather than changing them, as Americans do.

[@Bossa4Sol]

You are changing your hand pattern in the call to start the roll, so what is the correct? To finish with the right (dominant-bass starter) or the left hand? Btw it's a great lecture :)

[@jcyberj]

The Hand pattern is meaningless to great players. Both hands are the same to them. Therefore, they have to slow down to illustrate the basics for us mortals.

[@Nahulanham]

I really like your rendition of "lamban", but there's another dude on the tube that plays it totally different. But I will definitely stick with your style. Nice work.

[@jcyberj]

gro gogo pata patapa godo pata gun pata

[@_sunnii.sun_]

I would love to get a Djembe drum but I don't have enough money to buy it

[@RBB8S]

Buy it second hand

[@jacquichulilu5759]

[@user-xv7gb8qt7w]

5:20 5:49

[@mahabat404]

gooood but where is other lamban rhytms?

[@worldbeat101]

+Matteo Batta Hi Matteo - Here are some other parts for Lamban you can check out with our instructors: kzbin.info/www/bejne/gWGaoGmJnbaZebc

[@GreenanFam]

Matteo Batta

[@edwardd9788]

That hand slap though

[@oumarcamara3427]

not just technique sir

[@ralfstofer8609]

Pleace click on the link to your homepage in the comment section, there is something wrong and you are loosing customers!

[@johanvandemeeberg1304]

No not to play the djembe drum with a ring on your finger. One of the unwritten rules for drum etiquette. We do not wear rings, bracelets or watches while we playing hand drums.

[@djembethunder5591]

Sorry guys I dont know who tought you guys that as lamban!!!! we are from Mali more over we are Malinke people it was a nice try but its not lamban. the break is wrong and the dundun is more or less wrong sorry

[@jcyberj]

I am sure "jazz" from your country does not sound exactly like "jazz" from the USA. And music from one part of your country, Mali, does not sound exactly like that from another part. I have heard a lot of "purist" talk on KZbin and elsewhere. There are no grand masters that embrace every cultural nook and cranny (although some proclaim themselves as such). The outstanding thing about African cultures to me is their common threads and remarkable variety.

[@lplein8429]

Rascal relativist American bullshit. BATA has been changed in Cuba and preserved in Africa, where the only changes come back from the Americas. Still a slave master after slavery

[@lplein8429]

Rascal we stick to.music. In drumming many rhythm phrases are actual language bits, whether Malinke or whatnot, that are saying specific things, to which other drums reply in kind. So, one needs to know that to enter the dialogue. Then improvisation is all good, but it needs to come from that strong base of knowledge. Then, when people travel (by force or not is another matter) and resettle, slowly the influence remains, but those dialogues are changed until they become something else. That was the case with the slaves in the islands who developed their own tradition, which echoes that of the motherland

[@TheGrimjerk]

Its good to see that Africa has folk nazis too. Where would we be without folk nazis showing us the light of musical righteousness?

[@lplein8429]

chris sto bullshit. You use the word righteousness not to face your own ignorance and inadequacy in the matter. You must be American. Learn from those who know more and shut up and be humble.

[@djembelessons-drumsoundcir4927]

think you have been hacked... link takes me to a sexual site!!!!

[@Eseibio__]

Omg less talking more playing

[@lplein8429]

This is from Mali and needs to be played like in Mali. This guy Weedie is American and doesn't understand this, so he forces the music. Plus, the break is wrong, as it added part of the solo to it. And Lamban DOES have a break. Study again and respect older traditions rather than changing them, as Americans do.