recording acoustics is very clear allowing dynamics and instrumental interplay to be easily perceivable. The piano supports the violin generously so that the string expresses emotion freely with great confidence. The conversation between the string and the piano is natural, personal, cordial, probably the kind of interpretation Kreisler likes to hear. Thanks so much!
@TeacherAndy7 ай бұрын
If this is the interpretation Kreisler likes to hear, then this is the comment I like to read. Thanks a lot!!
安迪老師,這是回應你上次有關聖誕歌新唱的節目。。。非常謝謝你的講解與示範,我很喜歡你的節目。。。你知道嗎,在我的 Steinways & Son 的 grand piano 上面也恰好有一盞與你的鋼琴上的檯燈 一模一樣的燈。。。這個燈已經陪伴我 和我的鋼琴幾乎要20 年了。。。你是在德國,而我是在美國,我們竟然都有一模一樣的燈,也都在放在 grand piano 上面。。。太有趣了。。。我記得你的夫人 好像是台灣師範大學畢業的校友 (希望我沒有記錯),我本身也是 台灣師範大學畢業的校友。。。這又是一件有趣的巧合。。。謝謝你所製作的每一個節目!願神祝福你
感謝老師,也祝福老師新的一年事事順心。來說說老師錄音效果,我用 Beyerdynamic DT990 PRO 與 Sennheiser HD600 分別比較過,小提琴的錄音效果比鋼琴好,聲音比較靠近,形象比較清晰,也符合小提琴聲高穿透力的期待。至於鋼琴感覺混響過多,聲音比較遠比較模糊,但是定位反而比較清楚。老師麥克風的配置上,小提琴左邊的麥克風會錄到鋼琴的聲音,這大概是鋼琴定位清楚的原因。也許下次有機會讓小提琴站位遠離鋼琴一點,另外外加一組收錄環境定位的麥克風就更完美了。
@gracehu62337 ай бұрын
Happy New Year Teacher Andy! Your music hall (Mendelsohn Hall) is good place to record this music! Hope to see this hall again in your future recordings. Thanks from Grace
@TeacherAndy7 ай бұрын
Thank you, Grace! We'll try.
@queen543857 ай бұрын
老師新年快樂❤
@MrXiaoda7 ай бұрын
Beautiful. I remember to have three recorders of Kreisler's works performed by Elman, Manuine and Kreisler himself. Personally I was in favor of Elman.