Yamaha AN1X Sounds - Part 1

[@deauvillevrienden]

I second what Jexus (Olo Garb) said : " With other synths, you often need to mess around a while to control its sound so that it's convincing. They need more or less "polishing", let's call it. A sound that sounds good in the lower part of the keyboard gets too crappy when you play the higher frequencies on the right-hand side of the keyboard. So you need to rearrange the filter tracking, the treble/bass in EQ unit, etc. You play cat and mouse. You get tired faster. But with AN1x... it's great here and now, after twisting a knob, everywhere. This synth rarely sounds bad and the FX unit is one of the best I've heard - and for what a price! Gorgeous, sensual reverb. Just bear in mind that the start-up tone of this synth (and its factory presets) is more glassy than analog, so if you're after the latter, just be patient and keep tweaking until you reach your analog wonderland. And, like every virtual analog synth, the AN1x replictes only a specific kind / area of analogueness - in my ears it's the one of swishy Oberheim FVS basses, clear CS-80 leads, textured MS-20 fuzzes, stabby JX brass and toxic Polivoks screams as opposed to beefy ARPs, sturdy Matrix 6/1000 Oberheims, sweet Junos, crystalline Nords or whistling Akais. The engine depth is hardly spectacular, yet at the same time there's hardly any sound this synth is not capable of making. And they all have this special appeal; a sublime quality that I cannot describe with words, just like the mood in the movies of Sam Mendes or Paul Thomas Anderson. The AN1x timbre is like the best balance of Nord's brightness, Virus'es lucidity, JP8000's low-end, OB-X's organic-ness, and ION's peculiarity (although bad plastic traces of Korg Radias could be found too). And speaking of Virus, it needs to be said that Yamaha are the masters of FM; the Frequency Modulation section sounds so good on this synth, gives very musical results and reminds me why I didn't become friends with the TI. The FM section on the TI, in comparison, is just a switch for farting. The knobby panel on the left is semi-cozy and semi-quick, but much more time is needed to dive through the button panel on the right. So if there is any downside to this synth, it's the UI. Compared to other synths it takes quite some time to get through. But trust me and rest assured - it's quite intuitive. "All things are difficult before they become easy", as Goethe says. This is one of the greatest VA synths; I guess it's even the greatest one in the lowest price range. BUY IT NOW !! Aaaaaaaaaaaaargh!! I recommend it wholeheartedly if you need quality & adventure for low price. I just hope it doesn't get bought up by "electronic music" performers to play those fucking solos. It would be a shame, because this synth seems to be destined for beautiful & creative music in general. Yamaha, please get back to the game with a new VA synth. AN1x is still the best cheap analog emulation on the market."

[@ProckGnosis]

Je hebt gelijk. Which is why it's so frustrating that Yamaha hasn't revisited this tech, expanded and improved it, and built an AN1x mark II or something. I would be very curious why they haven't.

[@itdies2dayyo]

@@ProckGnosis i would even love a slightly newer, slimmed down, and affordable version of this. I really hope they pull through one day.

[@AnalogFlava]

Seems like you love this VA! So perhaps you can recommend if to buy it if i already have nord 1 and 2 which I love and nova and jo8080? My nord 1 is in another country right now, so if I dont buy the an1x i would just get a new nord1. Right now both are for sale locally so need to decide quick 😅

[@dj-kosmixofkosmixproductio2140]

I regretted selling my 1st AN1x back in 1999...that I ended up purchasing another in 2011! don't be fooled by the factory presets...It as capable of modelling unworldy morphing pads, intricate arps, evolving soundscapes, modern edm and dance elements, melodic trance plucks and so much more! Best VA Yamaha synth ever! 😎

[@ProckGnosis]

Can't argue that. And I suspect I'll regret it as well after I sell it, but the music room unfortunately has finite space. And as it seems I can only moderately control myself with buying MORE gear, I have to figure something out. I've said it 10 times already, but I can't figure out why Yamaha didn't make or even re-issue an "AN1x mark II" or something similar, with ALL the same sound and programming capability, but more voices (at least 24) and an easier-to-use interface, and maybe in a module format (I'm ignoring the AN200 and Reface CS though both were ok). I would be ALL over that, and it would be small enough to more easily fit in the music room. Yamaha unfortunately doesn't seem too interested in analog or virtual analog so much nowadays.

[@dj-kosmixofkosmixproductio2140]

Also be sure to check out the "AN2015" which is a free VA, and part of Yamaha's Synth Book for iOS...It's an equally perfect recreation of the AN1x with a plethora of new features updated for modern production! Right now I'm exploring the sonic capabilities of the AN1x for SynthWave and RetroWave basslines =)

[@ProckGnosis]

Woah...did not know about this at all. Very Surprised I never saw or read anything about it...thanks much! Will be downloading today.

[@Braunschweiger1984]

My heart syncs when I see your videos. I end up coveting whatever gear you demo. Seriously great video!

[@ProckGnosis]

LOL...thanks. Sometimes I even covet my own gear.

[@t.n.3819]

Probably my favorite digital synth ever, honestly. Aside from the kick-ass sound engine, there are just so many other nice features. Love the keybed, the modewheels, the ribbon, the morph feature, the arpeggiator, the 2-operator FM... it's just the shit. No idea why anybody would choose a JP-8000 over one of these.

[@ProckGnosis]

I actually bought a JP-8080 first, and although I loved the SuperSaw and preferred the programming interface, sound-wise the AN1x ran circles around the JP-8080. And you're right about the features. The last few years I've gotten into sound design a lot more, and I really appreciate some of the parameters this thing offered. It was really unique...and sadly it still is more unique than it should be.

[@autumnbrushtail]

People would buy a JP-8000 either for the aliasing or the supersaw. The AN1x can at least do... Sort of a supersaw

[@longfade]

Totally, unapologetically, buzzed. I freaking love it. But, more importantly, a great demo as well. Haven't played one yet, but I'm getting one tomorrow in trade. This seems like a VA that really has its own character. Looking forward to having one.

[@ProckGnosis]

Do enjoy it. The interface is weird, but at least workable, and as you've heard, the sound is great. Yamaha really screwed the pooch on this one by never following up and improving the idea and taking it into the 21st century. The Reface CS wasn't bad, but instead of being "AN1X, the improved sequel" it was more like "stripped down AN1X"

[@longfade]

You know, I'm kind of glad that it's as 'ugly' as it is. I think that if looked as cool as, say a JP-8000, I'd never have been able to find one.

[@kiko1935]

ProckGnosis the reface Cs is really fun but more of a toy, also the different wave forms have specific mod behaviors which is kind of weird. I bid on an an1x. I was going to get the jp8000 because the knobs seem fun but everyone tells me this synth is far and above the best VA. And I want a synth I can use for all my productions instead of software, so I'll give it a shot, hopefully I win.

[@ProckGnosis]

@@kiko1935 Did you ever snag the AN1X? If yes, what do you think?

[@longfade]

@@ProckGnosis Yes, I did get the AN1X. Right around the same time, I purchased a JP8000, a Nord Lead 3, and the Supernova II Rack. The JP8K is a ton of fun and has a wonderful interface. The NL3 has one of the greatest VA interfaces I've ever experienced. The Supernova, I'm a little ashamed to admit, I haven't yet spent enough time to get to know. I sold my NL3 last month and will never regret it. I'm glad I had one: now I know Nord stuff just isn't for me personally. I gave the JP8000 to a close friend who needed it more than I did. Which leaves me with the AN1x and the Supernova. Like you, I've considered selling the Yamaha many times, but I never will - I'll sell the SNII first. The AN1x is, for what it is, something really unique and special. And I owe a debt of gratitude for your video - I watch it every time I think I might sell this thing and always change my mind.

[@moogdome2562]

Excellent Demo. Probably the best on youtube. I bought one tonight, mint with original box, and a pair of JBL studio monitors, and Keyboard stand thrown in. for £370. I've seen them go for much more than this. I expect prices will rise as this board is very sort after. especially after this. I have the Cs1x, Cs2x, EX7, Sy85, CS 5. Yamaha has made some great overlooked, and underrated synths. If you can afford one of these, buy now, before the price goes up. Thanx for the demo, you rock man.

[@ProckGnosis]

Thanks! Wow...great deal on snagging the AN1x. I only have a few other Yamaha products...DX200, FS1R, old mono CS5, and a Motif Rack (1st gen), but they're all good stuff.

[@moogdome2562]

thank you, my friend, yes a bargain. I have a CS 5, it's like a cheap battery powered vacuum cleaner. But like you, I've realized, just how good Yamaha gear is. I really thought your demo was so pro, and the best on youtube. [Please don't sell, I beg you. German beer eh, and German girls. Greetings from Sheffield. The UK. You deserve that beer cheers. You'll regret selling it.

[@montazownianr1]

@@moogdome2562 Why the hell you need the rest of cs if you have Cs1x...

[@moogdome2562]

Well, that's my business. let's just say. I have lots of money. i intend to buy every Yamaha synth ever made. Is that ok?.

[@mrstephenpariah]

Do you want to sell me the battery powered vacuum cleaner?

[@kgbinfo]

Awesome to see you covering one of my favorite synths of all time! Really enjoy your demos, sir. Don't sell the AN1x! You'll regret it immediately.

[@ProckGnosis]

Thanks...and well, I have gotten it out 2 or 3 times in the last 5 or 6 years each time with the intention of selling it, but I never do. That must say something. I just keep forgetting how good it sounds.

[@kgbinfo]

ProckGnosis don't forget about the profound effect that setting the feedback at around 45-50% can have on the overall tone of the synth. That, coupled with the ability to adjust oscillator edge offers an insane amount of tonal flexibility. I'll never sell mine.

[@ProckGnosis]

I had forgotten about a lot of that until I was reading through the user's manual (the distortion, the edge, the compression effect). Again, this thing has features that are mad and even today, largely unmatched. I would be all over an updated version of this...say 24 note polyphony...4 part multi-timbral, with mostly the same feature set. I don't know why that wouldn't be makeable and marketable...

[@dessiplaer]

I dunno, but it sounds like a keeper to me. I remember when these were first released, and I remember thinking, "What a piece of cheap crap!". But after listening to several demos on KZbin, I have come to appreciate this synth. Great demo btw!

[@ProckGnosis]

Well, if it says anything, it's been a year since I made the video, and I still haven't sold it. It does sound good...as I've said about 10 times in the comments already, I can't believe Yamaha didn't expand on this sound engine and come out with a much more usable, powerful, and great sounding VA synth.

[@KILLAGORILLA7000]

Awesome! Keep the AN1x goodness coming!

[@ProckGnosis]

If I don't sell it, sure! : )

[@jmcbeady8210]

Great sounding demos.

[@mgregory22]

I bought mine in '97 in or '98 brand new and, even when I sold off all my other gear in 2008, I've never considered selling it. You guys are frickin' nuts. :)

[@ProckGnosis]

If it helps, I still haven't sold it... : )

[@mgregory22]

@@ProckGnosis Ok whew! I can respect you again ;) But seriously, best combination of sound, power, and practicality in a synth I've ever owned.

[@cyberluke]

Great video, I bought mine a few months ago in a perfect condition :-)

[@ProckGnosis]

Thanks much. Congrats and enjoy the synth.

[@karltraunmuller7048]

I have one of these, and I think it’s a great synth. The UI looks weird at first glance, but works really well. Yamaha Instruments are always good.

[@ProckGnosis]

Es klingt noch herrlich gut, muss man sagen!

[@Aetila]

A poor man's Jupiter 6. I love it!

[@MarcWeertsMusic]

Another excellent demo!

[@ProckGnosis]

Bedankt Marc...the synth does most the work...I just documented it!

[@AdamTheAd-vanc3d]

Lets put it this way. I really really regret selling mine. Definitly one of the best VAs of its era in my opinion. Thou im glad i kept all the sounds i sampled from it. I recognise that arpeggiated line on the opening patch i used the sequence with another sound. Weird hearing it again. Great video :-)

[@ProckGnosis]

Thanks much. Were this thing a module, it would be a no-brainer to keep, but every time I move (and I'll likely be moving back to Europe in a year or two)...MAN is it a pain in the ass, packing and lugging so much gear around the globe. I need someone to come up with an acceptable VA substitute. For example, now my Casio CZ-1 can die (not that I want it to...I'd still be a little upset), because I have a couple software options that fill 95% of that niche. But in the end, indecision is a decision, isn't it?

[@AdamTheAd-vanc3d]

ProckGnosis . Hey i totally hear you on that one. I wish most of my keyboards were modules. Apparently there is a small module version or some kind of dsp plugin board called the pgan1x ( i think, ill confirm with a freind). Anyways im sure you will work out what you really need and what you dont :-)

[@AdamTheAd-vanc3d]

ProckGnosis I just googled it . Its the PLG150-AN ;-)

[@ProckGnosis]

Yeah, I almost bought a Yamaha AN200 just for that reason many years ago. The PLG150-AN is the voice engine in those little AN200 drum machines, but it's only 5-voice (instead of 10), and it didn't offer the same list of tweakable parameters. But I might start looking again...I actually have an old Motif Rack that has an open expansion slot for the card (the other slot has PLG150-DX in it), so it would be do-able.

[@ProckGnosis]

Hey, forgot to mention you're doing some pretty cool stuff on your site as well. I personally haven't done any soldering/wiring of ANYthing in...shit...25 years at least, but you might just give me inspiration. I like your willingness to share the ideas and your enthusiasm. I subscribed.

[@binidittuevolve]

My fav. VA !!

[@ProckGnosis]

It does sound great...

[@alessiopiombarolo]

Grazie! From Italy 😁

[@ProckGnosis]

Prego!

[@ReneeNme]

13:48 = Genesis ~ That's All. I still own a CS1x that I purchased used back in about 2001 and will never let it go. Same goes for my Alesis Micron. Eventually plan on purchasing a Arturia Microbrute to add to my small arsenal.

[@ProckGnosis]

Yep...I'm a Genesis fan, though they started losing their appeal for me a bit in the 80s. I remember playing with CS1x in a store, considering buying it...mostly because it was the only semi-cool looking synth nearing a price range I could afford. I also think I was confusing it with the AN1x.

[@ReneeNme]

Agreed on Genesis during the 80's. I'm an old fart in his 50's who preferred their early trademark years in the 70's with Peter Gabriel on lead vox moving on into the later introduction of Phil Collins filling the role. Anytime I feel like I'm having a bad day I can just run the title track from The Lamb Lies Down on Broadway through my mind and all my troubles just seem to float away. Sidenote: Both Peter & Phil had a couple of tracks back in the 80's that I could actually tolerate. I'm sure you could take an accurate guess at which ones. " And the lamb ... lies down … on Bro oad way ...

[@ProckGnosis]

@@ReneeNme I sort of got into them a bit around "Then there were 3," "Duke," and "Abacab". Being a synth nut, I really loved the keyboard sounds on Abacab, and that's honestly one of the reasons I haven't sold the AN1x yet...it nails that Abacab-era synth sound better than anything else I have. I REALLY got into Genesis when I found a used LP of "Trick of the Tail" in the late 80s (probably my fave, with "Selling England..." being a close second). Then I started getting familiar with the rest of the 70s catalog. To be honest, I got into synths as much from New Wave as old prog and classic rock, so I didn't mind the early 80s Genesis (and the bit of pop/new wave influence), but through the 80s each album had less and less I found interesting. Nowadays, I much more respect the route Gabriel took, just doing his own thing. There was plenty he did I didn't like (even on his first 3 albums), but he was at least still being fairly creative, and for me, the songs he did that I liked, I thought were phenomenal.

[@moogdome2562]

Oh dear, looks like another synth player addicted. there is no cure I'm afraid, but poverty.I have so many synths, had to get rid of my girlfriend. I had nowhere to put her eventually. women have handbags and shoes, we have synths. I'd love micro brute too, but I'll wait until they are practically giving them away. good luck. Perhaps we could start an anonymous support group, to gently wean us off our addiction. Hmmm. handbags and shoes now there's a thought.

[@MisAnnThorpe]

@@ProckGnosis Somewhat surprisingly to me, John Foxx still has a CS1X in his live set up amongst all his "classic" analogue synths.

[@markchristopher2signal2]

My first VA i bought in 2000 at 300. It was 999.00 in 1998. I got a good deal and I partnered this with the RM1x sequencer

[@ProckGnosis]

I was pretty lucky when I found this on Ebay in 2005-2006. I was living in Belgium, the guy only wanted 200 euros for it, and totally by coincidence, he lived about 25 minutes up the road. Therefore I got to try it out a bit before I even paid him for it. Now they're selling for about 400--500 euros it seems. It's funny how some things might not have much of an impact when they're released, but over time folks learn to appreciate it, and the reputation 20 years later ends up much higher than when it was initially released...

[@markchristopher2signal2]

@@ProckGnosis I remember getting into synths in 1996 and the synths displayed was the AN1X, ROland JP8000, Nord Lead 1 Keyboard and Prophecy by Korg.. These were the synths that were the "IN" thing at that time.. Mind you I don't know what an ARP 2600 or what a Jupiter8 is. The only analog I heard of for 250.00 i can get was called the Juno 60. Anyway, I was always fond of the AN1X when I first saw it.. When I owned it, you can download this editor for it and it rocked the AN1X more.. I felt programming the AN1X was ok and it took some time to get use to... I also feel all my patches sounded the same lol..

[@markchristopher2signal2]

@@ProckGnosis But the AN1X was traded for the Alesis ION in 2006. I think it was a good trade but if I have the chance to have one AN1X again, I'll take it as it was my first real real power VA

[@ProckGnosis]

Do you still have the ION? Though I never owned one, I was impressed with the sound engine a lot. I did have a Micron (sold it), and when I missed the Micron, I later bought an Akai Miniak, which is basically the same sound engine as the ION and Micron. Great sounding and a VERY programmable synth. Alesis really had some great ideas 10-15 years ago...it's a shame they gave up the synth business.

[@MisAnnThorpe]

@@markchristopher2signal2 If you should see another Juno for 250 then I recommend that you buy it!

[@MokrySutek]

great instrument

[@ProckGnosis]

Yeah it is. Would be nice if Yamaha did something else like this, only updated.

[@andyshenk5163]

If you had to pick, would it be this or an esq 1/sq80. Loved your patches on this btw and want some of that beer! Lol

[@ProckGnosis]

Oooo. Hard to say. Haven't played with either of the Ensoniqs for about 25 years, and even when I DID play them, I didn't get into them that deep. I would think the analog filters on those 2 models really help warm up the sound, but I'm still totally blown away by the sounds the AN1x can make. The AN1x does seem to be slightly more sought after as well. Also have to say, despite having owned 2 Ensoniqs (FIZMO and the SQ-1+), I was never that crazy about the transwaves (wavetable-like oscillators), so based on that alone, I know I'd prefer the AN1x.

[@andyshenk5163]

@@ProckGnosisThanks alot for the reply! I had been leaning towards the an1x in general, just was curious if you had experience with that other ensoniq synth. I have an anx1 ordered that appears to be in great shape coming this week sometime from down in Florida! Really excited to play it. Thanks again for your demos and your response.

[@krzysztofwaclawski9002]

Hey that patch at 7:39 is amazing. Is that stock preset? Whats the name?

[@snuppssynthchannel]

Emerson lake and powell touch and go, at 24:44

[@ProckGnosis]

Yeah, the brass patch on that (played on a Yamaha GX-1, I think) is one of the beefiest, best sounding synth brass patches ever made, IMO.

[@snuppssynthchannel]

Yes. I am a huge Emerson Fan. Mostly of his Emerson Lake and Palmer days. Brain salad surgery is a masterpiece.

[@ProckGnosis]

Totally understand. If I could only listen to 10 songs the rest of my life, one of them would be "Karn Evil 9 - 1st Impression" for sure. "Tarkus" might make the list too. "Close to the Edge"...yeah. Maybe UK's "Carrying No Cross" as well.

[@snuppssynthchannel]

All of those you mentioned, yup!

[@bl4ck0p]

The preset at 7:23 is used in orkidea - unity. Maybe all the sounds in that track are an1x, idk.

[@ProckGnosis]

Very possible. Not familiar enough with how the track was made, but it was released a year or two after the AN1x was first sold, and at the time, it was one of the better selling VA synths.

[@henshahar1]

please help How do I control the FILTER ENVELOP (MOD ENVELOP \ KYBD)

[@ProckGnosis]

Just hit the green VCF button under the "Knob Parameter Group" area, and then the top 4 knobs/dials will allow you to control the filter envelope: the attack, the decay, the sustain, and the release. See the video at exactly 08:12 to understand the button I'm referring to. Good luck.

[@henshahar1]

First thanks for your answer Maybe I did not explain myself properly, It's pretty hard for me to write in English, I know how to use VCF (the attack, decay, sustain, and release) I'm looking for the "FILTER envelope amount" button Sometimes it is called only ENV The button that determines the highest point in VCF I would be happy if you could help Thanks

[@ProckGnosis]

I was guessing by the hebrew letters that English wasn't your mother tongue, otherwise I would have only referred you to the PDF manual for the synth. And though I can probably cough up some Yiddish, I doubt that would help you much. Still, it is quite easy to understand. Like before, press the green VCF button. Then from the 8 knobs or dials organized like this: 1 2 3 4 5 6 7 8 Use knob number 7, called "FEG Depth" to control the amount of the filter envelope. This can also be found on page 65 of the PDF manual you can download from the internet if you did not think to look there. Good luck again!

[@henshahar1]

thanksssssssssss !!!!!!!!!!!! You are awesome And you help me a lot I finally understand Thank you again dear brother Good Day

[@kalintonev]

Thanks for Dodo-Lurker stuff :) Yamaha AN1x rocks anyway.

[@ProckGnosis]

Thanks much. And dude, you have a VERY sweet collection of prog tunes yourself. If you want to try remotely collaborating, let me know. I am primarily a vocalist who just loves screwing around with synths and music in general, and obviously we're both prog fans.

[@kalintonev]

Thanks for your kind words. You've just caught me sampling and looping some Nord nsmp's - not the greatest pleasure in the world :) I will definitely consider your offer. Just need some time setting up my comp etc. BTW I still keep my Yamaha AN1x - bought it second hand from a tiny and nasty music store in Seoul for just 300$ - that was more than 10 years ago, the synth needed some repair but it worth every cent :) Lovely board, long-forgotten, but recently it gained some praise so the price is much higher now - at least Europe its about 600 euro which means something. Cheers!

[@ProckGnosis]

Yeah, I noticed they were going up in price...that was part of the reason I was considering selling it. I bought mine used in Belgium about 11 years ago, for about 200 euros. And if you want more examples of me singing, I can shoot you some links. I think I've only sung on one song on this channel (the stupidly titled "Alesis QS8 song"). Have fun looping those samples...cheers...

[@kalintonev]

Yes, send some links, it will be interesting to me. Just listened to your Alesis song - your voice is very warm, deep, rich and soulful, one could tell that only by listening you talking and adding the tasty singing to that making the things right. As for the song itself - it's more on the dramatic side, not exactly my cup of tea, but maybe you've written it mainly on the synth demoing purposes. Its funny I also had an Alesis board - their Quadrasynth - as you pointed out, very good constructed instruments, soundwise - not so bad :) The one thing I remember very well is the keyboard itself - very comfortably and quality feeling. So, shoot me :)

[@noreentariq9409]

Sounds so analogish n sexy does this synth have multiwaveforms just like the virus and clavia nord lead...

[@ProckGnosis]

Does sound good, doesn't it? No, on the multiwaveforms though. Just a saw and pulse wave, with a few tricks like FM, PWM, Osc Synch, and Mix (letting you combine the saw and pulse wave).

[@noreentariq9409]

@@ProckGnosis it does sound very clean and analogish...even better than the jp 8000...i can see its good for trance,house music and synth pop ...anyways how powerful is the unison on this one...?

[@ProckGnosis]

@@noreentariq9409 Well, if it says anything, I had a JP-8080, and I sold it. I still have this.

[@fjfrancois]

I had one in 1999, like you said, the sound was good, but I got tired of non analog gear and I trade it for a Waldorf Pulse +. I remember cleaning it with a wet rag, and the blue paint was coming off 😝😝😝😝😝😝😝😝😝😝😝

[@ProckGnosis]

Yeah, I'm still a little torn on this keyboard. I love the sounds and a lot of the features (it lets you program some interesting and useful parameters, some unlike any other synth I have), but I was never crazy about the way the keyboard was designed and the user interface, and I'm pretty sure I used it less because of that.

[@deepdiamond5045]

What do you think of the "KingKorg" compared to this and generally?

[@ProckGnosis]

Haven't had a chance to play with a King Korg in depth, but based on playing it a couple times, watching several reviews, and reading the specs, it offers some great virtual analog synth capabilities. That being said, I would probably prefer the AN1x just based on sound.

[@deepdiamond5045]

@@ProckGnosis Thank you for your opinion.I ll try my best to create some good sounds then.

[@bartekmil]

13:46 That's All by Genesis, very nice :p

[@ProckGnosis]

Thanks!

[@chriswalken7374]

Debating between this and the Jp8000, This thing sounds great but the JP's interface seems more fun

[@ProckGnosis]

Agree. Owned a JP8080, and though the interface (knob/slider control) was MUCH easier and fun to work with, I think the AN1x has better sound and programming potential. Biggest thing the JP8080 had going for it sound-wise was the supersaw...which was cool. Bottom line is I sold the JP8080 a decade ago, and I didn't sell the AN1x.

[@moogdome2562]

I have a JP8000, it sounds great but very digital, But this seems warmer somehow, it's all about personal preference, but I always say, it's not so much the synth you have, but, bringing the best out of it.

[@SPAZZOID100]

Nice patches!!! Good synth but i could not vibe with the interface.

[@ProckGnosis]

Yeah, that interface was truly designed by an engineer, not a musician. Once I started getting my head around it, it wasn't too bad, but it's definitely not what I would prefer.

[@erickr4ndom]

How about a video on this one @Doctor Mix

[@ProckGnosis]

Uh...which one?

[@erickr4ndom]

ProckGnosis I meant this VA which is a phat synth! By the way nice review 😉

[@JohnHafner]

Are these the stock presets?

[@ProckGnosis]

All but a couple

[@MrKayMrKay]

Genesis fan spotted! :

[@ProckGnosis]

Oh yeah...I am a Banks-fan.

[@D-MaxYT]

5:46 Lamour Toujours lead

[@smarok7224]

Excellent video llll

[@ProckGnosis]

Thanks...the keyboard does the hard part.

[@xoio]

When you consider that 2/3s of the presents ARE shit compared to what this synth can really sound like, it's quite staggering... Just listen to: Jexus, JayB, Don Solaris ... All on here. - But well done on this vid, in helping to make the presents sound not too bad ;-)

[@ProckGnosis]

Thanks...again, it's kind of surprising this thing is 20 years old, and apart from the semi-awkward (though still usable) interface, and a few digital artifacts, they created a very programmable and great sounding synth. Yamaha should kind of be embarrassed they had such a great start in virtual analog and then left it to basically die on the vine. Guess they just really didn't care about that niche of the market so much.

[@snuppssynthchannel]

Jexus make it sound like utter crap in my opinion.

[@xoio]

LOL.. That means your opinion is crap.

[@snuppssynthchannel]

Phased Spaces You put this Jexus on a pedestal, even if his instrumental capabilities are low and his sounds are harsh and unaestetical. He have a tendency of detuning the oscillators to the point where it sounds sour to most musical ears.

[@reneotten2288]

Snuppeluppen søppelsopp Jexus makes everything sound like crap.

[@gregoryuselman4074]

Ha! Dodo/ Lurker.

[@ProckGnosis]

Oh yeah! Love that song...

[@JohnPaulBuce]

gigi d'agostino

[@ProckGnosis]

Hell yeah...

[@synthanatomy]

Great video :) Yamaha AN1X is a beast but quite underrated :)

[@ProckGnosis]

Du hast recht und vielen Dank. I just can't understand why Yamaha never followed up with something better in 20 years. This was a great starting point they could have improved, but they've done almost nothing with virtual analog since (and NOTHING with analog).