you can't solo over chord changes without this

Going in deep on how to practice chord changes. This video debunks myths about learning chord changes and explains the fundamental process and practice of being able to move between scales. This concept can be applied by guitarists or musicians of any level. A lot of videos and teachers make this concept needlessly complicated to understand and integrate. Here we break down playing over chords into its core elements: voice leading, rhythmic space, and using different subdivisions. Even if you have been playing over changes for a while, this video will shed some light and offer a helpful new perspective. Check out the video and gain the knowledge of how to approach any set of changes!
Find the TABS for this on our Patreon! / marbin
Check out Barlow Guitars: barlowguitars.com/
📷 Follow our Instagram - / marbinofficial
📖 Like our Facebook - / marbinmusic
🎤 Listen to our Podcast - musicrealtalk.libsyn.com/
Dani’s Gear:
Dunlop 417P150 Gator Grip Guitar Picks - 1.50mm Green: imp.i114863.net/gb9md0
D'Addario NYXL1046 NYXL Nickel Wound Electric Guitar Strings - .010-.046 Regular Light: imp.i114863.net/0JbgaL
Eventide H9 Max Multi-effects Pedal: imp.i114863.net/BXjNa9
Source Audio Nemesis Delay Pedal: imp.i114863.net/vnX5kA
Source Audio EQ2 Programmable Equalizer Pedal: imp.i114863.net/GjaxyE
Peterson StroboStomp HD Pedal Tuner: imp.i114863.net/oeAxKg
Dunlop DVP5 Volume (X) 8 Pedal: imp.i114863.net/EakL6X
Strymon Ojai 5-output High Current Guitar Pedal Power Supply: imp.i114863.net/YgOXAO
Victory Amplification V30 The Jack MKII 40-watt Tube Guitar Amp Head: imp.i114863.net/3P2B1A
Vertex Effects Steel String Supreme SR Preamp Pedal: imp.i114863.net/P0oeGq
Vertex Effects Ultraphonix MK II Overdrive Pedal: imp.i114863.net/e4D37Z
Vertex Effects Tour Compact 26-inch x 14-inch Pedalboard v2 with TC3 Riser: imp.i114863.net/oeAxdY
Danny’s gear:
Theo Wanne Ambika 3 Soprano Saxophone Mouthpiece - 7 Hard Rubber: imp.i114863.net/9WNmkY
Theo Wanne SH3-TG7S Shiva 3 Tenor Saxophone Mouthpiece - 7* Gold-plated: imp.i114863.net/jWPNbb
D'Addario RHKP5SSX250 - Frederick L. Hemke Soprano Saxophone Reeds - 2.5 (5-pack): imp.i114863.net/5bRWro
D'Addario RRS05TSX2H - Select Jazz Unfiled Tenor Saxophone Reeds - 2 Hard (5-pack): imp.i114863.net/a1ybg
#guitar #practice #music #lesson

[@Mike-rw2nh]

How the fucketty-fuckadoodle-doo has this channel only got 25k subs? Thanks for the constantly top notch uploads.

[@dannymarkovitchslor626]

It's cause you're not sending it to all your friends and family and tell them to sub or you will never talk to them again. Let's gooooo!! 🎉🎉🎉🎉😢🎉🎉😢🎉

[@Mike-rw2nh]

@@dannymarkovitchslor626 on to it 🫡👍

[@Dolores5000]

❤

[@erd_tv]

They've only recently had a focus on making this kind of content. You're on the ground floor, brother. Cheers.

[@thormusique]

This has got to be the best instructional guitar video I've ever seen! First of all, I've never seen anybody explain the concept of playing through changes in such a simplified, practical way. So thank you for that! But second, I've never before experienced the joy of playing through changes and spitting my coffee at the same time, so thank you for that too (I think). This is truly great shit, cheers!

[@tjm9565]

I found it annoying AF

[@marbinmusic]

You belong on our Patreon bro! If you like this sort of instruction our Patreon is packed with it!

[@michaelstone3463]

Thank you! I love this. This method allows me to see a path to fluency in making the changes instead of a huge wall to just slam into over and over, feeling inadequate to the task. I appreciate the way you presented this very much. This is very doable! Thanks again!

[@Kraatzman]

Killer Video as always. Why is it that most Instructors cannot convey a concept this way. Yes, this will take practice to fully get to playing this comfortably but moving though this video was easy to get. Thank you Dani.

[@voxwah75]

This is the hardest part for a rocker/metalhead/indieguy (or girl) or whatever modal style musician who got used to play from one scale only per song to get to the point of being able to convert their playing into 'reacting on - an connecting chords' what jazzmusic requires. My head knew immediately what it should be and what I should do, but that same head never thought of starting with it a whole lot slower with quarter or eight notes to get used to it and get into it, like suggested in this video, excellent, thanks a lot!

[@marbinmusic]

You belong on our Patreon! Lots more there with tabs

[@chriswrighton5162]

Virtuosity, instructional, comedy ..... fantastic.

[@marbinmusic]

You belong on our Patreon!

[@bluenoise153]

"Cantaloupe Island" by Herbie Hancock provides a good example of this, as the "solo" vamp moves between two chords built from scales sharing at least 4 notes, along with an appropriate island theme, for an island hopping workout, methinks. Nice idea!

[@twitcheyspleen]

I really really appreciate your educational output. Thank you

[@augmented2nd666]

It feels like in chord changes you change to an entirely new root and mode set, so if one wanted to make a very complicated chord progression they could strategically make every chord outside of the last chords mode set, and even have each of those chords be a different mode, as long as the composer knows exactly what scale each chord needs you can still use whats taught in this video even if its so far out of diatonic chord progressions it sounds broken and random. Such as a Black metal chord progression using all minor chords and ignoring diatonic theory for the most part, then treating each chord individually as a brand new root. Cool concept and I found I was using this somewhat with some southern rock that moved between the root and it's flat 7th, instead treating that flat 7 as a new ionian root and just shifting, its probably wrong and lazy but so am I and that why i never went to university.

[@dsmith9572]

With a brush drum track masking and the comping chords so muted you could play almost anything on a 335 and it will sound like smooth jazz.

[@davidrowe3966]

Very concise. Cool!!

[@Memike66]

Priceless so much in here and strangely soothing almost hypnotic many thanks

[@EtkoPetko-tr4db]

Thanks for posting that pretty helpful.

[@mattgoldsworthy3278]

Excellent video.

[@reidmarshall1368]

Informative and amazingly entertaining!

[@marbinmusic]

You should consider joining the Patreon! Lots more in this kind of stuff

[@guitar9310]

Your vids have been super helpful!!!!

[@marbinmusic]

Glad you like them!

[@guitar9310]

It's so crazy I just started doing this same thing going from E major to e minor using the harmonic major scale!

[@DavidWeinbergGG]

That's exactly right. Some changes are much harder than others, and those are the ones we need to work on. The I-real player is great for that. I also like to study the baselines because base players are great at leading one chord to another in a simple but beautiful way. Moreover, these baselines contain the essential notes along with the voice leading to get to them. And, because the baselines are usually more sparse, they can be adapted for soloing on tempos that are beyond our technique.

[@marketherton2296]

You always make so much sense 👍🏻

[@marbinmusic]

Check out the Patreon! Even more stuff just like this

[@squirelova1815]

Not to me. Not to me. Oh well...

[@rogerhaase4651]

Great!

[@khalilhabib9607]

Brilliant

[@shaharbar]

20:05 did a spit take, “Basketball”… Nick is killing it!

[@kirklorange]

Great ... if you like the sound of scales. I prefer melody. I keep track of chord tones. Melody loves chord tones.

[@dannymarkovitchslor626]

It really depends on the style. In any jazz context (swing, bop, etc) it would sound very strange to focus on chord tones.

[@lewis6567]

Reckon you could vamp over a 2-5-1-6 doing this? Just for my own personal satisfaction. Thanks so much for the great vids with so much knowledge in a friendly and funny format

[@marbinmusic]

You could

[@Dolores5000]

❤

[@StuartwasDrinkell]

Should i make the face on the changes 😮😊😊😂😮😊😊😂😮😊😊😂😮 Joking aside the faces work perfectly thank you for great lesson Dani.

[@GuitarJawn]

You guys touring this summer?

[@marbinmusic]

A little. WI, MI, OH

[@Staskitik]

0:14 props for impossible haha! Are you skating or was before?

[@zpayton]

The tabs for c mixo are incorrect at like 1:50

[@brianosullivan5441]

Hillarious ! (wrong note is a half step away from the right one ...). Hah, hah, hah !

[@CoenBijpost]

15:00 why is Ab7 lydian dominant and not just myxolydian? Or is that just an artistic choice? You make it seem like it’s a rule in that instance?

[@marbinmusic]

It’s sub V of I Minor which always gets Lydian dominant. If you play mixolydian they sound unrelated, if you play Lydian dominant they get tied together in a cadence

[@randyhetlage9202]

😁👍❤️🌹

[@jonbrowning-zr9mb]

Lol OK subbing

[@rockstarjazzcat]

But stay away from Little St James Island, brother! 😂

[@shaharbar]

This lesson should come with a seizure warning. I threw up twice.

[@patwalden78]

Great lesson.. but how does one systematically practice this ,. So many scales and so many positions ,… overwhelming… I’ve

[@marbinmusic]

Choose a song start with the first two chords then the second and third

[@bongo2565]

ごめん。おもしろい！　超笑ってしまった！　You are the best...!

[@DTmaster]

i'm pretty sure you used a photo from Epstein Island 😂 anyway thnx for the great advice

[@ClearColorCloud]

Oh it was intentional, he’s got Epstein on a boat a little later in the video :D

[@shaharbar]

That a plane, rich pedophiles prefer private jets to hop between islands…