Substitutions to Play Over a Dorian Vamp

[@iorch82]

10/10 lesson + 10/10 memes. New favorite yt guitar teacher.

[@daxmoore2060]

The red and green lights, your facial expressions, and the music all changing at the same time was extremely helpful. Thanks for the lesson :-)

[@johnmcminn9455]

Great demonstration. I like how the starter lick is a scale, and the target is an arpeggio

[@recursiveidentity]

Boom here it is, the one video you need to learn how to play outside. Damn thanks!

[@joshsinclair1796]

You said it

[@pinecone421]

I agree !! However, "playing out" usually refers to play outside the key. The theoretical tool in this video would be better described as superimposition. This is just an arbitrary use of language but I figured it's worth adding.

[@Stemma3]

@@pinecone421 playing A7 C7 and E7 is playing in the key of D dorian?

[@Kuronuko_chan]

NO. 1 guitar lesson video in this year.

[@louismaiden8360]

The visual techniques with the fire and facial gestures are actually very very clever and useful in illustrating the tension / release. Awesome video and got my sub

[@milesgrooms7343]

The tortoise with a cig in his 100 year old mouth was…..amazing. I’m going to patreon now-take my money!

[@mozartsp]

the skills, the humour, the content, it's all on point. Best guitar channel on youtube.

[@JoshPaterson]

Wow, such an amazing way to simplify some of the outside sounds. I love it.

[@greeng313]

Amazing video! Broken down into easily digestible pieces and well explained. It sounds like Metheny uses some of these concepts on the album 'We Live Here'.

[@thormusique]

This is wonderful and beautifully explained! I also had a good laugh over the visuals (though I did spit my coffee on my keyboard). Cheers!

[@adamantoszewski3498]

This is just too cool, thanks for opening a new door ✊🏼😎

[@l.m.372]

Great video! The idea with the V to I of the upper structure triads is great. Cant believe i didn t fogure that one out so far...

[@AntwhaleNearfar]

Great video! My favorite part was him speaking and teaching with the simplicity and wholesomeness of Mr. Rogers and then saying “This is some out 💩 so buckle up”. 😂

[@nicolalue861]

you're great, my ear understood what you explained but my brain didn't. now they have made peace thanks to your explanation. Well done

[@SIVA6619]

really like the visual effects !! neat concept!

[@jamminwithjambo7729]

This touches on so many jazz links it blows my mind how simple and clearly you explained it without shredding super fast that it seems impossible to grasp like so many other teachers do without regard to their audience Thank you.❤

[@rogerhaase4651]

The nicest thing is that Mr. Marbin plays straight 8th notes over changing modes. Not so easy!!!!

[@ElDalai]

I don't really know what to call this video... Great? Awesome? Amazing? Spectacular? Marvelous? Dang! Fantastic video man! Loved it. Very clearly explained and systematic. I subscribed and will recommend. I am an advanced harmony teacher and loved your approach. I also laughed very loudly watching the video edits where the background is stressful for the tension chords and relaxing for the resolution chords, as I use the same concept when explaining to my students. Have a great day, you good sir.

[@leemiller9486]

It's madness, insanity...love it.

[@lolobuggah2670]

Great video lesson! I love your special effects!

[@austindolan3142]

Great video. The DMV picture works so well in context

[@martinhuertas545]

Dude, awesome. Thanks. This is extremely helpful.

[@badgerdub]

I learned Altered scale by seeing it as two parrallel m7b5 arpeggios, so A7 Altered is Am7b5 + Gm7b5. This lesson really helped me with practicing how to actually USE and resolve the altered. thanks

[@johnmcminn9455]

Interesting. The shapes are very similar. The Ami7b5 would be the vi mode of C Melodic Minor. The G min 7b5 , would be A altered . Mike Stern has a book from 2020 alt scale Soloing, which was cool in the sense of, he was stressing the importance of relating the intervals to the actual root of the altered scale to emphasize the intervals that are the character of the altered sound . We know half the notes are in and half of them are out of the original key . Mike would then have tab showing the scale played in 3ed 4th 5ths and 6th intervals as an exercise to slow down and get to know the interval relation better . That was a good book. Being as the only info I have heard Mike say about Soloing is " it's just dorian/ lydian, man"

[@joshsinclair1796]

Bro… I was already like damn, but then when you dropped that BOMB at 4:03 my jaw hit the floor

[@nickjitsu]

Nice Jazz face!!! Great stuff as always. May your root always be augmented!!!

[@danieltschirky5234]

Despite I knew this concept in theory, I' m impressed how clear and logical it's presented here. And the best, it sounds musical right from the start on. Thank you for that new roadmap. Good work here!

[@53gitaar]

Great playing, great lesson !

[@alanwebbguitar]

Excellent. The diminished/whole tone scale.

[@michaelcreel106]

That was very interesting, and amusing. Thanks!

[@MHZHellGuitar]

Your face everytime you played the altered sound is literally me everytime I hear a nasty jazz bebop solo 🤣

[@andywilson1985]

Excellent lesson! Thank you!

[@stevengrinold7631]

Great lesson Dani!

[@nodiced1]

amazing breakdowns! If only every youtube guitar lesson was this perfect

[@DavidFeilyMusic]

Very Martino! Nice lesson

[@colinpasfield4649]

Loving the harmonic theory teaching and great examples. Great fun music learning. What you're giving is gold. Harmonic minor is such worthy study. Maestro, are you trying to trick me with all the wizzbang graphics?

[@tommykimberlin7528]

Clear concise and super useful. God bless you sir

[@winstonsmith8240]

More pearls of wisdom. I'm still working on your outside Scott Henderson stuff over dominants. Wicked content. Thankyou so much. 👏

[@chrisgonzalez1676]

You explain this so well

[@rubievale]

Brilliantly explained. Fantastic stuff 👏

[@SuperEriclou]

Woah, so glad I stumbled on this lesson. Incredible! Thank you for sharing your knowledge!

[@pixel5chain]

where to find such beautiful backing track :/ thank ypu for this lesson Dani

[@martijn_yt]

thank you, thank you you are a great teacher !

[@dL-lw7pi]

Man great video. I have really good fretboard knowledge and technique but this was like instant "sound jazzier" in a way I've never been able to access. Another way to think of it would be to play altered scales/dominant ideas on the 5, b7, 2nd, and 4th of the tonic, resolving each to the diatonic 7th chord a 5th below in the tonic Dorian.

[@JeanKrst]

Man, i'm lost ! But shure it's one of the greatest knowledge of actual music ! Feel your tones !

[@travis_sky]

So good!!! Thank you!!!

[@alexproh3826]

thank you so much, sir very clever and clear lesson like your fusion style a lot

[@Web4Panama]

Wow. Nice one señor Dani

[@kimcook5800]

Great teaching....thanks man

[@lonegroover]

Lovely! Nice work.

[@charlexguitar]

Great lesson and fun video, gracias profesor, saludos!

[@jeffadams272]

Greatest video ever! So informative so funny! Thanks

[@guitar9310]

Ive always reallllly dug subbing dorian for melodic minor too! I feel like it's so hard to normalize that sound but that does a pretty good of it!

[@alexandrubaboi7141]

Really good, thank you!!

[@MegaDuvaldo]

Thanks a lot master!

[@danielross51086]

Sick lesson✊

[@davidgoode7416]

You always sound great

[@janders3205]

Love this! Where did the drums come from? Super tasty. Great for comping ideas too. I know what I’m doing today…

[@BRONIXGUITAR]

Awesome. Greetings fro Poland

[@TommyBrothers75]

Man that WAS WILD! You weren't kidding!

[@kayhessels5564]

whaaaaaa your so funny butt above all super educational. thanks greetz from holland. thanks alot

[@score311]

Damn. Dorian. Thank you!!!

[@tonecommander6578]

That’s was cute, the scary monsters during dark vibes. 😂

[@erikpors9775]

very interesting, Can you use the same concept for other chords (modes) too?

[@marbinmusic]

Yes you can!

[@recursiveidentity]

ha yeah my first thought was do this same thing but for major keys so start with the lydian mode of C for example but don't do chords with C

[@guitar9310]

Great vid!!!

[@leq1414]

Thank you! Which superimpositions would you play over G mixolydian?

[@gadymarcus2362]

Bello/Magnifico.💪✡️✡️✡️✡️✡️✡️

[@multifacetedman]

Not to brag, but after watching this, I can speak and read Esperanto. 🤘🏼😵‍💫

[@tonemoreno763]

Great. Now I have to spend the downtime of the next impending pan-demic learning this sh$t. Thanks.

[@randyhetlage9202]

❤

[@theredstash]

lol fending off the dark spirits

[@jerryk3280]

Tasty!

[@kondorram9073]

Sweet mother of duck

[@dmsea6811]

Dont get it

[@DrewSchibsted]

Capybara dorian nationalism

[@jacusienieczek]

This fretboard looks so dirty :(

[@marbinmusic]

You don’t have to eat it

[@ostryabear2914]

This sounds like musical conspiracy theory, lots of cognitive dissonance, but I believe you, great lesson, and humorous.

[@paolomerola2970]

🤣🤣🤣

[@paulcotman2551]

Hahahahahaha

[@tjm9565]

Get rid of your grandfathers La-Z-Boy that you're sitting in and it would look a lot better.

[@dL-lw7pi]

Man great video. I have really good fretboard knowledge and technique but this was like instant "sound jazzier" in a way I've never been able to access. Another way to think of it would be to play altered scales/dominant ideas on the 5, b7, 2nd, and 4th of the tonic, resolving each to the diatonic 7th chord a 5th below in the tonic Dorian.