ZEISS CP.3 50mm T2.1 at T2.1

Brand: ZEISS
Model: CP.3
THE ULTIMATE FULL FRAME LENS TEST
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This video is part of one of the largest lens tests ever conducted. "The Ultimate Full Frame Lens Test" consists of 20 of the most popular Full Frame lens sets available to filmmakers. With over 300 videos in 4K, you can watch and compare each of our 85 individual Full Frame prime lenses at various T-stops using our one-of-kind “Quad-player.” The Quad-player allows you to simultaneously play up to 4 videos so you can experience the most thorough process in comparing cinema lenses…and in the comfort of your own home.
The "Ultimate Full Frame Lens Test" is Part 3 of "The Ultimate Cinema Lens Library" which now consists of over 500 videos and 40 sets of lenses to compare using our Quad-player. The library now includes full frame, super 35 anamorphic, spherical, vintage, modern, zooms, still lenses, and even an anamorphic adapter! The Ultimate Cinema Lens Library brings you one of the largest and most comprehensive lens tests to date.
As a free resource, we hope this will help you and others make well-informed decisions when it comes to what type of lens you want for your next project. Enjoy!
FULL LIST OF FULL FRAME LENSES:
ARRI Signature
Canon CN-E
Canon FD - Rehoused by GL Optics
Canon K35 - Rehoused by TLS
Cooke S7/i
Canon Sumire
Leica R - Rehoused by GL Optics
Leitz THALIA
Nikon AI-S - Rehoused by Zero Optik
Richard Gale Optics UK CLAVIUS
Rokinon Xeen
Schneider Xenon
SIGMA Cine FF Classic
SIGMA FF High Speed
Tokina Vista
Tokina Vista One
TRIBE7 BLACKWING7 binaries
ZEISS CP.2
ZEISS CP.3
ZEISS Supreme
CREW:
Executive Producer: Brent Barbano
Executive Producer/Director: Mark LaFleur
Supervising Producer: Jay Holben
Production Manager: Jared Jacovich
Director of Photography: Kyle Stryker
A Camera 1st AC: Seda Kisacik
A Camera 2nd AC: Amber Lane
B Camera Operator: James Hammond
B Camera Operator: Kaity Williams
B Camera 1st AC: Candace Higgins
B Camera 1st AC: Chris Metcalf
B Camera 1st AC: Brian Taylor
B Camera 1st AC: Jeffrey Carolan
B Camera 2nd AC: Shannon Stutenroth
C Camera Operator: Brent Barbano
D Camera Operator: Pedro Bringas
BTS Camera Operator: Eric Lombart
BTS Photography: Joseph Adams
BTS Photography: Eric Lombart
Social Media Manager: Shannon Stutenroth
Post Supervisor and Editor: Nick Ferreiro
Post Production Services: Green Ivory Films
Media Manager: Andy Reynolds
Model: Kori Agee
Hair and Makeup: T’ai Rising-Moore
Gaffer: Cody Gere
Key Grip: Brandon Le
Grip and Electric Swing: Chetco Timmins
Lens Tech/Consultant: Matthew Duclos
PA: Logan Regnier
PA: Hanna Benavides
PA: Ryan Doody
PA: Cyrus Wu
PA: Alex Coulter
Set Dog: Jackson
SPECIAL THANKS:
The ASC
Christopher Probst, ASC
David Stump, ASC
Denis Lenoir, ASC
Markus Förderer, ASC
Arianna Shining Star Pane
Bianca Halpern
Clint Lealos
Elle Schneider
Jas Shelton
Kevin McCarthy
Lauren Lexton
Phil Holland
Canon U.S.A., Inc.
G-Technology
Schneider Optics
Tokina Cinema
Rokinon
ZERØ OPTIK
Alternative Rentals
Ancient Optics
BECiNE
Cine Visuals
Eastside Camera Services
F22 Studios
Freestyle Filmworks
JL Fisher
Location Sound
Socal Rentals
The Production Truck
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[@walmartpimp2]

I'm having a hard time deciding whether to buy this or the Sigma 50mm T1.5. FF High-Speed Prime. I watched this video and your Sigma video, and I do like the Zeiss a little better, but than again the Sigma is faster and cheaper. I'm gonna be getting either the Blackmagic Pocket 6K Pro and either the URSA 4.6K G2 or URSA 12K. The cameras are gonna blow through a ton of my money and the Sigma is mighty tempting.

[@dimakop]

rent

[@walmartpimp2]

@@dimakop Thanks for the advice, but no. I buy. I wound up getting an A7S III, a 50MM Zeiss CP.3 lens, a 24-70MM Sony GM II lens, and next year I will get the 35mm CP.3, 35MM Sony GM, and all the Sirui anamorphic 1.6x lenses.

[@dimakop]

@@walmartpimp2 Good choices. Well done.

[@walmartpimp2]

@@dimakop Thanks, but you do have a point about renting. I could wait till I have all the money for the lens(es) that I need for my next project and forego months upon months of revenue that project could have made me had I shot it sooner, or I can bypass the wait by renting, make my project tomorrow and start generating money as soon as possible.