Zero to Hero: Turning Gain all the Way Down CHANGED the Way I Play

I was once like you. Afraid, timid, hiding behind my pedals. Then I turned my gain to ZERO and PRESTO. My playing has once again emerged.
In this video, I'll show you how setting the gain at zero transformed my playing and how it might be what you need to break out of your rut.
Gear Used in the Video: (affiliate links)
NUX Steel Singer Pedal: amzn.to/3OT6Ju4
PRS DGT SE: sweetwater.sjv...
Earthquaker Devices Special Cranker: sweetwater.sjv...
Catalinbread 5F6: sweetwater.sjv...
Strymon Iridium: sweetwater.sjv...
Strymon Flint: sweetwater.sjv...
Strymon Deco: sweetwater.sjv...
Nux Pedals: amzn.to/3qUKko8
Use my VIP link for 7% off your first year’s membership with DistroKid: distrokid.com/v...
Strymon Deco Pedal V2 Demo: • Unbelievable Tones wit...
Ruby '63 vs Strymon Iridium Comparison: • UAFX Ruby '63 vs Strym...
Dream 65 vs Strymon Iridium Comparison: • The ULTIMATE Dream '65...
UAFX Woodrow Review: • How I Ended up Loving ...
Everyone is WRONG about the Strymon Iridium: • Everyone is WRONG abou...
My favorite Fender IR: • The BEST IR for Fender...
What Telecaster to BUY: • What Telecaster Would ...
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#guitar #nux #guitarpedal #overdrivepedal

[@peterwurzel1703]

You"re hilarious, you are a gerat storyteller. And a great musician on top. Im pretty shure your Chanel will blow up. Keep it going you're the right kind of person for this

[@SuperdangerStudios]

Wow thanks Peter! Very kind words.Cheers!

[@sixtyaffairs]

The older I get, the more I go for clean tones.

[@SuperdangerStudios]

Gain is a young man’s game haha!

[@mistermatsuda]

You and me both buddy.

[@FrostlordTheWizard]

Because the older you get, the better you play normally. Until you don't.

[@julesdelude9232]

I really enjoy your videos brotha, each new video you put out really motivates me to pick up my axe and just play again. Not to cover up my sound with gain and buy a whole bunch of expensive gear. To think that will magically turn me into a some better guitarist 😅. I gotta quit making excuses. Thank you so much. I dont know why you don’t have more followers. But I know your gonna blow up. God bless man 🫡

[@SuperdangerStudios]

Thanks so much for the kind words my friend. Really appreciate it. And I am stoked that my videos have helped in a small way. The power is out there! We just gotta go out and grab it. Cheers!

[@alinsandu7190]

Love the videos thank you for making them! When filming the pedals would love to be able to see yhe settings of em, and also know your signal chain and amp setting. I mean only if its feseable. Thanks again! 🙏

[@SuperdangerStudios]

Thanks for watching! Yes on my older videos I have most of the settings laid out. If there is a specific setting in this video that you want clarification on let me know! I almost always have the pedals and amps at the same settings. Cheers!

[@alinsandu7190]

@@SuperdangerStudios thank you a lot for your reply! I have a blues jr myself(ltd tweed) and the nux steel singer and i somehow cant make them work togheter especially with a strat. A bit to brittle. And as here in Romania guitar stores have 1-2 real amps to try, i never heard a real(expensive) amp outside of youtube, so dont know how my tone in my room compares to a deluxe reverb, jtm, plexi etc And if I do have your attention I ll make the most of it and ask you to please, if possible, make a video explaining the guitar ecosystem lingo like: bypass, buffered (i never know what this does in my pedals for example), mids, high mids etc, what are those frequencies and how do they impact tone, like if i wanna make my blues jr sound like a deluxe reverb what frequencies to change, boost, cut etc. Signal chain to daw, how to set audio interface, hiz, input gain especially for software like neural dsp, thu overloud stuff like that. Lots of time guys like yourself look past these which is normal as you know em inside out, but for beginners like myself in the realm of tone and guitar fx its hard to understand all these, and be sure that im doing it right. Im pretty much winging it 😁 Thanks again for the content, its topnotch, likeable, great info, great video, great production and i never feel you re selling me anything, which makes me feel comfortable getting pedals that you use. Also your video on the revival drive, will make me broke, was expecting it to not be cheap but ffffffuuuu... 😂

[@SuperdangerStudios]

Right on. Love the blues jr obviously! So in regards to my tone settings I have my bass halfway, mids a bit below halfway, and treble at about 1 o clock. Nothing drastic there. I do play pretty loud though and that matters a lot with the blues jr. It does not sound very good quiet. I usually push the master volume up to 2 or 3 o clock and then add in the volume. This way the powertubes are working hard and the way they break up is a lot more pleasing than the preamp tubes. As for the guitar ecosystem I covered a lot of it here in this video: kzbin.info/www/bejne/rp2uZYujgsqdi6c I think the most influential item to augment your tone is the speaker. Since you are using a Blues Jr. then it comes down to the mic you are using. But if you ever use amp modelers then the IRs you use are going to dictate 90% of the tone in my opinion. The blues jr wont really sound like a deluxe reverb for various reasons (circuitry, tubes, speaker, etc) but you can get close with the right pedals. Obviously the revival drive can help, but other pedals do it really well too. The crazy tube circuits stardust does a great job too: crazytubecircuits.com/stardust-v3 and is more affordable than the revival drive. Since the blues jr is tied to the speaker that comes with it, it will almost always sound the way it sounds, so it comes down to either micing it differently, using a different speaker, or using a preamp style pedal like the revival drive. When going direct into my computer I go from my amp modeler (iridium/revival drive/dream 65) straight into my hi-z input on my daw. Then I add an IR on the channel in the DAW. I usually set the input gain on the audio interface so that the peak/loudest signal only goes to -10db. Really you just don't want to clip in the red. Other than that there is no wrong way with digital recording. As for buffered/true bypass. Buffers boost a signal but is really only necessary when you have really long cables, or tons of pedals in your chain, like over 8. True bypass means that your signal is always staying the same impedance, but since each pedal makes it get lower and lower sometimes this can result in signal loss. Again, if you use less than 8 pedals it is negligible. I know many pro players that don't even mess around with that stuff. I know others that care alot about it. but mostly it comes down to how good is your playing. As for EQ in the DAW, I would not worry about boosting or cutting frequencies yet. They really can only augment the tone that is already there. If there is a problem higher up the chain, no amount of eq or compression can help. In general if I hear a harsh tone its usually due to 2 things. 1. too much gain, either turn down volume or tone knob to 8 and it smooths out the tone. 2. picking technique: pick is being held at too aggressive an angle and needs to flow with the string instead of attacking it. Hopefully this helps with your journey. Let me know if you have more questions. Have you tried the uafx pedals at all? The best sounding amp modelers I have ever heard. You might dig em.

[@alinsandu7190]

@@SuperdangerStudios Thank you a lot! I ve tried the woodrow at a shop after seeing your video on it a few months ago but with studio monitors, and it didnt really work for me. The tone i loved but the missing loudness and volume just made it seem like a utility instead of a toy. On the modelling side i have the Ampero II and i use that to go in the fx return of my blackstar ht20 with the cab disabled in the ampero, and that makes it sound a lot more real. Going thru studio monitors just takes half of the fun away for me. I use studio monitors at my office and tube amps at home and the loudness of an amp is just something else. But yes for recording i always use thu overloud and neural dsp as its just a lot less hustle and it sounds great in the mix. But as im just playing for the fun of it without any other reason, getting a great tone from my amps is the pinnacle of joy when playing and thats what im looking to make better. I do play with my blackstar(wet) and the blues jr dry, and thats the best tone i have for now. Again thank you for your time. Looking forward to seeing all your new videos.

[@MichaelWWestbrook]

Good stuff as always!

[@SuperdangerStudios]

Thanks again, Michael!

[@retromacman620]

So a bit Klony? But more of a nice hidden gem

[@SuperdangerStudios]

A great really inexpensive pedal!

[@dwise3651]

Yeah-but we’re not on the internet to hear the truth😂

[@SuperdangerStudios]

Hahaha too true.

[@adolfotellez6368]

This is becoming one of my favorite channels. Great sense of humor and wisdom!

[@SuperdangerStudios]

Glad you enjoy it! Trying to make each video a little bit better. Cheers!

[@aidanhennebry]

Production quality of these videos is phenomenal, and the content of the video is wicked. I've been running my Boss Super Overdrive at 0 gain (or thereabouts) and it is so cool how useful it is. Love this! New subscriber right here.

[@SuperdangerStudios]

Thanks so much for the kind words. Really working to make these videos entertaining and interesting. I love my old SD-1, gotta try that trick!

[@kunkmiceter]

I think it was James Hetfield who said, "If it doesn't sound good without distortion, it's not a good enough riff".

[@SuperdangerStudios]

That’s a good test!

[@riffsnoleads]

watching this as I run my dimed HM2 into a SD1 into my Peavey VTM at 7 on the preamp.

[@SuperdangerStudios]

Hahaha let it rip my man!

[@ronrobins3513]

I think you’re on to something. As guitar amp modelers have gotten better and better over the past decade, tube amp purists have had to constantly move the goalpost. First it was they don’t sound close to a Marshall. Next it was “the top end is fizzy”, now it’s “ it sounds good but doesn’t feel good. When all along it was them hiding behind the sag and latency of a tube amp, to cover for poor technique. Think about it what’s the first thing a demo includes even with equipment that could be run thru clean, “let’s add a little dirt”. ( to cover for my weak pick attack and sloppy playing). You’ve inadvertently outed their secret shame. It not a new guitar or amp or pedal, it’s focus more on the fundamentals of good tone…THE HANDS🤗

[@SuperdangerStudios]

It's all about the hands baby! Can't hide behind the tech anymore.

[@jasonlee8497]

I go back and forth. I’ll start fairly clean, and then a month later it’s full on raging overdrive. And then I start over again. 40 years of this.

[@SuperdangerStudios]

Haha yin and Yang. The ebb and flow of a guitarists tone

[@jasonlee8497]

@SuperdangerStudios same with pedals. Tear it down and start over. Lol but you know it's fun

[@fretscience]

Nuno Bettencourt recently started describing the RAT pedal he uses in front of his amp in some similar terms. The gain is set almost to zero, and it primarily changes the character of his percussive attack. Great video!

[@SuperdangerStudios]

Thanks so much for watching! If Nuno does it, you know it’s the right move! Haha

[@adavies3]

The intro was like a film noir, especially the look you give the phone when it rings 😂 top class humor x

[@SuperdangerStudios]

Hahaha thanks so much! Really trying to make it entertaining for you guys!

[@stormyweather2837]

You make great sounds sir!! Love your tone at 612 ...so i need a prs guitar what model and what amp were you using ?

[@brianwood7237]

Can't wait for the video to drop...BTW I LOVE my Vertex SSS

[@jorgiewtf]

By the time of the last Zeppelin album, Jimmy’s tone was so clean that you can barely hear any gain at all in his isolated tracks!

[@SuperdangerStudios]

Great point!

[@StratsRUs]

That's cos he always played acoustic guitars too. Song - related ! Always play to songs.

[@JoelyPera]

Your video production, humor, guitar playing and channel is absolutely outstanding; but, the REAL MVP here is that orange print shirt of yours! 👌

[@SuperdangerStudios]

haha thank you my man! Trying to bring some fresh energy to the community. This shirt has served me well! Have a great weekend.

[@marcelobraga6760]

Bravo!!!!👏🏼👏🏼👏🏼👏🏼👏🏼👏🏼👏🏼👏🏼👏🏼

[@Popsarocker1]

Wow, true words have never been spoken. I want to be that clean edge of break up player but I’ve been playing with too much game for so long. When I try to be that clean guy it sounds terrible and I go back to the game. Thanks Alex another amazing video and unique topic.

[@SuperdangerStudios]

Right on man. Thank you for watching! Less gain in 2024!

[@kunkmiceter]

Intro was epic!!!! 🤘😄

[@SuperdangerStudios]

Haha thank you!

[@onenotesolo256]

Also worth adding that picking lighter when playing with gain will actually make you louder as the sound isn’t compressing as much. Mig-gain with the guitar volume rolled off to 7 or 8, and pick lightly, into a clean high headroom amp - lovely. Another great video - genuinely looking forward to these. Just picked up a used Special Cranker as well (your recent guest who used one got me looking).

[@SuperdangerStudios]

Special Cranker Appreciation club! It's such a great pedal. Not like anything else out there. And my right hand pick control is terrible. I should practice playing light like you said instead of my death grip haha. Cheers!

[@onenotesolo256]

@@SuperdangerStudios took me 20 years to realise my guitars have a volume and tone control, so what do I know!

[@Santaheckler]

So true!

[@lambda6928]

Great introduction ! I laugh

[@SuperdangerStudios]

Thank you! Gotta keep it entertaining!

[@Ratso_DeLynch]

Always look forward to your content man ! Love the approach / style of your channel both interms of your own music and Your long form reviews , the strymon IR and your PRS reviews are my fabourite to watch and rewarch mostly for your sense of humor and review style! SO with that being said : *Lets see a full review for the most hyped SE in 2023 made to rule them all; the DGT SE. The goldtop with moon inlays model is the exact one im after and its very difficult to find right now in canada so if you can do your typical long- form indepth review of the PRS se DGT id be really interested to see it from ya. ^ Would a review/ your experience with this new SE DGT be possible? ^ I think i also speak for others in that you would provide a very *fair* unbiased unsponsered review of said guitar compared to some other big-name channels that were the first to released sponsered reviews of the SE DGT with starry eyes in the honeymoon phase.. ^ Any how keep the awesome content coming ive gained- alot from this video as well haha. Cheers and all the best from niagara canada 🙏🤟 - Adam

[@SuperdangerStudios]

Hi Adam! Thanks for the very kind words. A DGT review/demo is currently in the works! I will say that I will try to be as unbiased as possible but I really really love this guitar. But it is definitely not for everyone. Thanks for your support man!

[@empyrean-jamelgreaves8034]

Brilliant video but terrible title. Turn the mids all way up and everything else all way down, that’ll likely change the way you play too 😂

[@SuperdangerStudios]

Haha it's true. Every input changes the output. I was highlighting the fact that gain was specifically making me play worse! And yeah it's not the best title but it was accurate. What else did you have in mind? In all ears! Haha

[@bullcrapitis]

You sound great to me either way. But I generally agree with you.

[@SuperdangerStudios]

Thanks!

[@TeniSanahda]

This is such truth!!! Im a put myself on a line with low gain now

[@SuperdangerStudios]

I’m embarrassed it took me this long to turn down the gain

[@Jibosau]

Your videos are so personable, and informative! I learned a lot about the iridium and am stoked to try one for recording. I love my real pedals and miss them when using something like the helix. Can I ask how you are recording the iridium? Are you using an interface and if so whats your method for dealing with latency? Would you use direct monitoring because you dont need to monitor any plugins? Sorry for all the questions, but you just seem like the guy to ask! Lol

[@SuperdangerStudios]

Wow thanks so much for the kind words, Zach. I record the iridium direct and set the buffer to the lowest setting so monitoring has zero latency. As long as there isn’t too much on the mix bus or the channel then it should feel real!

[@SuperdangerStudios]

And by direct I mean I am recording into the DI of my Audient id44 interface. Sometimes I use a warm audio preamp in front. But it sounds just fine without.

[@marcelobraga6760]

Breakup sound is life... Beautiful gig, you are great!

[@SuperdangerStudios]

Thank you!!

[@michaelfloyd4917]

Takes away the pick attack, the sound in your fingers.... I reckon you could say the same about virtually every effects pedal. Sure they change the sound and some of that is cool, but they also take away. For me, what they take away is worth more to keep than what they add almost all the time.

[@SuperdangerStudios]

I agree! Every pedal changed the way I play but I didn't realize that gain was making me play worse. Probably not the same for everyone but it has me approaching gain much differently now!

[@michaelfloyd4917]

@@SuperdangerStudios Delay's too... and swooshy modulation of all varieties....

[@donrich67]

Now this is my new favorite channel👍

[@SuperdangerStudios]

YES! Thank you!

[@sroelit]

Sweet alarm clock. Takes me back . . .

[@SuperdangerStudios]

Haha it’s a classic. It was my grandparents!

[@benagen2954]

Your a pretty good guitarist 😅

[@SuperdangerStudios]

Thanks! I love to play

[@martingalicia36695]

Great message. TY

[@SuperdangerStudios]

Thank you!

[@Omardottcom]

That was so good man.

[@SuperdangerStudios]

Thank you Man!

[@Biffinnbridge]

Really nice blouse

[@SuperdangerStudios]

Not many can pull it off.

[@TheStephensjoshua]

Good Stuff

[@SuperdangerStudios]

Appreciate it!

[@TheStringDojo]

Thank you for this, how do you come up with these cool ideas for the videos. I was subscribed but this is like subscribing again.

[@SuperdangerStudios]

Thank you for the spiritual resub! I watched a lot of TV as a kid so this is where my mind and creativity was nurtured haha cheers!

[@darrenofdrivers]

I set my overdrive with with just enough gain to sustain, clean enough for the pick attack to come through and for it not to cover my flubs. A telecaster. Hardly any reverb, a dash of slapback. Nowhere to hide. Terrifying.

[@SuperdangerStudios]

Nowhere to hide! Perfect way to put it. It is a rush for sure. I gotta learn to ride that lightning.

[@FenderLewis]

I feel like Alex and I decided to cut a few tracks together so I came over at like 11 pm and as I’m pulling out my dimed big muff pedal from my bag, he glances down and 16:55 happens. 😂 Love your vids man!

[@SuperdangerStudios]

Hahaha. I'm all about tough love!

[@leiferickson3183]

This is why Hiwatts are great. Plug into an old Custom 50 or 100, turn the master up all the way and the gain up to half. It is pretty clean BUT the high volume inthe room can give you the sustain that you get with a gain pedal - but cleanish.

[@SuperdangerStudios]

Gosh I'd love a Hiwatt in the studio. Such cool amps. Such unique sound.

[@orryfishburne5326]

I mainly play clean, but i do like using low gain tones, and when the mood is right some mid-higher gain tones. Most of my gain tones are pedals set to edge of breakup. Its more for the eq curve of the pedal and that bite when u dig in. Most of my main drives i think of more as a preamp then a distortion. It is fun to click on a Fuzz Face or a Rat when the mood is right though. 😁

[@SuperdangerStudios]

Haha you’re right. As much as I love this new approach. It’s still a blast to rip open some gain and shred. Cheers!

[@lowercase3635]

I think “legibly” is literally the best way to describe how to play. I’ve never thought about this tbh. Gonna try this tomorrow with my double barrel.

[@SuperdangerStudios]

I kind of said it by accident and then realized it made sense when I was editing! Haha. My actual handwriting is not very good so I should try at least to communicate clearly on my guitar! Cheers!

[@MagnusonMusic1]

Couldn’t watch this while it was live but I’m really excited about this concept. Being able to reduce gain and still get your music across is liberating! From taking up too much space on my pedalboard with gain pedals, to feeling too dependent on pedals in general (psychological battle), this is always something I’m working on. Plus, less gain means more presence in the mix oftentimes in my experience.

[@SuperdangerStudios]

It was so counterintuitive to me haha. But I feel like it’s really paying off.

[@thomaslthomas1506]

I have this pedal & the Nux morning star. This pedal I never could get to clean up. The morning star is nice and clean w/just a hint of color and a we bit of sustain.

[@SuperdangerStudios]

Right on! Haven't tried the morningstar but it sounds great in demos. Cheers,!

[@iamleandrino]

I watch your videos whenever I can, I think the way you play is incredible, it really inspires me!

[@SuperdangerStudios]

Happy to hear that! Thank you for the kind words. More to come!

[@zer0dave]

Great video/playing as always! I’ve heard it said by numerous respected players throughout the years that they only use enough gain as is needed for sustain purposes and nothing more. I’m a hard rock/metal guy at heart in my songs in my studio but when I’m in my room practicing/playing for pleasure, it’s always my Strat, a sparkly but barely pushed AC10C1 and a Strymon Cloudburst for extra magic 😎.

[@SuperdangerStudios]

Hard to beat that combo! Strat + ac is a winner for sure!

[@zer0dave]

@@SuperdangerStudiosheya sir, that leads me to a question. How do you monitor when you are using the Iridium on your videos without using headphones? Are you using your monitors for this? If so, how are you preventing bleed into your speaking mic? Keep up the great content!

[@SuperdangerStudios]

@@zer0dave I do use monitors to monitor haha. I have the Yamaha HS7s and I mute the output of my speaking mic to avoid a feedback loop. And then in post I just cut out the speaking mic input during the playing sections. Slightly time consuming but I’d rather prioritize the most comfortable playing situation and deal with the audio from there.

[@zer0dave]

Gotcha, thanks much! Hope you and yours enjoy the holiday weekend!

[@zakguitar2359]

The intro sketch was the icing on the cake

[@SuperdangerStudios]

Haha thank you! Was really fun making it

[@nicolasmaurin182]

Nice production again. 🎉

[@SuperdangerStudios]

Appreciate that! Cheers!

[@chasebenedict]

Awesome video.

[@SuperdangerStudios]

Glad you enjoyed it! Cheers! More to come

[@mikem668]

Perfect timing. Those use less gain voices? Were they reading my mind? I've got a philosophical, practical, and video request comment. I'm a low gain guy. Not really a metal guy, but definitely a fan of Jimi and Jimmy. Tomo Fujita talked about practicing with a Fender Bass Musicmaster amp. Pretty primitive. No pedals and bright. So there's no place to hide. I don't think we disagree, because there two kinds of practice. This setup provides undeniable feedback so you are aware of and can work on the things you mentioned. And muting. IIRC I saw a video arguing that muting is the sign of a studio pro. I buy that, because while I struggle to do it right, man is it pure when I pull it off. So I've been doing both kinds of practicing. Jimmy Page started with Flamenco and then was a studio guy for a few years. He formed Zeppelin so he could play loud and "sloppy." He didn't start out that way. Other than the way we all do. The practical aspects of low gain pedal chains are a fascinating topic. Hope you'll do more on it. My current drive chain is the OE-DCX Boost > Catalinbread 5F6 > OE Halcyon Gold > J. Rockett H.R.M. The last stands for Hot Rubber Monkey, which is an Hot Rodded Dumble. Our pedals overlap. I have no idea what I'm doing, or if the order makes sense. But I get some tones I like. I took the OE-MEQ out because it confused me. And the H.R.M. is too hot for what I'm chasing, though the tone is spectacular, even when turned down to zero. I'm replacing it with The Dude. I'd be interested in seeing you pursue this low gain thread. Especially with your OE pedals and single coils. [Ironically, using the set it and forget it approach, I'm using a PRS SE Semi-Hollow Custom 22 modded along the lines of John Mayer's PRS Super Eagle. The controls are so complicated I've forgotten how to use them. Sounds great, if you're searching for Jerry tones. No idea if or which pickups are coil-tapped.] Finally, my Sweetwater guy just told me how everyone seems to love the PRS SE DGT. I haven't explored them yet. But I'd be interested in seeing your thoughts or with the OE pedals. Great video as usual. And great advice. Thanks.

[@Durkhead]

You should try a different speaker

[@mikem668]

@@Durkhead Probably, but I'm old and a mechanical coward. I got my amps upstairs, somehow, including a Twin Reverb bought in the 80s. It's not leaving until I do. I do have a clean amp and UA pedals that have cab sims. So I believe you.

[@Durkhead]

@mikem668 just don't buy anymore pedals. the only other thing that will make a difference in tone is a 5or7 band equalizer

[@mikem668]

@@Durkhead I'm not saying you're wrong, and maybe if I live long enough I'll do the same. For now, as someone late to the party, I find it educational. It's both frustrating and interesting. That said, I find it hard to believe all differences can be EQed away. The argument reminds me somewhat of the debate over high end stereo systems. Mine was decent. And I realize that people had different tastes. But I was lucky enough to hear a really high-end system in a friend's house. It was spectacular. Back then I could definitely hear the difference. Today, who knows.

[@Durkhead]

@mikem668 all probs definitely cannot be eq'd away. It's just that an equalizer is pedal that will make the most difference besides changing the speaker. Especially if your gona try what this guy is saying and "turn down the gain" just don't keep buying different boost and overdrive pedals cause they all sound almost exactly the same. There is definitely a difference between high end stereo recievers and low end receivers, but with Guitar amps there's not much difference as long as you get a tube amp.

[@davegilmer_Storyville4Life]

And here I was thinking, more gain sounds like, better?🥲 but it it’s not? Lmao! Have you demoed the UA Lion yet? I’m wanting to try that one and the new Friedman IR-X, both have got me gassin’ bad bad.

[@SuperdangerStudios]

Not yet! I am gonna check out the ox stomp next. I got one but it was DOA so exchanging it for a working one. I'd love to try the LION though.

[@davegilmer_Storyville4Life]

@@SuperdangerStudios cool. I sold my OX box last year and haven’t slept well since lol. Hope to have another one day.