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@mario51692 3 күн бұрын

Malditas publicidades...me desperto abruptamente...lpm😡😡

@aingeru11 16 күн бұрын

❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤

@evankajikawa1277 22 күн бұрын

idk, a little fast in the opening

@BenReksU 25 күн бұрын

Chamber music fr the cool big brother of orchestral music

@RickyNorton-Composer 26 күн бұрын

Somehow this is giving me amazing focus! Thank you, and good job on compiling such good music! :D (Thanks for no-ads to!)

@VIGOUROSO2024 Ай бұрын

👍

@joaquim64rodrigues Ай бұрын

Im portuguese cut this should😊 be renamed as CZech quartett,It sounds 100%CZech😊

@dellcano Ай бұрын

'R6.2024.Dec20 _ jpn .

@ZandisGraufelds Ай бұрын

Cadenzas: 1st mov. 7:10 3rd mov. 19:10

@VIGOUROSO2024 Ай бұрын

“OH NO! My ship’s capsizing, Captain!”

@pawelposp Ай бұрын

Beautiful cello sound!

@大橋一男-o2j Ай бұрын

ボワモルティエフルート協奏曲Very Rareなかなか、聴く機会ないと、思います。

@vicb4901 2 ай бұрын

Who are the soloists and orchestra?

@tjfamily9263 2 ай бұрын

Having just listened to five of these, I think this is my favorite. He makes Dvorak the star. He lets the music work. I have to listen to Fornier now.

@BrianTimmonsTX 2 ай бұрын

It's a good morning that starts with coffee and this recording on full blast.

@zeffiraananas3999 2 ай бұрын

Beautiful Post, i know most posters have no control on this, but the sudden blasting of an alt music with ad or the Sandyhook plea in the slow movement is criminal 😞

@rayyananwar1108 2 ай бұрын

27:33

@rayyananwar1108 2 ай бұрын

39:23

@VassilikiKravari 2 ай бұрын

Mon cœur pleure quand je regarde le super premier violon, qui a été obligé d'arrêter de jouer à cause d'un problème de main. Cher Vaclav, il était l'âme du quatuor! Il reste l'altiste enthousiaste, et l'excellent Kanka, le celliste, mais il n'y a plus "les Prazak". Qui nous ont offert tant de moments d'émotion. Pour lesquels notre reconnaissance est grande. Et elle va à tous.

@VassilikiKravari 2 ай бұрын

Un chef d'œuvre magnifique d'un immense génie. Qui a trouvé les interprètes idéaux...

@wowlodarczyk 2 ай бұрын

After 1h23m recording starts to crack.

@bandicoot5412 2 ай бұрын

A musical flow without a hint of complaint

@edwardmontoya50 2 ай бұрын

My eyes detect a NARROW cello? Am i wrong?

@edwardmontoya50 2 ай бұрын

Flawless and a true gift to be able to experience with technology. Imagine being in the same room.

@edwardmontoya50 2 ай бұрын

I get rich dark musky coffin dust vibe from the viola. An amazing tone and interpretation.

@edwardmontoya50 2 ай бұрын

Do you EVEN viola bro? Bravo.

@alena-qu9vj 3 ай бұрын

This makes me pround not only to be Czech, but to be human, too.

@AlyxGlide 3 ай бұрын

a hair too fast for me but bravo none the less

@MrVincent537 3 ай бұрын

Casals plays Bach better here and there, I have to agree.

@요섭-h2k 3 ай бұрын

35:00

@DiegoLopezVela 3 ай бұрын

42:17 1 part

@개포대장 3 ай бұрын

진짜 너무 잘해

@johankritzinger4206 3 ай бұрын

lovely

@CristinaKaixi 3 ай бұрын

15:08 rondo

@rayherver2572 3 ай бұрын

0:36 I.- Allegro moderatto 10:11 II.- Andantino grazioso 15:07 II.- Rondo Allegro 22:11 Sarabande aus Suite nr. 1, G dur, J. S. Bach

@RobertBerger-v4y 3 ай бұрын

I was petty young when i say mr Fournier. I was shocked at his limp - i was told it was a war wound. same when i saw Perlman - i knew nothing about his polio. needless to say they both gave wonderful performances.

@chiefkev 3 ай бұрын

Wonderful piece! Amazing cellist! Thanks for this gem!

@gregorygraham4117 3 ай бұрын

violin concertos stimulate the brain immensely, it’s wonderfully therapeutic

@oldfriend2341 3 ай бұрын

What is the name of this movement i want it! 😢1:00:37

@chrisoconnor9521 3 ай бұрын

Pity he didn't do the double stop ossia at 11:20 but rarely do you ever see cellists doing the start of the final passage at 14:09 in octaves which is so nice to hear, even if the volume is a bit low.

@DiegoLopezVela 3 ай бұрын

45:39 2 part

@seanmchugh840 4 ай бұрын

Bach Cello suite No.1 1962 Well worked out dynamic movement and flow and again fine sense of direction and wider phrase, plus some impressive inwardness and intelligence across the music, keeping the attention, a strong personality; however this too evenly conceived in contrast to the early Ma recording pointing up the sequences more effectively. Misses a few paragraph markers and instead is a degree pushy in some of the faster movs, overly languorous in the sarabande, and lacks the weight yet articulation of the best men. Uses a similar cello to Casals with a leaner sound as allowing for added rhythmic attention and liveliness; likely she knew the recording though not the Rostropovich Saga LP of 59 and 61 with its steadier power. Bach Cello suite No.2 1962 Again here finds some steady lyricism where the expressive detailing is kept in check, contrasting with her later wilfulness; has the overall searching and some of the inward aesthetic nature and Germanic murk with the sarabande well sustained, even if she’s only just making sense of it all and the results are more successfully managed and self-conscious than authoritative; again the third mov courante is skittish. She’s only 17 and making a commercial recording is disrespectful to the music, something no one with a developed awareness would do, but suites 1-2 here have a maturity beyond her years; interesting enough work, and great recorded sound.