Just gorgeous

Another comment, opera is a compliment of acting and singing, but before, way...way...before acting, is voice - as Verdi said...opera is the voice and only the voicce- and he was true. In an scenario you can not hardly see the singers, i mean,up to a point of seeing their acting skills, emotions, tears, jejeje. You just have to hear their voices and their voices need to say what there feelings are. When you are in a big opera house, you just need to hear the voice and what the voice its transmitting and how the voice fullfil a big theatre. Hear you say, carreras was acting...she doesn't act....common. 😅

She ended up dubbing films in italy. She destroyed her voice to young, due to what ever reason. But she sang a very poor Don Carlo. And the reason is that she was too young and her voice structure was not yet developed. How can anyone say that... Well, I dont want to argue, just say, that she was not at its age to do that. And she ended up, the way she ended up. Carreras was at its best, but not her, common people. Im an old guy yet, and opera has been kiled by people who dont know shit, applaud everything.

Aragall better than Domingo in D. Carlo.

This aria was written for Dmitri!!! That’s all I can say!!! The fit is so perfect!!! I miss him more and more everyday I listen to his recordings!!! So veryThankful for them!!!

è una parte piu da zancanaro o bruson comunque top

Magnificent!

Genio❤

As always Carreras here, in his prime delivers big time! What a gorgeous sound !

Domingo is just ok, vocally. Dramatically. He is superb. Freni is wonderful . And she looks the part.. a young wife who falls for a young king. Interesting opera.. with rich roles... Two superb bass roles.. a marvelous baritone role.. wonderful mezzo role and a great tenor role.. superb composition

DOMINGO IS EXCELLENT

Great singing… I don’t see anyone singing like that nowadays anymore.

Having read the row about Leo Nucci below, may I suggest that his popularity has a great deal to do with his lovable personality and enormous enthusiasm. Such qualities are not exactly evident in many singers who are otherwise blessed with the vocality of angels.

TRAUMHAFT

Quelli di una volta, per lo più, abbaiavano e basta. L'importante era" la Voce grossa" ...Nucci è grande in tutto, prima di tutto nel fraseggio, nell'interpretazione, è questo è merito di una libertà espressiva che viene da una tecnica inattaccabile. Bravo! Il mio preferito. Del passato adoro Bastianini, eppure anche lui bacione, ma resa qualche volta sì è qualche volta No, arco musicale e fraseggio disatteso quasi sempre....Del Monaco poi lo mal digerisco due volte su tre. Gobbi bravo, ma vale la stessa cosa di Bastianini, qua e là suonacci orrendi..

Чудесно! А какое дыхание!!! Браво!!!

L is for Leo Nucci! 🤌🤌🤌

Renato [lasciato il ferro, additandole, senza guardarla, un uscio] Alzati, là tuo figlio A te concedo riveder. Nell'ombra E nel silenzio, là, Il tuo rossore e l'onta mia nascondi. [Amelia esce] Non è su lei, nel suo Fragile petto che colpir degg'io. Altro, ben altro sangue a terger dèssi L'offesa!... [fissando il ritratto] Il sangue tuo! - Nè tarderà il mio ferro Tutto a versarlo dal tuo falso core: Delle lacrime mio vendicatore! Eri tu che macchiavi quell'anima, La delzia dell'anima mia... Che m'affidi e d'un tratto esecrabile L'universo avveleni per me! Traditor! che in tal guisa rimuneri Dell'amico tuo primo la fè! O dolcezze perdute! O memorie D'un amplesso che mai non s'oblia!... Quando Amelia sì bella, sì candida Sul mio seno brillava d'amor!... È finita - non siede che l'odio, E la morte sul vedovo cor! Pt/BR Renato [deixando o ferro, apontando para uma porta sem olhar para ela] Levante-se, aí está seu filho Eu permito que você veja novamente. Nas sombras E no silêncio, ali, Esconda seu rubor e minha vergonha. [Amélia sai] Não é sobre ela, em seu Peito frágil que vai me atingir. Mais, muito mais sangue para eliminar A ofensa!... [olhando para o retrato] Seu sangue! - Nem meu ferro será lento Tudo para derramar do seu falso núcleo: De lágrimas meu vingador! Foi você quem manchou essa alma, A delícia da minha alma... Que você confie em mim é de repente execrável O universo me envenena! Traidor! que assim remunera A primeira fé do seu amigo! Ó doces perdidos! Ou memórias De um abraço que nunca se esquece!... Quando Amelia é tão linda, tão sincera No meu peito brilhou de amor!... Acabou - tudo o que existe é ódio, E morte no coração do viúvo!

Splendid beyond words.

Carreiras qui moto bene,acevada ancora la você belíssima.Siamo nel 1977 a Salzburgo, diirigeva Karayan. La stupenda voce ed interpretazione della grande Fiama Izzo D’Amico. Grazie.

Fantastic!

Beautiful voice on this! His career may have had some uneven performances. One hopes to be judged by one’s finest performances, this is superb! The haters are irrelevant. Alagna had a lovely timbre and his voice in his prime I think was underrated. Bravo, Alagna! ❤

her acting is superb and fully conveys the meaning of the drama: Carlos loves her and is unable to contain his feelings; she tries to keep him at a distance, that's why she's so “wooden". A groan breaks through this restraint: Oh, Carlo! And the end of this wonderful duet: when Elizabeth sees that Carlos cannot be kept, and she herself is exhausted in the struggle with herself, she screams in hysterics: go, kill your father, desecrate his bed. And only these terrible words stop Carlos. Amazing psychological drawing of the role and amazing acting.

Man kann kaum glauben, dass Izzo erst 23Jahre alt war, so wie sie singt und spielt. Sie kann mit den Größten mithalten.

После Бергонци слушать невозможно.

Mi piace anche Moldoveanu, ma Domingo....❤

Merveilleux duo !

Un grand et beau spectacle avec Samuel Ramey en Attila !!!

Awesome Domingo! Great performance.

More interesting to listen to than to watch

Nucci is good as Florez

Carrersa is incredible 👏

fantastic

Delighted to have been there to see these wonderful artists and Federico Davià as La Talpa and Simone.

Un ténor magnifique, qui 'vit' ses personnages et en plus il a une présence scénique. Cela fait des jaloux!

Bravo Roberto

Per chi volesse rifarsi le orecchie kzbin.info/www/bejne/aJa7YZWHqLxjq6M

FORESTO e ODABELLA Oh t'inebria nell'amplesso gioja immensa, indefinita! Nell'istante a noi concesso si disperde il corso duol! Qui si effonde in una sola di due miseri la vita ... Noi ravviva, noi consola una speme, un voto sol.

mezza voce.

Carreras! As soon as he is not singing or in the frame, I'm missing him, wanting to be transported by his voice's power and sweetness.

La interpretación es de 1991 no de 1989

Topone cantava bene. Mirellona sempre Mia adoratissima

Colosal Maestro Plácido Domingo!!!!!!!

outstanding

I firstly came to know this aria from Callas and Di Stefano's latest records and I was left very impressed by the profundness and sadnesse presented here. It's general understand that the widely famous couple wasn't at their best moment vocally speaking very late in their career nonetheless I thought they managed to deliver such a great performance that I got in love with the duetto instantaneously and now here it's so touching and beautiful that I'm even more touched and passionated with this opera than ever, thank you

Away pass years and this performance is as fresh as yesterday...the greats! 🌹💖 Freni and Domingo at the MET with crazy gifted Maestro Levine.

Spectacular Carreras! Thanks for uploading this

Splendida Stratas. Splendida. Il deterioramento della voce non le toglie nulla.

Magnifici

No Domingo