ドボルザークのセロの素晴らしい演奏は熱い夏の素晴らしい清涼剤。

Dope kicks btw

Gracias!!!

Wonderfully generous of you to share these working sessions with us! You teach us so much!

Well, the title says talking cello WITH Isserlis but it is all a one way conversation with no dialogue and Pablo, who is being very gracious, is not asked his opinion on anything. It's all Isserlis. To the point of rudeness on Isserlis's part. Oh well.

¡Qué joya me recomendó KZbin! ¡Gracias, Pablo! Danke schön, Johannes! 😍😍😍

Wonderful to watch your practice techniques. Thank you for sharing. How far out from the concert date do you practice with same intensity?

You are not only an epic cellist, you are a perfect human

2da parte

Is there anyone who knows what the song is?

Love this is piece of song amazing play the cello vibration is so beautiful.🎻

Pero que grande eres!!!

Ish! If i played or practiced like that, i would be exhausted. That is a lot of tension you are displaying. You maybe young now and can play like that but you will dearly pay for it in just a few years.

I'm sorry, but I find it hard to stand this affected guy Isserlis...and I don't have to. So I'll switch off quickly. 😷

You are so generous to share tips such as this with other cellists. Great instruction!

I’ve played both a Haide Goffriller and their Ruggeri model in a hall, directly against an Antoniazzi and a 1693 Brescian Tononi. No comparison, but the Chinese have clearcut and are running low on wood. Necks, etc., are now made of Chinese materials to conserve supply. I’ve also played the Castelbarco Strad, the Sleeping Beauty Montagnana, etc., and can attest to the echelon of instrument the Haide people are producing; with professional sound setups the results are very often superb-not invariably, of course, but more than occasionally.

This is fantastic! Thank you!

This video is as well presented as your playing.

Just wanted to say thank you. My son is 11 and working on this movement and after watching your videos I think he is inspired to practice like a pro. You will probably never know the ripple effect you have in life!!

Siete favolosi🤩

Excelente video muy buena grabación, Ayslesford my superior mayor rango de frecuencia mucho más abierto ! ideal sala grande gran cuerpo, probaría otras cuerdas pirazzi o spirocore tungsteno, larsen no tienen la suficiente tensión para este cello. El Boccherini sonido cerrado, rangos medios muy altos, no es un timbre bonito o fino, tiene cuerpo pero se siente abombado, probaría un Puente Frances en este cello .

Claramente hay un ganador, mayor rango de frecuencia y más abierto, el cual omitiré porque la calidad de grabación del audio es malísima.

Thank you for a wonderful performance / evening last night in Straßbourg! Whiel I can't compare the two cellos, I can confirm that the Archinto sounded absolutely astounding!

Absolutely brilliant thank you so much ❤

Funny guys these cellists 😂

Bravi!

So interesting ❤

Pabló❤️

what song is this? (at the very start)

First, congrats on your great violoncello playing! I see that your right arm is very balanced and well versed. I just wanted to mention a curious observation. I notice that you are mainly using your elbow and for arm in the spiccato of this movement, which is in line with pedagogy of Ivan Galamian, Janos Starker, Leonard Rose and their successors. However, I see that some cellist (I can not belive how they do it) use their upper arm in detache, fast bowing... I see that Kian S., for instance lack flexibility in his elbow and under arm in his Elgar, however, it sounds quite ok. I used to do the same arm motion as Kian, but realize that I get injured and hurt when doing so over time. I just wanted to ask you if you are conscious about how you move your elbow, forearm when practicing this slowly? I realize that this video was published some years ago, however, I am sure that many other cellists would be interested to hear you deliberate on this! Agian, THANKS FOR YOUR OPENESS AND GENUINE INTEREST IN THE ART OF PRACTICING, CELLO PLAYING AND MUSIC!

sounds like a cello - metal strings amplified by a resonator box (an air cavity in other words)

100/100

Show your bows, talk more about them.

Pablo, we need a new series. Visit Zlatomir at Julliard and record a class with him.

Great tips! Thank you!!!

london bocherini is so great!!!!

I like your cello but felt you deserve a still better instrument- I feel you need a cello that has more immediate response- or maybe the soundpost needed an adjustment-

I loved your Elgar playing as well as your solo Bach with ornaments!!! I was in SF concert on Mother’s Day. Stellar!

Hey Pablo! I hope you know just how inspiring and amazing it is to watch this as a cellist. I will be studying music in BOSTON this fall for my masters! 😁 v

Me fastina esta obra y shostakovich. Tuve la oportunidad de escucharte en Donostia en agosto. Impresionante. Pero me encantan estos videos del proceso de aprendizaje. Aquí se aprecia la exigencia, el nivel técnico y lo que requiere. Gracias por compartirlo. Sé lo que es tocar un instrumento, y esto está más allá de lo humano.

You’re amazing.

Interesantes

😂😂 brilliant these 5ths are criminals!! yes they are.... but absolutely astounding and so insipiring thanks so much for the insight and it's just stupendous watching you perform

❤

If I play like this I think my teacher will say my body is too tense...I never play like this by the way...maybe I should start XD

Boa noite. / Bom dia. Professor Pablo Fernández. Como é a técnica que o Sr usa para casar a respiração com todas as frases musicais,???? Percebo que encaixa no ponto exato cada uma delas. Isso é com treino que o Sr conseguiu essa habilidade,??? Amo os concertos para violoncelo. Pois sei tocar um pouquinho esse instrumento.

Magnífica idea el mostrar el difícil día a día de un músico de tu nivel. Ya conocíamos tu gran valía como músico, pero lo que amablemente nos enseñas nos muestra tu lado humano que, por otra parte, explica mejor lo grande que eres como músico.

So rich, rounded, sumptuous, and warm. Astounding.

May I ask what strings you're using?

This is so helpful-- watching as you practice phrasing/fingering/bowing techniques and then explaining what you would or should have changed in a bowing or fingering as you demonstrate the different sounds achieved. And I like the written commentary you provide as well. It allows me to, first, simply listen and watch you. Then I can go back and dig a bit deeper into the comments, pairing them with your actions and sound production differences on the rewatching. I hope that all made sense to you. :)