I'm not sure if I understand what you mean by operating on wire, do you mean like remotely triggering the camera? I've made RC trigger for a different camera, it was in about May 2020.

@BorutPeterlinPhotography I head someone claim that they flew one on a kite and took pictures of the city from high up. I am wondering if that would be possible. Is it possible to set the controls on the ground, send the camera up to altitude, and snap some awesome pictures? Thanks for the reply

Sure, I took CMYK workshop with Calvin Grier.

Thank you Achim, it was a pleasure to meet and work with you. Hopefully again soon.

Thank you so much. I will keep on with these videos, but next week I will make a long one, like those one's, working on the new art piece. Thank you for your comment. I realize only now how important it is for the search algorithm. And also it's great motivation to keep on doing it, although I'm doing vlogs for more than a decade and blogs for almost two decades (2006).

Sure you can print it and do whatever you want with the print. But this is different effect, because it is changing the color from black to brown, leaving whites, white.

No, this process is from 1851.

But please check my vlog wetplate in colour

Thank you. More to come. I believe it's important to talk about one own's work, not only about the same ten masters of photography.

@@BorutPeterlinPhotography No doubt! You don't have to be in a history book to be a master or influential photographer.

Silver is opaque. Pigmented gelatin is translucent. Glass is the same. Sorry for the short message, but I am pushing a pram with my sleeping son.

But that said, translucency depends on the quality of pigment. My favorite is India ink. The worst are watercolors. I've made a vlog about chimney soot as a pigment. Proper carbon print.

​@@BorutPeterlinPhotography Short is beautiful! Prams are more important than internetzzz. That makes a lot of sense - I was guessing light would travel between pigment particles better than when it hits a massive silver grain, but actually if it also is going through a dye, it would make even more sense. I saw that video a while ago, but I'll go for a refresher. I had the opportunity to see the difference at the Yvonde exhibition in London last year - the book prints are lifeless in comparison to the colour carbons there; it's totally worth the effort. Thanks for the reply!

Impossible to photograph teenagers. They can't hold still for 6 seconds, which is usual exposure time for wetplate.

Thanks, will make it rolling!

First of all there is a big diference between W and Ws. I was talking about Ws or watt-seconds. I used 1500 Ws and 750 Ws flash for the last two small portraits. You need to find some old school 20+ year old flash strobes.

Usually I work with two strong powerplants. Balcar 6400Ws and Balcar 6400 Ws.

Thank you!

Thank you! MOre to come!

Please do. Thank you.