What is the harmonizer on the sax?

Cool you play sax too, I play tenor myself (and started on a really old and dubiously refurbished curved soprano when I was very small). Never heard of Nuendo, seems it's related to Cubase but focused more on audio production for video? I've got lots of sketches of noodling about much like this, and had vaguely considered doing "extract to MIDI" (unquantised) before. Cool to see you gave this a shot especially with your modular.

Eternally shattering glass through a bad mic

Aw yeah, you did check out that BBC interview where she showed-off additive synthesis. I always liked that they respected her transition, and didn't even bring-up that she'd come onto the BBC 10-15 years earlier wearing a suit and using a different name. (Though I've got to admit, I still think she looks really girly even in that earlier interview when she hadn't yet come-out.)

That's quite cool! I love this kind of experimentation! I play tenor sax and trombone in a rock band, so I also dabble in using FX on horns, which has really tickled my creativity (quite like yourself here)! At the moment I'm building a live rig where I have a small 4 channel mixer, with 2 XLR inputs, going into a Line6 PodGo to form an AUX loop on one of the stereo channels, so I can have both fully dry, fully wet sounds and in between stages. Still have to try it out live!

Love the series! Just watched all 5 of them! Other episode ideas: Annihilation Blade Runner 2049 Oblivion Tron Legacy (loved your other video about Joseph, but would also love to hear more about what synths you think got used in this) Then a spin-off series, the synths of horror! Halloween Stranger things It follows Other amazing synth horror scores…

Sky Sports F1 uses Outlands as the intro for their F1 broadcasts!

Pretty cool. How you used the Dfam

Microtonal eastern sounds, harnessing the air❤ subscribed

Wow

Well, I wasn't expecting that. Awesome

Listening to this on my Beats is amazing❤

It is cool, but it's lacking pounding compression and phatnezz. I do like it but it was just thin and clicky on my HiFi home theater system. Add more chorus, also there's no shuffle or swing really, so it sounds early 90's

The original 1027 step sequencer of the ARP 2500, as most of us know today, boasted 3 x 10 steps. The Behringer equivalent, due to having the Eurorack format, is truely limited to 3 x 8 steps 3:52

subtitleeeeee

In Tron uprising the themes from Legacy are being used and imitated the main skeleton and base of all tracks are made by Daft Punk. I believe Joseph just helped their technical shortcomings in expressing the composition into complex symphonical arrangements.

I think Daft Punk and M83 created the synths and the melody, and Joseph Trapanese took the melody and adapt it to play it on orchestra and blend it with the synths.

That old-school Yamaha cs-80 is fascinating. I never knew it was used on the Blade Runner music, which sounds so haunting and eerie - I guess that whole eeriness that Vangelis created is mainly down to the Yamaha !

Never tried to do this on the DFam i always had it running from the M32 x

if i were only allowed a single aural/visual experience, it would be the light cycle battle in TL.

Sooooo good!!!! This is fantastic!!

Great analysis & video. Always thought DP got too much credit for T:L. I still get chills when I hear the track “recogniser” from when Sam first enters The Grid.

Thanks man!

Many scores are not written by the person who is credited ...🤐

Interesting video. I definetly expect an arranger to have influence on the sound of a piece. However knowing “temp” tracks or the fact that a film composer can sell themselves on prior work - I wonder how much would be trapanese’s voice and how much daft punks for the original. Interesting video.

Trapanese is actually the one who has worked on the Tron: Uprising animated series score!! This is so freakin awesome for i would keep listening to it, and be like this is just like the film Now i know why.

I have been trying to track down this rumor that the arp 2500 in Close Encounters, is in fact Jerry Goldsmith's. It was in for repair.

I’m going to guess that Daft Punk is solely credited as composers because their name is so huge, maybe they had an agreement or something to retain sole composing credit for monetary reasons. Because you’re right, Daft Punk throughout their history has never, ever been big on complex compositions and have been more about sequencing synths and creating unique sounds etc. I’ve really wondered this as well. Did they really compose all those epic sounding melodies? Because it’s very uncharacteristic if so.

whats the Arp sound from？😮 from dpo？

Blinking is for wimps

Which machine drum sounds you use here? Is there any suffle?

Great insights - thank you

Wow. This is incredibly condescending and smacks of elitism. Daft Punk and M83 are incredibly talented and unique voices in electronic music history. Sure, they might not have the classical training to give the tracks the final bit of polish (there are only so many Wendy Carlos's) , but they would certainly be capable of creating first drafts for Joseph to flesh out. Daft Punk after all did create two films prior to their Tron Legacy work. Joseph is a great arranger and all four artists are incredible composers. Let's all just get along. No one was miscredited, tho I'm glad Joseph got his name elevated in the credits😂 for oblivion

those chirps made all my dogs tilt their heads at the same time! excellent re-creation btw

Maybe not using the real composer's name was a marketing strategy to sell soundtracks?

Thanks for sharing thoughts, your search for Joseph Trapanese. The track "Derezzed" was made with a preset effect from Grossbeat, an Image-line plugin.

alot of Matrix influence in there for sure... imagine that lol... what a monster

Tron Legacy and Oblivion have more in common than than Joseph Trapanese. Both have incredible soundtracks, are very underrated movies, as well as their director (photography, design, vfx…). The evolution of the film score industry and the implementation of computers and DAWS, made it possible for people with no classical background (who cannot read music) to become “composers”, which is great. Problem is, once they become famous (Zimmer mostly), and begin to hire assistants for EVERYTHING, it becomes very difficult for them to make a breakthrough and make a name for themselves (Badelt, Gregson-William brothers, Rabin, Mazzaro, etc). Trapanese surely deserves it.

great information, nice video, i like this content, i am a fan of Joseph Trapanese without knowing.

The end title of TL was a Roland 303 or something similar… the way it morphs into a score from an electronic beat is awesome and shows how the combination of Daft Punk and a Score writer composer blends perfectly.

kzbin.info/www/bejne/oqulnnR7fspspZI my take is, though he probably didn't get his due credit as a collaborator, that's more because of his insistence. He expresses that he helped them translate their ideas for the orchestration heavy stuff. Daft Punk directed it and it was their vision, according to all parties involved. But take into account that this was also Joseph's big break into the industry so I think he might have just gone along with letting them take credit for some of his composition ideas, though again, he says this is not the case.

6:10 it's good that you let new viewers in on your little ADD secret, however, by using "celli" instead of "cellos" you tipped your hand to attentive listeners. Great video, thank you for introducing me to the work of Joseph Trapanese. This was very interesting. and well worth the viewing time. Cheers.

I knew they didn't do it when I 1st heard it as well but didn't dig into it

Great job!

amazing!

Well shot and lovely cover

Joseph Trapanese is incredibly underrated! He also did the soundtrack for the new Hulu horror "No One Will Save You."

I Love Tron Legacy... Because that movie, my cat called: TRON 😁

Short interview with Joe Trapanese about working with Daft Punk kzbin.info/www/bejne/oqulnnR7fspspZI