Still Corners no deja desperdicios por donde pasan, trepidantes sutiles, sensualidad sin estridencias, sublimes sin falsos artilugios. Gracias por compartir.

Does anyone know what track this music is in ??

I dye to my self fore Christ is with me

My captain my captain 💙 ❤️ 😍

This whole video boosts my testosterone 10x times its limit !

My brothers we flew

He is my Evangelical Emperor Christ Jesus

From the eerie, pulse-pounding tracks that make you feel like a ghost in the shadows, to the haunting melodies that echo Sam Fisher's solitude, each piece brings the fictional world of covert ops to life. The Splinter Cell games truly are one of a kind. I miss games and storytelling like this. Afraid to let go. Almost as if holding onto them keeps their magic alive just a little while longer.

De beaux souvenirs des années 90

Double Agent 00:00 - New York Infiltration Part I 04:16 - New York Infiltration Part II 08:00 - JBA HQ 4 11:19 - Jail Infiltration Long Version 18:00 - Shanghai Infiltration (360) 22:40 - Okhotsk Infiltration Theme Chaos Theory 28:17 - Theme from Battery Pandora Tomorrow 32:41 - Main Menu 35:06 - Jerusalem Standard Track I 36:34 - Jerusalem Standard Track II 38:03 - LAX Standard Track 3 39:31 - LAX Standard Track 4 Splinter Cell 41:01 - Burma Exploration 4 Chaos Theory 43:30 - Hokkaido 46:28 - The Lighthouse (Short) Double Agent 48:45 - Kinshasa Infiltration (Short) 51:35 - Kinshasa Interior Infiltration 55:32 - JBA HQ 3 59:17 - Main Menu (Full)

Thank you my brother, for the Emperor! P.S. The Black Rage and Glory of Terra amazing :)

I am evangelical warrior may god be with me❤❤❤❤

Muito obrigada pela partilha. Uma música que me agradou imenso, mas não encontrei.

This movie is eveything ❤

I cannot wrap my head on how everytime there are dudes in Terminator Armors... Those dudes gets unalived....

Many thanks for this. Couldn't find it with the regular music search apps, but you uploaded it two hours prior to my search.

Great series! (removing the car conversation gave it a nice touch - reminded me of those long holiday travels we used to take as children. Before the internet and mobile phones. Just you, nature and the road.)

I'm favorite celebrity Charles Buchinsky 💪

Muito bom! Esse vídeo com certeza agrada o Imperador!

The wonderful Hoon Lee.

🗿FOR I AM A SON OF SANGUINIUS! whew😮‍💨 really got the blood pumping

En español por favor

Great movies!

Tis but a Scratch

00:07 - The Beast - Jóhann Jóhannsson - Sicario Soundtrack 03:39 - The Hunt Begins - Ghost Recon Breakpoint Soundtrack 07:15 - Darkened Skies - Ghost Recon Breakpoint Soundtrack

''I don't give a f*ck about money, Carzita. I work for the U.S. government. We spend billions on hand sanitizer alone. Pork barrels, f*ckface!''

Rest in peace commander

7:26 those are some real men

While playing, I noticed that this phenomenal soundtrack is often played as a very gentle, almost subtle tune in the background. It seems like the designers deliberately chose not to emphasize it, perhaps out of concern that some players might not enjoy it. And in Breakpoint, it’s even more understated, if not to say non-existent. Imagine having a soundtrack of this caliber, only to decide: Let’s just play a few tracks here and there at the volume of a whisper after clearing a base or something.

00:00 - Night Encounters 05:30 - Inca Road 08:33 - Santa Blana Check Point 11:50 - Assault on MOB Jaguar 15:33 - Approaching Rosario 19:16 - Unidad Patrol 22:17 - La Carcel del Pueblo 24:13 - Over San Mateo 26:41 - Tailing Carlos 32:23 - Sneaky Approach 34:30 - From Rancho Sabala to Barvechos 38:20 - Take a Break 42:41 - Koani Salt Flats 43:29 - Setting Sun 44:10 - Culta Village 45:20 - Sunrise 46:06 - Chullpa's Ruins 48:51 - Rest at Montuyoc Alpha 50:57 - Pucara Ruins 53:33 - Quiet Morning 54:19 - Broken Bolivia Exclusive Game Soundtrack 56:34 - Rising Sun 58:34 - Yungas Jungle 01:00:37 - Alta Garcia Mine 01:04:29 - Drive to Rancho Sabala 01:08:24 - Rocha Outpost Gamerip 01:11:37 - T16 01:15:21 - T18 01:19:02 - T74 01:20:09 - T01 01:26:47 - T02 01:32:35 - T14 (custom) (compressor, -15db bass, +12db treble, +6db volume) 01:36:29 - T68 01:37:48 - T04 01:42:18 - T08 01:46:23 - T110 01:47:07 - T10 01:51:11 - T115 01:51:50 - T78 01:52:50 - T75 01:53:55 - T09 01:57:59 - T70 01:59:19 - Bowman Out

Once again, KZbin/Google has locked my account, demanding visual confirmation of my identity. As a result, I can’t add external links in the description, and the timestamp sections for each song on the timeline (or progress bar) aren't visually displayed. This has happened before, and unless I provide a copy of my passport or a facial scan, I’ll have to wait 2-3 months to "build a history"-as if a decade on KZbin isn’t enough. For soundtracks especially, the ability to display tracks as individual sections on the timeline is an essential feature. Without it, viewers lose quick access to specific songs, severely impacting the overall experience.

He grew an arm at 3:05😂. Edit: sorta.

A mom never forgets

I can see why Warhammer never got popular. It never fit the political agenda.

The moment the terminator falls, "LET FURY BE OUR VOICE"... perfect editing brother.

I will only say one word masterpiece.

Compliance!

“Does your arm yet grow weary of carrying that thing?” “NEVER MY CAPTAIN!”

From the Music, the striking red blood angels and more. This is a beautiful Piece and may the emperor smile upon you.

Tell you one thing about the Krauts, they sure clean up good. > Yeah.. all you need is a little Mozart. *Beethoven. Sorry, Sir? That's not Mozart. That's Beethoven.

Prachtige muziek! Kippenvel!❤

2:29 song name?

There are countless KZbinrs who make a living criticizing the current state of the entertainment industry, with even more people watching and agreeing. Most, if not all, of these critics advocate for a return to the games or movies of old - when games were artistic expressions, instead of money making machines. Yet, when a game like Ereban comes along, embodying the very principles they claim to cherish and offering a continuation of the beloved games of the past, either no one notices, or they willfully ignore it. These critics have no concept of the dedication required to commit fully to a single task for over five years-day in and day out. Many even boast of their refusal to read more than a few sentences, as if it's a virtue and a valuable character trait worth mentioning. While some KZbinrs claim that we're "winning" by criticizing woke games, (not that Ereban is one), but I disagree. At least partially. The notion that this criticism will lead to no more woke games overlooks a much bigger issue: studio consolidation. Major publishers are buying up independent studios left and right, centralizing control over what gets made. This means that even if a few "woke" games don't perform well, the same corporations still dictate the overall direction of the industry. Despite the current pushback against publishers, developers, and woke elements, we haven't, in many cases, seen a revival of our beloved franchises. If anything, we’re getting fewer creative, groundbreaking titles and more of the same formulaic, safe bets. Studios aren't taking fewer risks because of woke criticism-they're doing it because consolidation forces them to prioritize profits over innovation. Recently I've seen channels, who promote anti woke rhetoric, explode in popularity and though I do not argue the validity of many of their arguments, despite some going so far as to call certain demographics evil, I question their belief or rationalisation that things are going to change simply by criticizing, or not buying, something. Most even go so far as to say that Ubisoft's current financial difficulties are a sign that 'we are winning' and that this will lead to less 'woke' games. Are we really "winning" when fewer independent studios exist to challenge the corporate status quo? And even when they do create quality games like Ereban: Shadow Legacy or The Ascent, the sales numbers are nothing short of abysmal. Are we "winning" when groundbreaking, unique, once-in-a-lifetime games don't sell well? And consequently die out. Are we "winning" when junk like Fortnite, a free-to-play microtransaction behemoth, is among the most-played games ever? Are we "winning" when Microsoft buys Bethesda and Arkane Austin gets gutted without so much as a whisper of protest? Are we "winning" when gamers treat developers-who spend years crafting these worlds-as if their creations fall from the sky overnight? We judge these games as if stamping them out will somehow make gaming better, but maybe the real issue is that we’ve allowed the industry to be controlled by just a few giant corporations who don’t care about innovation or artistry-they care about their bottom line. Developers who truly depend on our support for their survival as independent studios are often ignored, leaving us with a landscape where creativity is rarely rewarded and almost always criticized for one reason or another. Legends like John Romero-whose work on Doom helped shape modern gaming-might never have had a chance in today’s climate. People are used to receiving AAA games every month, free of charge (at least initially), and they jump from one game to the next, never truly satisfied with the formulaic content churned out by conglomerates that don’t take risks. (And many times, even when they do take risks and create something new, Like Ereban, it doesn't sell well and many people simply don't care. Or so it seems.) If we’re so sure we’re "winning," why does it feel like we’re losing everything that made gaming great? People criticize the business practices of large corporations, but often enough don't reward the alternative either. I feel really bad for the developers of Ereban. They have worked for many years to make a really great game - in the old style - and no one bought it.

I'm not familiar with the game but the soundtrack is great! Thanks for the link.

Да здравствует Император

I have re-watched this show several times and I will keep doing it. This is such a great show! FOR THE BLOOD!!

Much of my early exposure to religion taught me to run in the opposite direction. Now, as I reflect on the massive changes we've witnessed globally over just a few short years, it feels inevitable that sooner or later, we're all faced with a choice. When the lives of children are being directly impacted, often in ways that bypass the family, can we really afford to remain on the sidelines? Consider this in the context of history. Hitler understood the power of shaping the future through control over children. The Hitler Youth (Hitlerjugend) was a prime example of this, a system designed not only to indoctrinate but also to sever traditional family bonds. Children were encouraged to betray their parents, turning them into agents of the state. In Nazi Germany, loyalty to the party superseded loyalty to the family or even to God. Children were no longer being raised by their parents or guided by faith; instead, they were molded by the state and the ideology of the party. As early as 1922, Hitler’s speeches openly placed blame for Germany's struggles on a single group, specifically the Jews. These speeches can still be found on KZbin today. But while his words were incendiary, it took him 11 years-or perhaps much longer- from the time he began openly condemning and scapegoating this group to when he finally seized power on January 30, 1933. In short, Hitler spent over a decade speaking his hateful rhetoric before he could truly influence the direction of a nation. Today, however, the world has drastically changed. Thanks to the Internet and mobile technology, the ability to spread ideas-both good and bad-can happen in a fraction of the time. A message that once took years to resonate can now reach millions in mere hours. Americans, perhaps more than anyone, often view global events through the lens of their own country. What they don’t always realize is that many of the same challenges, laws, and societal shifts are occurring around the world, and often have been for much longer. With the rise of social media, it's as if the whole world is interconnected. If an American sneezes, the rest of us feel the breeze on the same day. And the policies now being debated or enacted in the U.S.? Many of them already exist here in Europe, sometimes in even more advanced stages. In most European countries, my generation (Gen X) no longer goes to church, and 90% of those who still attend have grey hair. It is only a matter of time before these churches too, become empty, as so many already are. For many of us, money and facts have replaced God as objects of reverence. The Catholic Church is only associated with scandals and depravity, and the Pope is seen as a powerless and meaningless figure who has lost all credibility and authority. To many, religion feels antiquated, outdated, and irrelevant. So, when new laws are being passed-even if we disagree with them-there's a general silence. Few people speak up, either out of apathy or the belief that their voice won't make a difference. In many cases already, it's now illegal to speak up. And you're immediately condemned as a racist and a ....phobe when doing so.

POR EL EMPERADOR

The music made this story epic.

Great game!