...and a jazz drummer!

深澤環 凄すぎて手本にできねぇだろww 現にこのクオリティのツインギターラクリマ以外聴いたことないし

I love my love, not I love my lord. And we can do without lords, that goes for so called "titled" individuals, and for a God in a Jewish book. God is on the side of the US military, in his name billions are oppressed and in a spell. There is no God, just the creation and the deep mystery of what that/this is, and what sustains it. No more Lords, more Love.

A whole person, then!

ギタープレイヤーではないけどラクリマのギターパートは面白いからたまにコピー動画見ますが、これもギターパート素晴らしい‼︎

レビンのドラムも中毒になる

SHUSEのベースラインも素晴らしい

Woah, I wish I could find bands or artist like that on second hand shops in my country. Greetings from Lima, Peru!

Just heroined out too...

Well, you're in for a lot of frustration as they most often played their songs much faster live.

This is the only song of theirs that I like apart from Eye and 1979. WBFTT has such a great soulful groove but by playing it this fast, the groove is lost. Also Billy's singing is atrocious here. After listening to Rob Halford's late-90's-industrial-goth-rock stuff (2wo - I am a Pig and Leave me Alone), I can't help but hear Billy's lack of vocal clarity and precision. It's a very punk performance however this lack of quality tells me something about the bands work ethic and standards, they don't care, well at least not as much as I do!

The Pumpkins worked their asses off, especially at the time! Rehearsing, rearranging songs etc. The amount of work put on "Mellon Collie", the amount of songs written and rejected is mind-boggling. Billy was the kind to stare at his bandmates when one of them missed a note (i saw them at the time). This is just live music, raw and with no click track, on a roll of playing night after night, straight from the soundboard (Billy has recorded every Pumpkin show since 95). They spent 96 on the road, basically. I like Billy's vocals from those days. He has gotten more technique around 2006 and even if it's probably better for his vocal cords, I don't like how he has been sounding from 2006 onwards vocally. But to each their own :)

In the 90s Billy used to sound very emotional live. So enjoy the screams, the solos, the overdrive, and if there is sloppiness, think of it as improvisation. :) Often his coarse voice adds new colors to the song. But you got to be familiar with the studio recordings pretty well to appreciate this. Sometimes the coarse voice is due to real exhaustion. I mean, imagine performing X.Y.U., Bodies and An Ode to No One, along with dozens of other hard rock numbers every other night for two years. But it is supposed to speak to all those tired scorched souls out there :) Corgan is more toned down and precise on record. To 'get' his voice, you'd better begin with softer studio recordings, like Stumbeliene, To Forgive, Galapagos, Landslide (from Picecs Iscariot), Tonight Tonight (obviously). Then move on to heavier stuff. Then to live recordings. Generally, Mellon Collie was a tremendous studio effort, Billy's work ethic was notoriously demanding, he was kind of a control freak and a perfectionist.

Over thirty four and a half thousand now!

I remember finding Adele when she was young, before she sold her soul to the Satanic system, now I never want her in my consciousness, she's working for the dark side.

Me too. Completely agree.

@@Defytheocean Yup...

+Cynthia McLaughlin Oh Cynthia, if you haven't heard or bought everything by them yet you are in for an absolute treat. Can't recommend a favourite album. All wonderful in their own ways

He wouldn't find that as very nice.

I get Jimmy envy :/

Why?