Thank you!

Nice! So, do you like it???

@@thewetterbass Yes. I received it this afternoon and used it at my rehearsal: always on, in front of the EBS Multidrive, both setted at low gain (11 o'clock). So it adds a bit of (different) grit to the EBS, but with more bass and treble. That's great. And it's crafted like way more expensive pedals.

Happy to hear you enjoy it!

Hi! Either the pachyderm or the Golden Fuss. Close, but not identical.

@ and do you know any other fuzz that is similar ? I've been looking for a fuzz with that synthy type of sound.

These two others will get you really close. The frenzy moss gives you a bit more. The mastotron is excellent too for controlled synthy sounds

@@thewetterbass thanks a lot, it's difficult to find demos on bass on some of these pedals that aren't maxin every knob. You make great content

Killer pedal. 😉

Will contact the builders… 🤞

😂 I love this! The percolator is an absolute favorite of mine. Recommended 100%. Let me know what you think about it once you get it.

Yes, they all have their differences and similarities! What’s your favorite?

A bit of both: Ampeg’s typical sound has a notch at around 400Hz (a cut at that frequency) and there’s no mid control on the pedal (which is not a problem because by cutting bass and treble and raising the overall volume you can actually boost the mids). Hope this answers your question.

Here’s the best way I can answer to that question: GATED FUZZ ARE AWESOME! From beefy overdrive to synthy gated fuzz sounds, these pedals do it all kzbin.info/www/bejne/qqjSmZympLilnas

More details about it soon!

Thanks for watching!

CMDR Percolator: favorite pedal that came out in 2024. Nice right? 🤘great job. Feliz año meu!

Incredibly versatile, top sound quality, CMOS at its best. The Hrom from b85 audio is a nice alternative, though no DI out and not as many sounds.

Oops I did it again… 😂

Oh wow! Great choices 👌. Happy new year!

@thewetterbass Thank you. Same to you.

Thank you! 😉

Patience! And they are quite affordable.

😅 I keep thinking that I should update what the weather is like in Bass (probably a place in Germany called that way!) at the end of my videos… but yeah, wetter as in dry/wet.

@@nueeardente4240 100% conseillée pour 2024 ET 2025, évidemment. 😉

Exactly what I was aiming for! Accurate opinion. 👍

🤘😊

😊 working on putting up the info on the web and building more of this model. I got two in process right now!

Yes surprising results. Obviously the sound would be more accurate with a bridge pickup. But with the Joorny I wanted to take the Precision concept to another level, keeping it simple yet powerful.

@@thewetterbass I totally get it! I have an Aria Pro II RSB Standard, which is basically a P bass, but with the pickup about 1 inch further back towards the bridge. It's also really responsive and can sound like a traditional P bass when playing in front of the pickup, or almost StingRay or Jazz Bass like when playing near the bridge. Also, like yours, fully passive, volume and tone, that's it. Instruments like this have a special place in my heart! But still, I'm currently building a bass that does things very differently: 2 sliding pickups (a special design built by a friend), combined with a filter preamp a la Wal/Alembic, and 5 strings on 35" 🤤I designed the body for it, it's somewhere between a Jaguar, Jazz Bass, Lakland and StingRay 5.

Nice!

Wow thanks!!!

Thanks. I am always super busy with all kinds of things (family, work, pedals and videos, band practicing…) so I really have to find time to update my website to give all the info about this new bass.

@@thewetterbass One brand that I like is Maruszczyk, I have 2 Elwoods that are styled after the J. What drew me to that model in the first place is the retro styling combined with some modern refinements; the deeper cutaway and a smooth heel. You have those improvements as well, and that's a good thing in my opinion. It's comparable to what US carmakers have done, making new Camaros and Mustangs that have retro styling but with modern technology.

👌

I agree with the low B string rattling. I contacted my client and sent her the video. I’m going to put a bigger one. It will loose some of that softness and confort but yeah… less rattling!

Yep. I mostly do repairs, setups and custom work but I have been building instruments for many years now! 😉

Yes, 1 pup vs 2 pups is awkward, but I will do these comparison videos for reference. I also think it’s interesting to hear how the tone varies according to where you place your right hand.

😊

Hello! There are 2 outputs. One is a regular line out unbalanced 6.35mm jack (goes to the amp) and the other is a DI balanced out XLR (goes to mixing consoles, audio interface, etc)

Ok, let me try: . Bass sound is split in 2. Let’s call these two signals wet and dry. . Wet signal is the one that goes through the effects (compressors, octavers, drives, fuzzes, chorus, delays…) . Dry does not (although you could add some compression and eq for example) . Before sending these split sounds to the amp, you gotta combine them back, blend them back together. Cause the amp only takes one signal in! . Why would you want to split and blend back the bass signal in the first place? Simple: adding effects is fun and improves the sound, but it might make the bass sound like a guitar in some cases, and we don’t want that now, do we? . So we insert in the wet signal some dry signal (blending!) to make sure our bass sounds like a bass and everyone is happy. Especially the guitarists. 🤓

@thewetterbass I think I get it now, thanks!

One Control Mosquito blender. 😉

Hello! What bass do you use?

@@thewetterbasshi there :D i use an Aria pro SB CB bass for now , I do have an Ibanez BTB Iron Label bass with active electronics . I haven't tried it on the BTB yet though, due to a string getting popped 😅

Ok… does the Aria Pro have active electronics and if it does do you tend to boost the lows? Cause that could be a reason why a drive pedal would “💨 “… 😅

Yes! I’m genuinely impressed.

I don’t know. I think it’s an original design that might have some similarities due to the fact that it’s the same company. But I think they are inherently different circuits.

Thanks. Well, it was just something that I heard (from a reliable source I thought- can’t remember who though). Jeorge Tripps designed both I believe. The story was that he just migrated the circuit from Way Huge to MXR when he started working for MXR

Oh! I haven’t tried the M89 but from what I can hear in all the video on YT, it kind of sounds darker that the P&P… 🤔 guess I’ll have to compare them myself eventually!

Oh… tried Instagram or other platforms? Can I help in any way?

@ Thank you for reaching out. They finally responded to my inquiry.

Get the Kasleder if what you want is more of a preamp saturation type of OD. The saturation does sound shaper than the LucyDreamer that’s fuller and darker. Both can be used as always on, but I feel the jellyfish is better at that whereas the 💡 behaves more as a quality traditional drive. So basically clarity VS thickness. Let me know what you prefer.

Thanks, helpful

And perhaps more articulation. It also depends on mics and their position, eq and lately something I’ve been getting into a lot: High Pass Filters for tightening up the lower end. Still I think an amp tames more the upper mids for a more controlled sound. 😉🍻

You did good, an awesome pedal for sure!

Maybe, but wouldn’t 3 more switches on the top make the pedal less user friendly? I argue that it is better to have a “set and forget” base sound and then sculpt it with the top controls. But yes, that’s also something the builder himself asks…! 😅

Oh and yeah… I got more very nice things to review from Mozztronics!!!

I’ll check today.

👌 sounds good.

@@thewetterbass The head-stock looks like an old gouvernail the thing that steers the boat ..

@bertrandmajorik6589 Goovernail! 👌 A “rudder” I think it is called in Shakespearean… now that you mention this, it does look like that yes. 😉

True! However, it would be too much if all the internal jumpers would be switches outside, on the top plate. However, once deciding what sound you need or want, then it’s just right. Love the eq on the BP-7 for example. 👌

@thewetterbass I start to think I need an end of chain pedal like that to provide a consistent impedance and level between some pedal combinations. Another reason for always using the amp as pre at home I guess. I like the new bass but don't hear much stingray preamp tone. More like a super P

That pedal can give you that preamp sound like the one in the third sound sample in the video. Interesting what you mention about the MM side of my pickup. What I primarily wanted to say is because it’s a humbucker and has similar size, it reminds me of a MM pup. But I love the “Super P” remark, I think you defined it even better that I could ever!!! ❤️ thanks!!!

@thewetterbass well done on the bass. I must credit Dingwall for the super P moniker. Maybe the 'Tachyon P' (faster than light).

Fat P, PBucker… 😎

Good question. The answer to me is obviously yes, because the market already exists and consumers know what to expect. Offering a new take on that sound is always positive and a plus for sales. So although a CMOS overdrive is a CMOS overdrive, like a tube screamer is a tube screamer, this doesn’t mean that it ends with Darkglass or Ibanez. The BP-7 offers more versatility than any pedals it clones at this price range. 😉

Which one do you have?

@@thewetterbass I have the Darkglass Microtubes X Bass Preamp.

Imho the most “modern metal” sounding. 👍

😂😂😂 I’ve done worse…