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Пікірлер
@cat-sanglasses413 9 күн бұрын
I didn't know this thankss :0
@elijah_m_t 9 күн бұрын
This is so good, you should release more covers!
@sebastianarteaga8401 22 күн бұрын
Thanks, i was overdoing it
@duytuan2425 27 күн бұрын
I think you described the correct sensation while singing is right on the money and easy to follow. However, seems like the best posture (slightly hunched, head tilts a bit) to achieve best air support from the back does not look very nice !
@raquel.reigns Ай бұрын
Extremely helpful
@murkshroom Ай бұрын
My man assisting with demographic situation worldwide with this tutorial 😅
@jeromeandres9395 Ай бұрын
No one can sing from the diaphragm..diaphragm can only use as air support pass to your throath/ vocal chords to create sound..diaphragm can not create sound never! Only our throat/vocal chords can create sound this us based on science.if you want good quality sound in singing trained your throat/vocal chords then learned how to used proper breath support from your diaphragm..those coaches who told you sing from your diaphragm they dont know what they are talking,they are just copying whats other coaches said.but in reality no one can sing from there diaphragm no one!!
@VocalLiberation Ай бұрын
Hi Jerome. Would you mind telling me specifically where in my video I said something incorrect and/or copied from other teachers? Also, how many singers have you trained?
@Xeno298 Ай бұрын
NSFW 😂
@fatimabhadelia3717 Ай бұрын
All my teachers are always like squeeze in for the highnotes but I’m just not able to do it :( and it’s kind of painful :( So do i need to push my stomach out for High notes? Like we do while inhaling ?
@VocalLiberation Ай бұрын
There is a bit of a difference between what you do when in the INHALATION part of the breathing cycle and the EXHALATION part of the breathing cycle. What your previous teachers were probably referring to is the EXHALATION part (although some teachers use the term "breathing" indiscriminately, so you'd have to ask to be sure). When you are actually making sound (which is the exhalation part of the cycle), there are multiple places in the torso where you may feel engagement of muscles -- in the lower abs below the belly button, in the upper abs above the belly button, in the sides and back around the obliques and kidneys, and slightly higher up in the sides underneath the armpits. Where exactly you feel the engagement will vary from singer to singer. It depends on the structure of your body as well as how you habitually breathe. Most people will tend to feel one place more prominently than the others, but keep in mind, ALL of the above should be working simultaneously. When singing high notes, there is a paradoxical movement that occurs. There is both an inwards pull (like the ab muscles pulling straight inwards towards your center), but there is also a counter outwards push AGAINST the inwards pull. Both movements are happening simultaneously, but again, most people will tend to tune into one side of the motion more than the other. It depends on what habitual tensions you hold in your body. Some people naturally pull in their abs all the time (I mean in everyday life) -- so for those people, they may have to think of pushing out to find balance. But then you have other people who are naturally very loose and relaxed around the abs -- so for that group of people, it often feels like they need to think of pulling in. What's more important beyond any of those things is how it all coordinates with the sound! That's the point I was trying to get across in the video. (In my opinion) breathing should always be viewed in relation to how it affects the sound. If you're not exactly sure where you sit on the spectrum I outlined above, you might want to take a few lessons so you can get more clarity on how things apply for YOUR particular body.
@fatimabhadelia3717 Ай бұрын
@@VocalLiberation thankyou so much! This is the most detailed answer I’ve ever had ☺️
@VocalLiberation Ай бұрын
You're welcome.
@VocalLiberation Ай бұрын
You might also wanted to check out my other video on breathing from the diaphragm on pushing down an out. in that video, I detail some of the different areas where you can feel muscular engagement. You just choose whichever way you feel most prominently.
@fatimabhadelia3717 Ай бұрын
@@VocalLiberation thankyou for letting me know :) May I have the link to that video please
@krasimiratoshkova1713 2 ай бұрын
The voice
@LatrelLatruth 2 ай бұрын
WOW….. THAT REALLY HELPED ME…. GOD BLESS YOU
@VocalLiberation Ай бұрын
You're welcome.
@redplant5926 2 ай бұрын
It's not expanding 😭
@VocalLiberation Ай бұрын
If you don't feel the movement, you don't have to fixate on it. It's just one piece in the equation. There are other ways to get to the same place.
@ellispiper6313 2 ай бұрын
Awesome video !
@VocalLiberation Ай бұрын
Thank you!
@naomipressey-df5kv 2 ай бұрын
Qqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqqwwwwwwwwwqq
@slowsun597 2 ай бұрын
It's so helpful! Better than all of my vocal coaches!
@VocalLiberation Ай бұрын
Happy to hear it helped.
@janetbrodesser236 2 ай бұрын
Great helpful exercises! Great teaching. Thankyou!
@VocalLiberation Ай бұрын
Thanks for watching.
@kalisaxa 3 ай бұрын
omg, you are a real teacher. thank u
@VocalLiberation Ай бұрын
Thank you. I appreciate it.
@pravaed 3 ай бұрын
What if you stretch it till the frenulum is stretched out fully and starts to hold it back? Is that the limit or should you pull further slowly?
@VocalLiberation Ай бұрын
Perhaps you posted this comment on the wrong video. But if you're referring to holding the tongue out of the mouth, do it to the point where it is comfortable -- stretched out, but still comfortable. If you have a rather pronounced frenulum, then yes, it will create a natural limit for you; don't fight that too much.
@pravaed Ай бұрын
@VocalLiberation thank you!
@fyvnyn0990 4 ай бұрын
I’m a very energetic voice, naturally.
@fyvnyn0990 4 ай бұрын
Do you have any video on how to hit high notes, as a bass/baritone?
@VocalLiberation Ай бұрын
The technique is the same regardless of voice type. The only difference is for a bass and/or contralto, there will be a more drastic change in COLOR of the voice as you go up. The change in color can be psychologically upsetting to some singers if you've mentally married yourself to only one color in the voice. It may feel like it's "not you" at first. This is a specific problem lower voiced singers have to deal with IF they want to sing higher. Any musical instrument goes through color changes as it goes throughout its range. However, the bigger the instrument, the more drastic the color change. Take a bass guitar, for instance. In the 2nd octave, it takes on the deeper, fuller character most people would typically associate with a bass guitar. However, once it starts playing in the 4th octave, it sounds quite different! It begins to sound more like a guitar! This is very similar to what happens in the bass voice. When a bass starts getting around the 4th octave, the voice takes on more tenor-like qualities. If you don't allow this to happen, you will end up fighting the voice. Look up Ildebrando D'Arcangelo singing "Dov'è la figlia". He is an operatic bass baritone, but as he goes deeper into the 4th octave, the voice sounds more tenor-like, especially from E4-A4. Same for another bass-baritone, Wintley Phipps, singing "Wade in the Water" or "How Great Thou Art". Higher instruments experience a change in color in their sound, but it is less drastic compared to a lower instrument. Compare a violin vs cello; a trumpet vs. tuba; a soprano sax vs. baritone sax; a lyre to a harp; a ukelele to a guitar; a flute to a bassoon; etc. Also, you will experience a change in color depending on the dynamic level you are singing at. This is true of all instruments. As you play/sing softer, a lighter and/or more delicate color tends to come out; as you play louder, you get more of the full color of the instrument, even if it's the exact same note. So, if you are truly a bass, as you sing softly, you will sound a bit more tenor-like, but as you sing louder (on the same note), you will get more of the full bass color. Again, you must allow this to happen. If you resist these things, then you will limit your voice and get stuck in only one segment of your range. And just for clarification, this change is color does not mean singing in falsetto. It will still be your full voice, but a different aspect of your full voice. (The full voice has many shades and colors within it.)
@maazsaleem9926 4 ай бұрын
9 years later you are still helping people wiht limited resources who hope to make it one day. THank you so much!! <33
@VocalLiberation Ай бұрын
I really appreciate your comment. It means a lot to me!
@kevin-ms9fn 4 ай бұрын
Males Exercise 1 - 2:40 Males Exercise 2 - 6:43
@chameleon25 4 ай бұрын
My thumbs are sore from holding my sides for some reason but I am so happy I watched this, I feel like I finally get it!!
@weijunwang3160 4 ай бұрын
Thank you for posting this video. This is a very important topic for studying singing. However, when you are comparing the different ways of singing, I suggest you sing in the exact melody with the 3 larynx positions. So it is easy for people to compare an apple with another apple. If you change the melody in one of the mode, it is hard to judge the effects. Are they different because you were singing in different styles or in different larynx positions.
@VocalLiberation Ай бұрын
Hi. I understand your point. I guess I should have clarified it in the video more. When the larynx is not in a neutral position, it becomes more rigid and inflexible -- that is, it gets locked into place and prevents you from having dynamics and agility. The larynx can get locked into both a high AND a low position. The 2nd example was to demonstrate that the voice was able to move (that is, not locked).
@patrickrwhite8354 4 ай бұрын
Hello Nelson my dear friend. I loved listening to this song you play slow and faster perhaps normal tempo the second time it was really great to hear the differences. You always play things perfectly no blunders at all. I enjoy listening to your videos and they are always delightful selections. Thank you and have a great weekend your Fan and friend Patrick.😄😄😄😊😊☺☺☺❤❤❤🌹🌹🌹🎼🎹🎵🎶🎵🎶🏆🏆🎈🎈🎈🎈
@VocalLiberation Ай бұрын
Thank you. I appreciate it.
@rollaetter6389 4 ай бұрын
Hey, I know this video was put up like 10 years ago but I appreciate the teaching rather than snarky youtube shorts that say just don't do it. This is a bad habit that I want to break. Thanks for the example and straightforward instruction.
@VocalLiberation Ай бұрын
You're welcome.
@Kid871 4 ай бұрын
Your honestly one of the best coaches I’ve seen mate. And I’ve watched about 50 on utube haha and had 3 coaches in person.
@VocalLiberation Ай бұрын
Thank you. I appreciate it.
@aphillipsmusic 4 ай бұрын
This was very helpful. Thank you
@VocalLiberation Ай бұрын
You're welcome.
@Kid871 5 ай бұрын
Grea vid man thank you
@VocalLiberation Ай бұрын
You're welcome!
@paulnovello1393 5 ай бұрын
You are amazing! Excellent, excellent teaching!
@VocalLiberation Ай бұрын
Thanks for watching!
@saundradavis 5 ай бұрын
Thank you so much sir! I'll be practicing what you teach every day. My tongue is very shaky when doing these exercises because I'm so tight. But I already feel it making a difference! Thank you for your wisdom!
@VocalLiberation Ай бұрын
You're welcome.
@paulnovello1393 5 ай бұрын
This was the clearest explanation of how to apply diaphragmatic breathing and support to singing that I’ve ever heard. Excellent! Thank you!
@mikewarren5110 5 ай бұрын
Does it work?
@paulnovello1393 5 ай бұрын
Yes.
@Gwen0902 5 ай бұрын
It works 😊 Thank you 🙏🏻
@VocalLiberation Ай бұрын
Just try it out for a couple of weeks. You don't have much to lose. :)
@VocalLiberation Ай бұрын
You're welcome!
@singrurura6600 5 ай бұрын
4:48 13:25
@katiej5051 5 ай бұрын
Please come back!! Your videos helped me so much!!
@VocalLiberation Ай бұрын
I'm undecided if I will come back. But there is enough content on my channel to keep you going for a while.
@hickorysocks2628 5 ай бұрын
This is actually major
@rileycronin-schneider8101 5 ай бұрын
This was great!
@VocalLiberation Ай бұрын
Thanks for watching.
@tphillips4870 6 ай бұрын
I can't believe these videos are 7 yrs old and I'm just seeing them
@VocalLiberation Ай бұрын
I guess the search engine is not working effectively to bring up my videos! KZbin keeps changing their algorithm so much. Glad you finally came across it, though.
@Jackmille20 6 ай бұрын
Good vid, but this video had no business being 30 minutes long. Could’ve been 10
@VocalLiberation Ай бұрын
Hi Jack. It's possible that this could have been done in 10 minutes. However, I've seen a singer come down with a debilitating injury that lasted for years by doing an exercise like this incorrectly. I debated a long time before even putting up half of the videos that I did. Therefore, it is my duty to present everything in the manner that I did, because I know a lot of singers are overzealous and can potentially end up hurting themselves. When it comes to safety, it's better to have too much than not enough.
@c.a.g.3130 6 ай бұрын
100% right.
@adeelrazaofficial 6 ай бұрын
Huge respect…. My teacher❤
@VocalLiberation Ай бұрын
Thank you.
@richii3 6 ай бұрын
I badly need to remove this if I wanna start a singing career. But I did all the steps in this video, yet its still here, It didn’t do any difference. How can I fix this! Somebody please help. Thankyou
@VocalLiberation 6 ай бұрын
What was shown in this video is just a "quick fix" so you can at least see the relationship between how what your head does affects your singing. The long term solution is you need to do physical strengthening exercises for your upper and mid back, your glutes, and your hamstrings. Thing like rows (particularly ones done to the neck and/or face); deadlifts, particularly stiff leg deadlifts and/or single leg variants; split squats; front squats and goblet squats; chin ups and pull ups; back extensions and arch holds (see gymnastics routines); etc. The back side of your body (basically all the parts you can't easily see in the mirror) need to be strong. If the front side of your body is too strong (relatively speaking), it will overpower the back side, and your head and neck will tend to go forward, especially when you have to exert yourself. (Singing is a form of physical exertion.) Unfortunately, most of modern living will heavily bias you towards the front side of the body, so you have to do regular maintenance to keep things in balance. Jerzy Gregorek has a simple routine with 3 of the above exercises for helping to condition all of this. It starts around 6 minutes into the video. kzbin.info/www/bejne/joa7gZuhg6eGgbc The KneesOverToesGuy here on KZbin also has a lot of good routines for strengthening your hamstrings. www.youtube.com/@TheKneesovertoesguy As the back side of your body gets stronger, it becomes more instinctive to do exactly what I showed in the video without having to use your finger.
@acsamaltez6313 6 ай бұрын
I love you haha 😅
@Truthinlove03 6 ай бұрын
I thank Elohim for you. I have been wrestling with how to breathe properly for years. I was only focusing on my stomach expanding but that would only produce to much air and cut my throat off. I didn’t feel grounded. You have explained this technique perfectly! I pray that Elohim will bless you. Thank you for your passion to learn and teach.
@Truthinlove03 6 ай бұрын
Wonderful!
@VocalLiberation 6 ай бұрын
Thank you.
@Truthinlove03 6 ай бұрын
@@VocalLiberation your welcome! Are you still providing lessons via Skype?
@VocalLiberation 6 ай бұрын
Yes, I am still giving Skype lessons. If you need to contact, you can use my email address listed on the About tab on my profile here. Click on the description underneath my name. kzbin.info/door/Oo8t_JyP9tX07vgrK8zQxQ
@Truthinlove03 6 ай бұрын
@@VocalLiberation is this the email address youtube.com/@VocalLiberation
@Truthinlove03 6 ай бұрын
Lovely!
@simplyvibinn5417 6 ай бұрын
thank you for the thoughtful video
@VocalLiberation 6 ай бұрын
You're welcome.
@JaaaayTeeee 6 ай бұрын
Title: The Role of the Diaphragm in Singing: Dispelling the Myth Introduction: Singing is a multifaceted art form that involves coordination of various physiological mechanisms. Among the many misconceptions surrounding vocal techniques, one of the most prevalent is the notion that the diaphragm plays a significant role in singing. However, recent scientific understanding and empirical evidence suggest otherwise. This essay aims to dispel the myth that the diaphragm is actively involved in the act of singing. The Anatomy of Singing: Before delving into the role of the diaphragm in singing, it is essential to understand the anatomy involved in vocal production. The human voice is produced by the vibration of the vocal folds, situated within the larynx. Airflow from the lungs passes through the vocal folds, causing them to vibrate and produce sound. This process is primarily controlled by the intricate coordination of muscles in the larynx, rather than the diaphragm. The Function of the Diaphragm: The diaphragm is a dome-shaped muscle located at the base of the ribcage, separating the thoracic and abdominal cavities. Its primary function is in respiration, as it contracts and flattens during inhalation, increasing the volume of the thoracic cavity and drawing air into the lungs. Conversely, during exhalation, the diaphragm relaxes, allowing air to be expelled from the lungs. Dispelling the Myth: Contrary to popular belief, the diaphragm does not play a direct role in the act of singing. While it is true that singers require sufficient breath support to sustain notes and phrases, this support is not achieved through active manipulation of the diaphragm. Instead, it is primarily controlled by the intercostal muscles, which are located between the ribs and assist in expanding and contracting the ribcage to regulate airflow. Furthermore, the notion of "diaphragmatic breathing," often touted as a fundamental aspect of vocal technique, is misleading. While singers may engage in deep, relaxed breathing to optimize breath support, the term itself is a misnomer, as the diaphragm is not consciously controlled during normal respiration, let alone singing. The Role of Support Muscles: Effective breath support in singing relies on the engagement of various support muscles, including the abdominal muscles, obliques, and lower back muscles. These muscles work in synergy to stabilize the torso and provide the necessary control over exhalation, allowing singers to regulate airflow and sustain vocal phrases with consistency and control. Training and Technique: Rather than focusing on manipulating the diaphragm, singers should prioritize developing proper breath support through targeted training and technique. This involves exercises aimed at strengthening the support muscles, improving posture, and developing a deep understanding of breath management and control. Conclusion: In conclusion, the belief that the diaphragm plays a significant role in singing is a pervasive myth that lacks scientific basis. While the diaphragm is crucial for respiration, it is not actively involved in the intricate processes of vocal production and breath support. Singers should focus on developing proper technique and training the relevant support muscles to optimize their vocal performance. By dispelling the myth of the diaphragm's role in singing, we can foster a more informed and effective approach to vocal training and performance.
@VocalLiberation 6 ай бұрын
Hi. Would you mind telling me what part of your message is in disagreement with what I described/demonstrated in the video?
@JaaaayTeeee 6 ай бұрын
Hey my friend, yes its all right, only the title, we can not sing from the diagprahm, thats all. Thanks for spreading the good word, love ur content@@VocalLiberation
@VocalLiberation 6 ай бұрын
Ah, I see. The title wasn't my preferred choice. I only used it because that's what people search for when looking for information. :-) Thanks for watching.
@Worship8D 7 ай бұрын
Thanks for this ! It really helps
@VocalLiberation 6 ай бұрын
You're welcome.
@donwade-di8ny 7 ай бұрын
I think this guy's a tenor! Be careful baritones!😮😮😮😮😮
@VocalLiberation 6 ай бұрын
I'm more of a high baritone, or what some may call a bari-tenor. I definitely don't have one of those high tenor voices. That said, this works fine for baritones. But you MUST take your time, and you MUST do BOTH exercises, not just the first one.
@edwardalkhoury 7 ай бұрын
my hero
@VocalLiberation 6 ай бұрын
Thank you!