Umm, I'm still alive.

Unless you’ve made a mistake elsewhere, you might have the wrong expression engine on. That can happen if you’ve opened an older project since that is a preference saved with the project. Then that becomes the new default until you change it. Go to File > Project Settings. Go to the Expressions tab and make sure it’s set to JavaScript.

I don't believe so but you can check here: aescripts.com/lockdown/ That said, if it exists, it'd probably be a lot more of a pain to use in Premiere.

I don’t know how you figure that, but it’s 3D. It’s a plane and the sound affects it on the perpendicular plane.

I'm not 100% sure what you are asking. You can use a compositing TAG to make an object not cast shadows on it self or others or receive shadows. You can also use a compositing TAG to to make an object a matte object. That all said if you are using Redshift you will need to use an RS Object TAG in place of the compositing TAG.

Thanks! You couldn't easily do it where one animation stays looping as it would go to the next one in the comp eventually. But if you want to do that-it's been a bit so don't quote me-you want to ignore the step around 1:45 of changing Time Offset Type to Absolute. All of that said, you might want to visit this post instead. This other technique would fit more of what you're trying to do I'd imagine. There's also a bunch of links on there to other tutorials I've done that also fit this sort of technique. workbench.tv/tutorials/2019-08-30_GridGeneration/

Thanks! Simulation is beyond anything I’ve tried in it. I would think it might, but you’ll have to implement all of the math. Their forum is quiet but pretty good. There’s a dude there named John that has done a lot of things and is usually around to help. He likes seeing people around to help keep the forum alive.

No. We just numbered our tutorials when we started.

Lottie doesn't allow expressions. You'll have to bake the keys.

@@Workbenchtv Ah, ok. Thank you <3 Anyway it seems super useful for animating isometric stuff! :D

@@leon-g You're welcome! It is. By the way, you can use EasyBake to make it easier.

@@Workbenchtv Cool! Haven't heard of that before, but I will check it out!

Thank you so much for the kind comment! You’re welcome! We still plan on making more. Time just became a huge factor.

@@Workbenchtv ooooh! Can't wait 🔥

Never got this notification. Nice! 😂 You’re welcome!

I realized I can do the same thing by just duplicating the layer can change the seed and opacity tho!

You're welcome ! I just tested in AE 2022. I think what's happening is this: when you have the shape's group (Shape 1) still selected and you add a Repeater and Wiggle Transform it ends up in the group, so when you change the opacity of Transform: Shape 1, everything changes as one unit essentially. Repeater and Wiggle Transform need to be outside of Shape 1. You can drag them out by dragging them on top of Contents. Alternatively, you can change the opacity on Stroke 1 instead. Basically, the opacity change just needs to happen before Repeater and Wiggle Transform.

@@Workbenchtv OMG YOU'RE RIGHT!!THAT'S WHERE THE PROBLEM IS!! I dragged them out of shape 1 and now it works!! Thank you so much!!

@@1314specialYou're welcome!

You're welcome!

In Saber, you need to open up Render Settings and go to Composite Settings. Change it to transparent.

You’re welcome!

We might just have to release an analog version. 😂

It has nothing to do with how the months are 0 indexed as I'm explicitly giving it the date as a string, not an integer. It has to do with time zone. Creating it as YYYY-MM-01 assumes the first day of the month but at UTC. I'm not in UTC, so it gave me the previous month. If I omit the 0 from the day (YYYY-MM-1), I'm not 100% following the ISO 8601 spec so it no longer assumes UTC. The most proper way would be to add the correct time + timezone. Or just set it to the second day of the month as the method I chose could break on other systems. You can get a better explanation here: developer.mozilla.org/en-US/docs/Web/JavaScript/Reference/Global_Objects/Date#date_time_string_format When the time zone offset is absent, date-only forms are interpreted as a UTC time and date-time forms are interpreted as local time. This is due to a historical spec error that was not consistent with ISO 8601 but could not be changed due to web compatibility.

@@Workbenchtv ohhhhhhhhhhhh damn thanks for correcting me

@Nicogs you’re welcome. It wasn’t a bad assumption. It’s just a very weird, niche thing.

I don't remember what this one was originally, but it shouldn't matter what size you use.

@@Workbenchtv okay thank you

The angle control doesn't do anything on its own. Also, I'm not sure what you added the code to if you don't have Animator 1 on there. That means you're not using a text animator, which is what this whole video is about. On your timeline, next to > Text under your text layer, you'll see Animate > on the far right. You need to click that and pick something to animate. If you didn't do that, nothing would happen. Here's the help info for text animators: helpx.adobe.com/after-effects/using/animating-text.html Text Animators isn't a generic phrase in the context of After Effects, it's a specific thing so you can animate text.

You'll need written permission from my wife. 😂

😂

Hey! You need to use its controls. There might be a way to link that with a camera in AE, but there's no way to easily push in or pull out. If you need that kind of control, it's best to move to an actual 3D program.

Thanks!

Here's the issue. If you're a beginner who's trying to learn, this probably isn't what you should be learning. But if you're intermediate to advanced, this is aimed at your skill level. What I skip is all of the really basic stuff-"this is how you add a new layer" etc. That said, this one was pretty fast-also likely done when I didn't have much time-and I could've at least showed what the matte I used looked like. Anyway, all this is to say that I've been considering how to approach this for the future. Hopefully we'll get back to it soon. Thanks for your comment!

It all depends upon who develops it. I don’t recall at the moment, but I use C4D so I probably followed its convention. I believe most packages are similar, but then you get Blender which uses Z-up instead of Y-up. CAD follows that same convention too I believe. So I guess ultimately I just chose what I liked.

Shh!

I had to.

Unfortunately, until we have true variable fonts in After Effects, it's always going to pop between the different weights. But it even does in this video. I just chose a font with a lot of weights. The more in-between weights you can get, the smoother it will be. 4 is going to be choppy unless the duration of your animation is REALLY fast. I used 8 in this example.

Haha, thanks! I’m glad you found it useful!

Glad to hear it!

Why would I know? As I’ve never used Vegas, you’re more of an expert in it than I am. 😂

Haha, thanks! Glad it’s still helpful!

You should be able to right click on your audio track, select Keyframe Assistant > Convert Audio to Keyframes, and connect the Both Channels slider on the Audio Amplitude layer to the Amplitude of Producer 1. That said, I haven't tried it so I don't know exactly if those two things will translate since time is a factor in the Wave World effect.

Desculpe. Este é apenas um tópico realmente avançado.

You're welcome!