Nice one John, and good on you for helping a fellow out! 👏 I'm in the UK and when I first started my channel and motovlogging about a year ago, I went with the 60fps that everyone said I should use, even though some of these were quite big KZbinrs also from the UK. I didn't notice a problem until one day I happened to ride past a pub that had incandescent lights outside, which were strobing badly on the footage. I tried to use the deflicker effect, but it wouldn't fix the lights unfortunately, as I think the effect works better on the whole frame rather than individual points of light. It was only some test footage so no real problem, but I quickly learned to set all my cameras, my phone and even my drone to 50fps so I didn't end up with a problem later on. Interestingly, these same KZbinrs now all seem to be using 50fps so I wonder if they learned the hard way too!

Great Video John , But Its not free its asking for studio.

Cool stuff!

I’m very sensitive to LED lights.

Support for the channel 😎👍

Awesome

That did look like Fun to figure out. Thanks

Interesting video. I was familiar with "Deflicker" but didn't know it could be stacked. I live in Europe so frequency mismatch is something I always take into account before recording. The fact that your friend recorded on an iPhone got me thinking and testing with my 14 Pro. What I found was that there was no perceivable flicker when previewing or recording the TV(50 Hz) or the Christmas tree lights(50 Hz) or battery-powered LED lights while shooting at 24, 25 or 30fps. Where it became noticeable(and only in the projected light on the wall and not the lights themselves) was at 60fps and I didn't go higher as a pattern was starting to develop and I don't typically shoot faster anyway. The flicker in preview was slightly more noticeable than the recorded file. Maybe the flicker in the clip shot at 60 fps was the reason "Deflicker" worked the best on it? Unless you need to slow the footage down in post, a reasonable option would be to shoot at one of the three slower "base" recording speeds instead of switching to a different system, PAL or NTSC as the case may be.

Great video! How did you set up your media pool so you can scroll? I have looked everywhere in my studio version and cannot figure it out. Thanks!

Great video John, thanks for calling out FCX Pro. Hahah Thank you for saving my 🥓!

Thanks brother. I've been wondering how to parameterise in Fusion. This kicks open a few doors!

Brooo, this video was so useful! Thank you! 🙏🏾

Is it possible to create presets that would auto-add something like a 2 second disolve to the start and end of a timeline? I have 300 ish seperate timelines for a bunch of small videos and adding then manually is tedious T_T

Yes, Yes. Yes I had no idea you could do this. Thank you John!

Great video man. I’m so glad you started this channel. I have struggled with editing, audio, bad, audio, and even not uploaded content because of bad audio if I only knew..

Is it so that I can't put any effects on the magic mask, otherwise everything is black or the mask is gone. Only the first frame is still there

Great video - and this makes me thing about buying it now ! :)

Using the Cut Page is way faster and easier by using the Sync Bin. All clips plus separate audio tracks from a lavalier can be synced easily and you can mark in and out quickly whatever part of a clip you like to place on top of your master track. Then afterwards you can start the finetuning on the Editor Page.

I've been using the method you showed in your previous Multicam video since I watched it, after struggling for months to get the sync bin to work correctly with the footage from my three cameras. It was a complete game changer for me as the sync bin method just isn't accurate enough when dealing with motorcycle footage that only has one clear audio track to work with. I tend to do one clip per timeline, but I'm going to try this method of having all the clips on one timeline next time, as I think it looks a lot more efficient. I have the added complication of one of my cameras being on my wifes helmet so her audio is completely separate from mine as she rides her own bike. In addition to this, the audio on my 3rd camera is from a mic under my seat so all that has is engine noise on it. I have to combine the three audio tracks into one compound track before I convert the timeline to multicam. Once I've finished the edit, I have to flatten the multicam clips and then decompose the compound audio to separate them back onto three audio tracks to be able to tweak them individually. All good fun, but I'm still looking for a better way to do this! Love the bonus tip by the way! Great video as always John, many thanks!

ive watched the other two multicam videos and im still learning things with this one, thanks its going to be a big help for 2025

It was magic mask

Thanks for the tips you gave this year. The best wishes for 2025 and hopefully you bring more interesting tutorials

I bought studio just for magic mask. Trying to figure out how to use it to insert myself into movie clips. Having a hard time fixing a track when it gets way off and I start losing most of the picture. I'm sure I'm not using the tracking mechanisms right

Happy New Year 🎆

Maybe because my videos only have dialog and no other sounds, but the sync always works for me, I don't have to do any of those steps that you did, I just load them sync using waveform create timeliness using multifamily and bobs your uncle. Oh and I have a speed editor, makes the rest of it that much easier, no keyboard shortcuts, it has the buttons and a scroll wheel on it.

Autosync used to work for me until Davinci 19 then it has not worked since.

Great Video! Thank you again! Would you mind putting the download link of the Beep in your description? And may be also the exact Expression? So it would be easy to copy and paste it. Thank you so much. Greetings from Bavaria/Germany.

Support to the channel 😎👍

Merry Christmas 🎄🎁

@CreatorReality, yet another GREAT tutorial! You are k*lling it with these vids., bud!

Pretty cool. 🤘

being able to edit 4k 60fps footage.

Nice video, but i'm having trouble masking (moving) objects infront of the subject and reflecting in a window. Still not sure how to handle it the best and easiest way LOL.

This is what im looking for, new subs for solving my problem

When I take pictures of, for example, a hand-held landscape, the effectiveness of EIS is zero whether I have OIS enabled or not. I have to stabilize in Davinci Resolve. I'm disappointed because the EIS on my cheap Samsung smartphone is really strong.

That IS cool !!! But how to save this modified generator for reuse in other projects/scenes? I've tried, but I loose all the controls.

Great video, thanks

Well well you've modified your style over the last few months I think cause this one is quite an upgrade imo. Describing what you're doing even if basic, a good pace for mentally following along, no cigar, and unique content really suits me. Thanks for the tutuorial.

Thank you.. YOu have provided all the details.. Best!

Ιt looks like it takes nuclear physics to boil an egg.

Thank you, very useful video....Colin Devon uk.

Definitely appreciate the patience and the explanation of the the Switch node. I can see multiple applications for this node. The easiest way to achieve the reverse - is to make make the Stage Curtains a compound clip and put a reverse time effect on to the compound clip itself. Still, I appreciate the mental math inside Fusion because walk throughs like this give you an overall better understanding of how Fusion works... and it can be a very hard thing to wrap your head around.

Great stuff. Didn't know about the Switch Node. Now subscribed 👍😊

Great video! You demonstrated how to save DR 19 generator in "Power Bins". Can you please show or verbalize ALL the steps slowly while doing this? Mine doesn't move to Master clip folder using 18.6. Should this be saved under "Power Bins" or "Smart Bins" ? Need an entire video on saving favorites Thank you

Everything mentioned is what we have read. More crop = more stabilization. Have tried 60fps footage before with poor results. Later found a video tutorial that mentioned DR has a 30 fps stabilization limit. Wanted to mention this for future video testing. Enjoy your videos. . . Thank you

All that effort just to reverse an effect… Davinci needs to simply this. I would just add the Curtain effect, make it a compound clip and then reverse the compound clip.

Wow, fantastic - and easy to do. Thank you so much!

All is well but I like keeping of yours cigar styles👌

so cool, i'm impress. I must subscribe :))