Great information! One issue though - your mid gray point is slightly off. I know this because without adjustments to that node, there should be zero change in the grade , whether on or off, if the point is in the right spot. In reproducing your point, I found it very very slightly off. I created a different point that appears to be perfect. I would recheck yours by turning that node on and off.
@ahmetjan1983Күн бұрын
indeed an eye opening video
@ronenpestes7550Күн бұрын
Really nice video
@wonderlandgrading37973 күн бұрын
hi . i love the way you explain things . i have one request . i have been in colorgrading field for almost 5 years now . i work in mac powered work flow . and i have been struggling wth a gamma shift in my exports all my career no youtuber has given a proper solution , id say iv tried evrything out there . can you please show us how to sort this out startting from display settings to callibration and export settings for web and cinema.
@wonderlandgrading37973 күн бұрын
hi . i love the way you explain things . i have one request . i have been in colorgrading field for almost 5 years now . i work in mac powered work flow . and i have been struggling wth a gamma shift in my exports all my career no youtuber has given a proper solution , id say iv tried evrything out there . can you please show us how to sort this out startting from display settings to callibration and export settings for web and cinema.
@tiestolqa1463 күн бұрын
Its been a year but could you do a tutorial for this in da vinci?
@olisil5 күн бұрын
Maybe I misunderstood the concept altogether, but If I want to share an edit with a client, why should the client need to install the whole Studio, just to use the monitor? Why can't the monitor be freely available so I can share it with the client, and just hand the code? Also, in the iphone app I need to sign in to BM Cloud... Really?? so I should share my credentials with the client? There's no way to just enter the code. This could be done so much better from BM.
@TheSelfEscape5 күн бұрын
This is brilliant Barrett! Thank you so much for this tutorial 💨
@BarrettKaufman5 күн бұрын
Sure thing!
@geraldadamson6 күн бұрын
I was using it, but switched to macbook pro. Need to buy a num pad! Great explainer video!
@SeanHuangRealEstate9 күн бұрын
When I see the color of the wall, I know it's a pro colorist.
@BarrettKaufman9 күн бұрын
Thanks!
@eazyproduction900514 күн бұрын
Were can I get the 18 percent gray card you have on your screen
@BarrettKaufman14 күн бұрын
@@eazyproduction9005 you can grab it at the resource page in the description
@eazyproduction900510 күн бұрын
@@BarrettKaufman Yea sorry about that you literally said it in the video I forgot to say that I figured it out. And is it possible for you to go more in to detail about using the grey card.
@dabistudio_japan15 күн бұрын
I use it all the time. I have the Mini Panel but still using print lights is much easier.
@ja-kidnb641618 күн бұрын
Shhht, don't tell him there are keyboards with an integrated Numpad!
@okeyoku18 күн бұрын
This is insanely amazing
@nest081319 күн бұрын
Hi Barret, I'm encountering two issues. The first is that my iPad shows a different calibration, with higher contrast, compared to my calibrated ViewSonic monitor. Now I'm unsure which one is accurate and which one is not. The second issue is that in the video codec options, it only limits me to 4:2:0 8-bit and doesn't give me the 10-bit option. Do you know what I might be doing wrong?
@lakpasherpa214221 күн бұрын
yeah i have been using this num pads for a while now
@Andrew-je8gu22 күн бұрын
Hi bro, I need help. I have 27" oled 240hz and high end pc with pulling 900w. My question is can I use 900w pc + router + ps5. I will stream on that pc (and some time stream and play games on ps5). So can it run it? Edit: talking about 2200va/1320w model
@guyjinpop22 күн бұрын
interesting I've seen this process done by using layer mixer node with a hard light composite on the bottom node. would there be any reason not to use that and doing it linearly like you've done? Very cool explanation.
@BarrettKaufman19 күн бұрын
I've tried the layer mixer method as well, but prefer the added control that this method gives. It allows you to separate out the contrast and saturation adjustments
@santacruzsurfpics693022 күн бұрын
Can also use a proper professional keyboard that comes with numpad. Ideally backlit.
@unclejezza25 күн бұрын
This is awesone - I didnt know this either!
@BarrettKaufman25 күн бұрын
👍🏻👍🏻
@ConnorHu-l9h26 күн бұрын
the infrared filter was a custom project done by the filter god Ron at Birns & Sawyer. same man who made the Nope infrared filter
@BarrettKaufman25 күн бұрын
@@ConnorHu-l9h Very cool, thanks for the info!
@ElliotMillson26 күн бұрын
Love this technique! I only wish there was a way to map it to the gain wheel for linear gain adjustments, which I prefer for balancing.
@BarrettKaufman25 күн бұрын
SAME bro...I may have to double check the custom shortcut settings... there might be a way to map gain
@Jeff_Lathrop26 күн бұрын
Printer lights are awesome. For even more fine tuning, you can also use your mouse like a slider in the numerical RGB values of the primaries to make the same adjustments to RBG. Printer lights are really nice for cyan/magenta & yellow. Dang, that footage is great BTW and held up either way! Finally, adding blue vs subtracting yellow can yield wildly different results as well! Great video!
@BarrettKaufman25 күн бұрын
Love it!
@richpence26 күн бұрын
Awesome tip!
@BarrettKaufman25 күн бұрын
Thanks!
@richpence25 күн бұрын
@@BarrettKaufman this may be an obvious question, I’m new to color grading in DR. But is there a way, like with color warper, to pick a color from one clip, and have it auto correct another color on another clip to match? Specifically what I’m trying to do is make a LUT for applying the internal picture profiles of my camera to raw footage from the camera. I have a raw shot from my Sigma FP, with a color checker classic clear in frame, and then with the same settings and framing I have shot a sample of all the internal profiles, so I hope the color info needed is all there, but I am having a hard time trying to dial it all in to match by hand.
@badboujee26 күн бұрын
so simple yet effective! great tip, thank you!
@BarrettKaufman25 күн бұрын
Glad it was helpful!
@TheVDAP26 күн бұрын
I use StreamDeck for everything and I love it
@lennyforster26 күн бұрын
awesome!! did not know about this. will get one!
@BarrettKaufman26 күн бұрын
Great!
@martinphox26 күн бұрын
Awesome!! I love it, when you go technical - wouldn’t mind a little more of this… One specific question: As a DP I‘ve been creating my own looks for a while. How would I go about creating Show LUTs for on-set monitoring with different cameras? I‘m mostly using Blackmagic cameras, but sometimes we also have to work with Sony or REDs. Additionally I‘m using a pre-made pulldown-LUT that I would have to combine with the creative show LUT.
@BarrettKaufman25 күн бұрын
Yep! For an on set lut you would need to combine the creative choices and a technical transformation to display space Just make sure that you're happy with that transform, because you should probably also use it in the grade for consistency
@guyjinpop27 күн бұрын
so to do both in your project settings do you keep the contrast curve to linear then apply the roll off via curves in high/Low soft? OR do S-Curve option and do the linear adjust with Lift and Gain to control both? The above aspect specifically talking about your Project settings in the cog wheel area
@BarrettKaufman25 күн бұрын
Often I develop s curve contrast using the curves tool or a 3rd party plugin
@guyjinpop25 күн бұрын
@@BarrettKaufmanthird party being DCTLs or dehancer I'm guessing?
@BarrettKaufman25 күн бұрын
@@guyjinpop DCTLs seem the easiest solution at the moment
@putraadyatma7423Ай бұрын
what the difference between from alpha in and from second input? I tried the alpha in and dragged the mask alpha out to blur alpha in and it worked.
@BarrettKaufman24 күн бұрын
It's the difference between the blur fading with transparency or the blur increasing progressively Using the alpha inl is basically the same thing as the first example I show
@putraadyatma742324 күн бұрын
@@BarrettKaufman oh okey thanks because the older version like mine on 17, I can't drag alpha in to second out like u showed. so that'll be an alternative way with older version
@SirhexoludioАй бұрын
I know the video is 2 years old, any update on how it is now? was thinking of buying one can you recommend?
@BarrettKaufmanАй бұрын
Great experience so far!
@2006akkАй бұрын
subscribed
@pwanipostАй бұрын
Have struggled with split toning for a while and this just nailed it for me. Thank you so much for not complicating the process.
@BarrettKaufmanАй бұрын
@@pwanipost Thanks for letting me know!
@NINETY-97-SEVENАй бұрын
damn. earned a sub bro this is by far the best Blur tutorial out there. it looks so real!!
@BarrettKaufmanАй бұрын
@@NINETY-97-SEVEN 👍🏻👍🏻
@JJKaliskiАй бұрын
Very informative video!
@deepmusic2456Ай бұрын
If I am grading in 709 color space then I have to do trim pass for cinema projector in dci p3 how to do sir
@deepmusic2456Ай бұрын
This movie grade in dci p3 or 709 if grade in 709 then how to trim pass for cinema projector dci p3
@n3wzzz_playАй бұрын
How do u get the node with multiple inputs?
@raizanongАй бұрын
Saw technique this from Cullen Kelly
@zachkaufman5254Ай бұрын
I’m really liking the Q&A like format as you respond to stuff - keep it up! 👍
@BarrettKaufmanАй бұрын
@@zachkaufman5254 Thanks!
@sander1068Ай бұрын
Like Josh said: what is a good place for finding high quality creative LUTS? Most of the 'high quality' ones I have actually require Arri Log-C or Red log as an input and output straight to rec709. Also Curious about the right workflow in using Davinci wide gamut intermediate
@BarrettKaufmanАй бұрын
If you are referring to the official Arri looks, they should also be available without the 709 transformation on Arri's website. There should be a version that stays within arri logc Just be aware that many of them will have exposure shifts
@outdoorsinontario3037Ай бұрын
Fun fun, well done!
@BarrettKaufmanАй бұрын
@@outdoorsinontario3037 Thanks!
@joshforthАй бұрын
Hey great video! Do you have any recommendations on where to find quality LUTs?
@BarrettKaufmanАй бұрын
@@joshforth It's a struggle lol. I wish there was one great place to point to It's been a slow-process for me over time with testing and adjusting. Much of the time I'm just building my own In the future I hope to demo how I do LUT testing 👍🏻
@lennyforsterАй бұрын
awesome!
@BarrettKaufmanАй бұрын
👍🏻👍🏻
@cinematic_monkeyАй бұрын
Try radial blur ;)
@cinematic_monkeyАй бұрын
I used to get bleach bypass by overlaying a black and white copy on top - in overlay mode. Wondering if it could give nice results in resolve. Love your channel. I'm working in post production for many years, but mostly in the VFX, less in grading so I would very much apreciate a basic tutorial on a modern colorist workflow within davinci wide gamut - I'm stuck in arrilog to rec709 workflow...
@synthcrazymtl414Ай бұрын
I would like to thank you a lot for simply explaining this process and makes us actually want to use it. Also thanks for giving us for free those 2 power grades. You just won a new subscriber!
@markrobinson8254Ай бұрын
ARE YOU KIDDING! ! the best
@BarrettKaufmanАй бұрын
Great!
@JimRobinson-colorsАй бұрын
I'm not understanding the first method why you have such a small amount of softness- it works like any graduation where the larger it is the more gradual it will go from origin to the outside of the oval. So you aren't limited to the shape or size, that power window can over reach - just zoom back - increase the softness, and increase the blur ( way past what you need ) and then resize the shape so you get the graduality that you require. Before we had OFX like tilt-shift etc. this procedure was done all the time. Not that it will look better than what you came up with, but a lot better than the first attempt, without the OFX. In most cases, we would also lower the gain slightly to help the eye trace
@BarrettKaufmanАй бұрын
Totally agree! The limited softness of the first example was to help demo the problem of using a blur and power window (not necessarily to show a solution)