very tiny technical knowledge , great man 👍

Great information! One issue though - your mid gray point is slightly off. I know this because without adjustments to that node, there should be zero change in the grade , whether on or off, if the point is in the right spot. In reproducing your point, I found it very very slightly off. I created a different point that appears to be perfect. I would recheck yours by turning that node on and off.

indeed an eye opening video

Really nice video

hi . i love the way you explain things . i have one request . i have been in colorgrading field for almost 5 years now . i work in mac powered work flow . and i have been struggling wth a gamma shift in my exports all my career no youtuber has given a proper solution , id say iv tried evrything out there . can you please show us how to sort this out startting from display settings to callibration and export settings for web and cinema.

hi . i love the way you explain things . i have one request . i have been in colorgrading field for almost 5 years now . i work in mac powered work flow . and i have been struggling wth a gamma shift in my exports all my career no youtuber has given a proper solution , id say iv tried evrything out there . can you please show us how to sort this out startting from display settings to callibration and export settings for web and cinema.

Its been a year but could you do a tutorial for this in da vinci?

Maybe I misunderstood the concept altogether, but If I want to share an edit with a client, why should the client need to install the whole Studio, just to use the monitor? Why can't the monitor be freely available so I can share it with the client, and just hand the code? Also, in the iphone app I need to sign in to BM Cloud... Really?? so I should share my credentials with the client? There's no way to just enter the code. This could be done so much better from BM.

This is brilliant Barrett! Thank you so much for this tutorial 💨

I was using it, but switched to macbook pro. Need to buy a num pad! Great explainer video!

When I see the color of the wall, I know it's a pro colorist.

Were can I get the 18 percent gray card you have on your screen

I use it all the time. I have the Mini Panel but still using print lights is much easier.

Shhht, don't tell him there are keyboards with an integrated Numpad!

This is insanely amazing

Hi Barret, I'm encountering two issues. The first is that my iPad shows a different calibration, with higher contrast, compared to my calibrated ViewSonic monitor. Now I'm unsure which one is accurate and which one is not. The second issue is that in the video codec options, it only limits me to 4:2:0 8-bit and doesn't give me the 10-bit option. Do you know what I might be doing wrong?

yeah i have been using this num pads for a while now

Hi bro, I need help. I have 27" oled 240hz and high end pc with pulling 900w. My question is can I use 900w pc + router + ps5. I will stream on that pc (and some time stream and play games on ps5). So can it run it? Edit: talking about 2200va/1320w model

interesting I've seen this process done by using layer mixer node with a hard light composite on the bottom node. would there be any reason not to use that and doing it linearly like you've done? Very cool explanation.

Can also use a proper professional keyboard that comes with numpad. Ideally backlit.

This is awesone - I didnt know this either!

the infrared filter was a custom project done by the filter god Ron at Birns & Sawyer. same man who made the Nope infrared filter

Love this technique! I only wish there was a way to map it to the gain wheel for linear gain adjustments, which I prefer for balancing.

Printer lights are awesome. For even more fine tuning, you can also use your mouse like a slider in the numerical RGB values of the primaries to make the same adjustments to RBG. Printer lights are really nice for cyan/magenta & yellow. Dang, that footage is great BTW and held up either way! Finally, adding blue vs subtracting yellow can yield wildly different results as well! Great video!

Awesome tip!

so simple yet effective! great tip, thank you!

I use StreamDeck for everything and I love it

awesome!! did not know about this. will get one!

Awesome!! I love it, when you go technical - wouldn’t mind a little more of this… One specific question: As a DP I‘ve been creating my own looks for a while. How would I go about creating Show LUTs for on-set monitoring with different cameras? I‘m mostly using Blackmagic cameras, but sometimes we also have to work with Sony or REDs. Additionally I‘m using a pre-made pulldown-LUT that I would have to combine with the creative show LUT.

so to do both in your project settings do you keep the contrast curve to linear then apply the roll off via curves in high/Low soft? OR do S-Curve option and do the linear adjust with Lift and Gain to control both? The above aspect specifically talking about your Project settings in the cog wheel area

what the difference between from alpha in and from second input? I tried the alpha in and dragged the mask alpha out to blur alpha in and it worked.

I know the video is 2 years old, any update on how it is now? was thinking of buying one can you recommend?

subscribed

Have struggled with split toning for a while and this just nailed it for me. Thank you so much for not complicating the process.

damn. earned a sub bro this is by far the best Blur tutorial out there. it looks so real!!

Very informative video!

If I am grading in 709 color space then I have to do trim pass for cinema projector in dci p3 how to do sir

This movie grade in dci p3 or 709 if grade in 709 then how to trim pass for cinema projector dci p3

How do u get the node with multiple inputs?

Saw technique this from Cullen Kelly

I’m really liking the Q&A like format as you respond to stuff - keep it up! 👍

Like Josh said: what is a good place for finding high quality creative LUTS? Most of the 'high quality' ones I have actually require Arri Log-C or Red log as an input and output straight to rec709. Also Curious about the right workflow in using Davinci wide gamut intermediate

Fun fun, well done!

Hey great video! Do you have any recommendations on where to find quality LUTs?

awesome!

Try radial blur ;)

I used to get bleach bypass by overlaying a black and white copy on top - in overlay mode. Wondering if it could give nice results in resolve. Love your channel. I'm working in post production for many years, but mostly in the VFX, less in grading so I would very much apreciate a basic tutorial on a modern colorist workflow within davinci wide gamut - I'm stuck in arrilog to rec709 workflow...

I would like to thank you a lot for simply explaining this process and makes us actually want to use it. Also thanks for giving us for free those 2 power grades. You just won a new subscriber!

ARE YOU KIDDING! ! the best

I'm not understanding the first method why you have such a small amount of softness- it works like any graduation where the larger it is the more gradual it will go from origin to the outside of the oval. So you aren't limited to the shape or size, that power window can over reach - just zoom back - increase the softness, and increase the blur ( way past what you need ) and then resize the shape so you get the graduality that you require. Before we had OFX like tilt-shift etc. this procedure was done all the time. Not that it will look better than what you came up with, but a lot better than the first attempt, without the OFX. In most cases, we would also lower the gain slightly to help the eye trace