@@Mooontje15 thank you for watching! Glad you enjoyed it 🙂

@@Aimqail the battery seemed good. I only used the phone to take photos, so it's hard to tell how it would be loaded with apps and full day regular usage. It rather quickly gets hot when taking photos for a few minutes in 48mp yeah, and somewhat slow too. Other comments suggested that it only happens in 48mp.

@@MrHadaproduction thank you so much for watching and for your kind comment!

@@Mr6OvO9_TTV would be nice to try that too yeah!

@@series25a could it be that you like the way the A7IV photos you see are edited / or that you don't enjoy the film simulations so much? I would imagine similar colours can be created with the XT5 by editing raw files. Or what if you shoot a "standard" colour profile on the XT5? Thanks for watching, by the way ✌️

@@GabrielAndre Not so much on the edits of the A7IV but I get exhausted having to dial in a film sim on the Fujifilm XT5 all the time and want a flat color since i do post-edits on lightroom. The issue i'm having is even the most flat basic standard setting even after I reset the images still has like a film simulation applied to it.

@@series25a I see. I have never shot Fujifilm so I can't really talk, but when you shoot raw, it stills shows up in lightroom with that sim look? What if you change the profile in lightroom to one of the Adobe one? Adobe color for example? 🤔

@@GabrielAndre I havent tried it but I’ll need to experiment more with the cam… I heard it’s possible to replicate a flat profile but you have to like tone down a lot the color hues settings. I just want to have a custom mode for a flat profile and other with my favorite sims…

@@series25a got you! If you enjoy the device, it's worth learning how to work it best to your liking I think! If not, you can always jump on the Sony wagon haha

@@kenjiit yeah, actually I'm not sure if the shutter actually lags (as in actually delays taking the photo), or if it's just the interface on screen and the fake shutter sound the phone makes that is just lagging behind. The photos seem fine, but as the user experience, it sure feels like the device is more or less constantly struggling to keep up when taking a lot of photos (it gets real hot too).

@@GabrielAndre That is expect when you shoot photos at full resolution but the lag is not too bad on the Pixel 9 Pro XL, same with Samsung phones etc.

@@martinyeung6120 I see. This was my first time using a recent high resolution flagship, so I had no idea. I haven't really looked into it but I understand some phones like iPhone actually "divide" each pixel down to achieve a higher pixel amount. I'm thinking that processing could be a reason why it's slow after pressing the shutter 🤔

@@GabrielAndre You can try using the default resolution and there is no shutter lag at all plus the difference with full resolution is not really noticeable unless you pixel peeping. I am using Pixel 9 Pro XL too and absolutely love it, nice video btw.

@@martinyeung6120 i got you! I'll give it a go next time I try a phone 👍 yeah it seems that there's no substantial gain in details by bumping the megapixel count... and yes, regardless the phone produces solid images 💯

@@vnnkawizara hehe thank you 🤗

@@JacobElijah日本 thank you for watching man!

@@MetalSpikey hey!! 😃 Sure thing dude, I hope you're doing fantastic!

@@cardanoisrael53 haha thanks man! Good to be back 😎 I'll try to master being more regular 😂😬

@@Abcdergjfjnvtunvk1346 thank you so much for watching!

@@coralandmauveblog thank you so much for watching! In Hanoi 70-200 in the bag for sure haha 👍

@@movijunki thanks for watching! Glag you liked it 😊

@@yosefjim4072 thank you so much for watching and for your kind comment!

@@vanphong2543 thank you for watching !

@@ninasan1524 thank you so much for watching! 🙏

@@cynki5152 thank you so much for watching and for your kind comment 🙏=) and haha, I remember seeing kids literally everywhere, notably in unexpected cute places. That was definitely one of my lasting impressions of Vietnam! Aside from the famous landscapes and colorful culture.

@@TuanKieuMinh-b3f thank you very much for watching 🙏 Glad that you enjoyed it!

@@cehomin thanks for watching! I hope you'll have an amazing trip!

@@kathrineg.2532 hope you'll have a wonderful trip !

@@jamesgjurovich7893 thank you for watching! This was in May.

@@blissorordeal thank you for watching 🙂

@@nicolash2196 merci 🙂

@@scottvaughn7824 thank you so much for watching! In the streets shooting people I feel like f2.8 is good. Allows for more speed, good subject separation and with subjects being not very close to me, it doesn't blur the background into oblivion either. When I'm shooting closer stuff or b-roll etc, I'll most often stop way down too though, like f5.6-8-11, otherwise you've got barely anything in focus and the background just disappears yeah. Regarding what model to get, I used to shoot with the 70-200 f2.8 gm, and that thing is like carrying a new born baby in your arms lol. It's massive and heavy. Might look cool and all, but it's not practical or comfortable in a run and gun scenario. I never had the f4 version, but I'm perfectly content with the Tamron 70-170 f2.8. it's small, about 800g so very comfortable to use, and the image quality is just stunning. Autofocus and reliability has been perfect for me too. The new version has buttons on it too making it easier to use (i still use the old version tho). It's also far cheaper than the Sony counterpart so for this particular lens (70-200 range), it would be my recommendation easily. The Sony versions have in lens stabilization though, if that's a big deal to you. Either way they're all great lenses so you can't go wrong!

Thank you very much for watching and for your kind comment !

Thanks for mentioning the intro mate ! 😁 I'm definitely happy about that haha. And yeah, I was desperate to get on that plane 🤣 ilI tried a different approach this time with Dehancer and it made the overall grade easy abd the results pretty good I think. Thank you so much again for watching it 🙏

@@GabrielAndre Would love to see a behind the scenes in the editing process for that intro. That’s like Netflix material right there 😮‍💨

@@john.vanzijl enters 💁 the fusion tab 🤣 I took inspiration from a recent netflix movie's intro actually! Thought it was so cool and immediately thought about taking bits of it and apply it to this Socotra theme. Worked out so well haha

Thank you sooo much 😄🙏 I wish I could have made a more in depth documentary on it too, but a set of circumstances made it difficult 😬

Thank you !!!! 😄

Thank you so much 😃 It was an amazing and beautiful trip 💯 I'm sure you know what movie the intro was inspired from haha 😉

Thanks a ton my man !! I'm happy you enjoyed it and greatly appreciate all the love, and send it right back at you 🙏

Thanks a lot for watching and for your kind words! I guess these videos require too much time for me to produce them fast enough to stand a chance in an algorithm 😬 I'll keep making them at my pace though! Thanks a lot!

Thank you so much for watching and for your overwhelmingly kind feedback 🙏

Thank you so much for watching! Very glad you enjoyed it. Everything was edited in DaVinci Resolve studio. I simply overlay the before and after photos in the timeline > keyframe the top one to appear laterally using the "crop right" tool (or left, whichever you like 🙂).

Thank you! Glad you enjoyed it 😀

Thanks for watching! For photos at nighttime like this, I'll often set the ISO to 500 or 1000 depending on the needs, so that I don't have to think about it again after and can almost always have a decent shutter speed on A mode. If I see the shutter drop too low, I may adjust sometimes for some particular scenes. For video, how ever high I'll need. Some clips might be 20,000 or something. I'll shoot and if it's not usable then I won't use it. But this is KZbin so technically we can use anything 🙂

Thank you very much for your kind comment! Short answer: I guess often around 0. My 2 cents regarding the exposure compensation tool: it's a tool to help you gauge how you should expose for a scene. It'll display different values for the same scene depending on what metering method you set it to, so I wouldn't be able to recommend an "average/safe for most" value. Perhaps the most useful answer I can give you is: I used to set it at -1 (as many people I believe) because it'll "protect your highlights and you can raise the shadows in post". Probably because you can read that everywhere online and many photo gurus say to do that, so when I started I probably just followed... I definitely don't do that now. My exposure compensation will be at whatever it lands at when the exposure seems to be adequate for my subject and the final rendition I have in mind (or at least I'm trying to) so sometimes it could be -2 or +0.7. I just want the best possible exposure for my subject.

@@GabrielAndre Thanks a lot, Gabriel! It makes sense. I'm new to photography and bought my first camera (Sony a6700 with Sigma 18-50mm f2.8). And, I generally try to keep it -0.3 or 0 for now. Still trying to understand how to best expose for the subject. I mostly enjoy landscape, but I went to Vietnam last week so wanted to try out street photography too. I searched and came across your video. Very much enjoyed your content. Keep posting, and if possible, do share some tutorials on how to get good photos. Thanks again! Have a great week ahead.

Thank you so much man! Hong Kong is waiting for you 😉 I'll make an appearance soon again 🫡

Thank you for watching! Sony a7iv & rx100miii 🙂

Thank you SO much man 🙏🥹

Thanks a ton mate! 🙏 Really glad you enjoyed it 😎 Couldn't come up with inspiration while trying to edit it for some time, because I shot without a clear idea in mind, but I'm not unhappy with how it turned out in the end!

Thank you so much for watching!