This was a cool technical deep dive!

Thanks for your reviewing. Please add z cam to compare.

Otus and Tokina Primes.

for the footage you shot with the C80, did you have some sort of lens filter on the glass? e.g mist filter? It looks grerat!

just to understand for the tests, you exposed Key Side to +1 stop over middle gray and then over exposed or did you expose Key Side to Middle Gray?

HDRX and Extended Highlights is 100% the same, just different combined. The flaw on EH is, you can't control it specifically.

Thank you

I just got a kinefinity over red kinefinity has 4444hq 6k and dng uncompressed raw built in with v-mount and cannon mount battery higher frame rates supper 35, micro 4/3 and supper 16 with open gate more sdi ports can use any mount you want wonderful camera and cheaper memory and arri like color science and with a compact box

It seems like the same as the z90 except bigger, heavier & more expensive. And a 1" sensor is not small. No one is shooting footage for the big screen. Anything larger than 1" is overkill to the max. HD at 60p will always look more impressive than 4K at 24p.

perhaps this is a dumb question, as I'm new to cameras and such. But I'm curious, does this system support tap to focus through the camera's touchscreen or an external monitor (not necessarily the DJI one)?

Hi Jake, I am trying to buy a camera for my wife that i could use as a C camera to my fx3 and ZvE1, could you tell me what is the equivalent to the apsc FX30 but non cinema line ( just like the a7s3 is to the FX3) Thanks

As a hybrid shooter I would love if you could compare it to R5 mk II

I just wanted the Komodo X but with a FF sensor

It’s really time for Sony to have some sort of RAW format internally on the next gen Cinema Line cameras, namely the upcoming FX6 and FX3 mk2. The current all-intra codecs are fine but they really start to lag behind when compared with the internal RAW codecs of the (fierce) competition. Sony obviously have the knowledge and the financial resources to make it happen if they really want to. Having great AF and low light performance isn’t enough anymore, most competitors have internal RAW nowadays which is a major advantage for professional work. It’s time to step up Sony.

I rented this lens to film a documentary about a variety show, as part as a fully built-out compact rig (R6 II, Atomos Ninja V, V-Mount, and some audio equipment). The circumstances: Difficult lighting, moving subjects, and a lot of change in scenery. (From show, to backstage, to interview) This lens, although really heavy without a shoulder rig, was a DREAM to use in practice. From its focal range, almost perfect par focal nature, to the stepless aperture when spotlights came in the mix. Just fantastic, and still very much Canon in ease of use. Yes, if you were to buy it, it's quite expensive compared to some other RF lenses. And no, it doesn't perform like cinema glass. But I don't think it's meant to. If you want zero breathing, minimal to no aberration, you're getting closer and closer to at least 5 digits on that price tag. For YEARS I've wanted a 'film-focused' lens of this vocal length, akin to PictorZoom and Angenieux, and although this lens may not perform 'as well', it's incredible nevertheless.

12:31 I found myself watch this video in 2025 randomly! Not even a sub and first time viewer😂

BRAW will be available on the FX3 Cinema Line through the upcoming firmware update V7.0 in September 2025.

great review. I havent seen anywhere if you can actually use iris+focus on the handgrip. As a solo operator that would be great

I use it for shooting vlog videos very smooth machinery

Awesome review. Thanks! I’d love to see a comparison between the Canon C400 and the Ursa Mini 12K OPLF - trying to decide between them, they both have great pros, but different target users with some crossover.

my friends are fighting...please answer

What a beautiful piece of machinery ❤

I would have loved them if they hade a PL mount. 😢 or if some brand brings a Conversionkit

Im very happy with my c80

Would love to see a comparison against the Ursa Mini Pro 12K or Pyxis:)

so what is Camera A, B, C and D? Where do you tell what camera is what?

50:42 is this in fact a leveler and extender or just an extender? i.e. is there the piece that attaches to the tripod head to keep the eyepiece level during tilts?

great in depth review. probably more comprehensive than blackmagic themselves.

I use a mattebox and only cine ZOOM lenses.. Will this system work with both?

2024 Arles!simera-c!

Well, my concern about the flixable cables inside becasue it’s familiar for canon 24-70 ii users that after a while the cable inside need to be replaced, what about this ? Anyone has knowledge about that? Thank

Would these work on a Sony a1 II

Hello! Can i switch on in camera desqueeze on S35 4:3 mode ?

Amazing how folks think background blur equates to cinematic. No it does not. Most important is the story. It's all about the story.

Hello! Excellent and well presented content. I confirm my subscription and you have my full support. I hope we can be good friends. See you again. Greetings from Brazil A Happy New Year to all of you.

Red V Raptor is the most advance digital cinema camera today.

Happy New Year guys!! Always love when a new CVP video comes out. Here's to an exciting and gear-filled 2025! 🥳

enjoyed watching your reviews today.

What a year ❤❤❤

informative video thanks CVP

Hey Jake, any ideas of there will be new firmware for this or a mk II coming soon?

My new Sony NX800 camcorder is my go to video camera over my rigged up fx30 and a7iv. The video quality is beautiful and the ability to zoom out so far makes it so versatile for sports events to racing events. Love it

Wow. Hard to keep up with all the new gear. Lusting after many of these, but wife points out camera technology changes so rapidly, buy glass, not cameras. Rent instead.

There are some features on this camera that really punch above the weight class. I would love to see BM get themselves into more high end DPs hands. I think a lot of the hate on the company comes from some of their early models being finicky or having issues, but they're obviously really trying to establish the camera side of thing which makes a lot of sense due to how prevalent they are in the post side of things. I feel like they need a B cam version with this type of sensor array. Would love to see a PYXIS pro of sorts to be a companion- even if its only a 6 or 8k version with the RGBW sensor and maybe some internal NDs.

In an other video it was mentioned, that the 75-180 starts having weird, circular flares after 100mm, did you experience this?

Favourite channel of the year thanks guys. Epic work.

Don't let a razor go near that beard in 2025. I love the reviews, news, and information from this channel. Keep up the great work in 2025

i hope 2025 brings affordable lenses with constant aperture

Yeessss ARRI ENSO Prime review, PLEASE.

Excellent video and selection