How do they compare with the faster Zeiss nano T1.5 lenses?

The camera work is full of energy and drama but not making me dizzy and I really like that.

Nice vdo ! What do you think about canon cine và zeiss cp3 ? Which one is better?

Disappointing.

First off, that's a great spot you shot. Just that one main big ass key light pretty much? Damn it looks cinematic. Also can I ask who makes that side handle? I want it about as bad as these lenses.

Awesome content!

First step have money

Does autofocus work with the Cp3 lens on Sony FX3 ?

Metabones makes a PL speed booster to give you around a extra stop of light for cp3 and close to full frame on a super 35 .anyone use this option yet ?

I never considered a monitor would benefit me, but after using one I can't live without it.

I shot a 48 hour film challenge last weekend with my pocket 6k coupled with Zeiss cp3 lenses. Great combination! Here’s the results: kzbin.info/www/bejne/jIuQd4FvrNSNh7M

Amazing review. I'm finally getting in the market for some cine glass and am leaning towards these CP.3 because of the amount of travel/solo work I do. At @8:05 what are you using to focus? I'm on the sony FX9/A1 System and use all sony GM glass at the moment so I'd need to invest in a focus system for these, anythign you recommend?

Said fuck a battery

You do this professionally, don't you?

Amazing video, do you also have experience using the XD versions of the CP3? Is it worth having the additional information available in post for what you are doing?

Excellent presentation

Nice piece….worked on the olympics with the CP 2s and was so impressed with them I went out and bought two CP 3s and looking to buy a 3rd. Great lenses that fit beautifully in my hands.

Fantastic work Oliver! hope to see more content from you.

I got my 50MM CP.3 Sony E mount two days ago and I love it, can't wait till I can afford the 35mm in a few months.

Nice video ! Thank you very much. What is the brand of the cage and of the screen ?

How did I stumble on this video? haha small world. Love it Oliver 👍

my opinion, filming a talking head with an eye light bounce from underneath, its a better visual if you had a white background or natural lit back light from a window or a balcony :) i know this video is old, i just noticed this and i wanna put this out there lel. overall, thats a pretty cool rig

What Premiere graphics kit did you use?

Finally a filmmakers review of mighty CP.3 lenses. Great work, man!

Okay but can we talk about how HOT this guy is???

Amazing amazing video! Holds up even up to today (3 years later)

Awesome review! Respect!

No follow focus system? I know it would add bulk to an already hefty rig, but I'd choose follow focus over a matte box if I had to do one. I can't trust Sony's autofocus as much when I'm in the field doing run n gun.

Top quality. Great video man!👌🏻

Zeiss pl mount with adapter to sony E mount works on sony cameras?

what about power tho?

are you on a scary movie??? why the light is below your face? many people compliments this video.. that shows how little they know

Nice!! Consider me subscribed.

Beautiful shooting and lens too!

Do you still like the cp.2? is there a different in image quality

Such an amazing video! I love the music!!

does this lens have autofocus?

This guy definitely tokes

What kind of rig is that?

Did I miss your battery solution? Usually I see a V Mount option or at least a Power Junkie to use NP-F batteries or something. and then a bunch of adapters to power each of the components yet only have one battery to focus on (especially with the a7SII and those crappy NP-FW50 batteries. Any way, great production quality and I agreed with almost everything you chose, just felt you missed the whole single battery concept (which can also double as a counter weight)

Does this combo provides Auto focus?

Solid video Oliver! We gave you a subscription and will stay tuned.

Interesting. You said DSLR probably 10 times in this video, but you're building a mirror-less rig. But that's a good choice of camera, and that would have been the lens I chose as well if I was a Sony shooter. I'm going to build a Fuji X-T3/X-T4 rig soon, but if I ever change brands/bodies, I'll just need a new cage, all the other gear will transfer. Let's face it though, we want matte boxes because they look cool on the end of our cameras. You're using a screw-on ND filter, so it's not because you need a filter holder, and you could have just used the lens hood, to keep stray light out. But there's a lot to be said for looking "Professional" to clients. I learned this back in wedding photography. My first wedding ever I had some old woman telling her friend "Oh, it's just 35mm" about my camera, like I was some kind of amateur. I since went to medium format, and then multiple versions of digital of course, but I had the big custom flash bracket, and the big flash diffusion, and the big lens because it looked professional...all one piece at a time as well. Each wedding I shot, I'd get a new piece of gear. Then nobody said peep after that, lol.

Thanks for the info! What are the rods for on the bottom?

Risky offering a blank check to Zeiss. They might send you something back amazeballs that hasn't even been invented yet, lol.

wow! nice video.....

Excellent information. Thanks for sharing.

agree you have some fantastic videos not many but your production is amazing and you get to the point well. keep making videos man your one of the best

I really liked the lighting in this video - so different to see it from below.

shoot all day? with 1TB?